Author Archives: Tim Hall

Carnival of the Vanities #3

Silflay Hraka’s‘s Carnival of the Vanities #3 is up, here and here. It’s the biggest one to date; the best postings from a whole lot of blogs.

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Manchester Model Railway Exhibition

Manchester MRC have changed the date this year, due to Warley changing their date to MMRC’s old slot at the beginning of December. (Unfortunately this now clashes with Dragonmeet – you can’t win!)

The Manchester show was still at the same venue, the New Century Hall near Victoria station. There were a large number of high-quality layouts, even if a lot of them were steam age ones. Two of the best, as far as I was concerned, were “Europe 3″, a large HO-scale Italian layout set in the present-day with an assortment of FS Bo-Bo-Bo electrics of various classes, and “Mostyn”, just about the only large P4 diesel-era layout in existence, with their large collection of class 24 and 25 ‘rats’, and a special guest appearance by an ex-works regauged Heljan blue 47. While this layout still has some way to go, especially stock-wise, what they have so far is very impressive indeed, and challenges the kettle-centric world of finescale modelling.

The Manchester club’s own ‘Dewsbury Midland’ was in evidence, of course; the last couple of times I’ve seen this layout they were running it with 70s blue diesels, this time they’d turned the clock back to the mid-60s, mostly grimy steam.

Other layouts that caught my eye were “Fort Nevis”, 2mm fine-scale based on Fort William in Scotland with an extra couple of sidings, operated with a fleet of class 37s, and “Grange over Sands”, an accurate N-gauge model of ‘The Dawlish of the North’, and the large N-gauge main line “Starbeckbridge”.

Of course, the traders ambushed my wallet as usual; but I had been looking for the Minitrix Swiss intermodal set for quite some time.

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Fundies cause trouble again

Guardian Unlimited | The Guardian | Evangelicals’ threat to new archbishop

Evangelical fundamentalists last night stepped up their campaign to oust Rowan Williams, the incoming Archbishop of Canterbury, before he even takes up his post, by threatening to take “direct action” against him. The council of the Church Society, the Church of England’s oldest evangelical body, joined a younger evangelical pressure group called Reform, which is also opposed to Dr Williams, in calling on him to recant his supposedly liberal views on sexuality or stand down.

Perhaps it’s time for ‘Mainstream’ Christians to take on the fundamentalists? For too long non-fundamentalists have been afraid to speak their mind, perhaps fearful of rocking the boat and seeming to promote disunity.

Surely those people who believe in crude literalist interpretations of scripture who believe that out-of-context bits of the legal code of a bronze-age tribe should still apply to the modern world need to be told that they’re just plain wrong.

If Christianity were to retreat into an unthinking blind fundamentalism, it’s doomed. Such attitudes are on the losing side of history, and have been for three hundred years.

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Ronnie Dio live review

Manchester Academy, 6th October 2000

Ronnie James Dio is one of the great voices of heavy metal. His brand of operatic melodrama first came to widespread attention with the three albums he recorded with Richie Blackmore’s Rainbow in the late 70s, before he took on the near-impossible job of following Ozzy Osborne in Black Sabbath. After leaving Black Sabbath he embarked on a solo career that’s now lasted the best part of twenty years.

Up to now I’ve never seen the great man live; I hadn’t really followed his career in recent years until I picked up a copy of his then current album ‘Magica’ a couple of years back on the strength of a sample track on the free cover disk of ‘Classic Rock’ magazine. That album confirmed he was still a musical force to be reckoned with in the studio; I wondered whether he could still cut it live.

The support band were the Oliver/Dawson Saxon, one of the two rival Saxons on the live circuit (the other being Biff Byford’s ‘official’ Saxon). They ran through a set consisting entirely of old Saxon songs, such as “747: Strangers in the Night”, “Dallas 1pm” and of course, “Wheels of Steel” with a lot of energy and panache, and certainly had me flashing back to about 1981, even if the only genuine Saxons were the bass player and the rhythm guitarist.

Dio hit the stage on the dot of nine, and almost immediately dispelled any doubts. Ronnie’s magnificent voice was on superb form, every bit as good as in the 70s and 80s; unlike some he’s clearly looked after it. His band, still with former Rainbow bass player Jimmy Bain, was tight and energetic, and rocked the house. They ran through a set covering Dio’s entire career, from Rainbow and Black Sabbath material such as ‘Man on the Silver Mountain’ and ‘Heaven and Hell’, four songs from his classic solo debut ‘Holy Diver’, and more recent work like 2000′s excellent ‘Magica’ and the newly-released ‘Killing the Dragon’. New guitarist Doug Aldrich was impressive, especially in the second half of the set where he tackled material originally performed by guitar greats Richie Blackmore and Toni Iommi. The set climaxed with ‘Heaven and Hell’ and the encores ‘Last in Line’ and ‘Rainbow in the Dark’, with most of the audience singing along to the surreal, mystical lyrics. Altogether a great show!

Official web site www.ronniejamesdio.com.

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Favourite Guitar Solos

There aren’t enough decent guitar solos in rock nowadays – the ‘guitar hero’ has gone right out of fashion, it seems. To many people, especially the cloth-eared British music press scribblers, and those that read them, think solos of any kind are somehow politically incorrect, so we end up with bands endlessly repeating the chorus or putting in inane ‘la-la-la’ sections where the guitar solo is supposed to go.

I’ve listed six of my favourite solos. All of them are from the prog-rock or heavy metal genres, and looking at the list I realise all but one of them are from the 1970s; perhaps I’m showing my age.

Buck Dharma – Revenge of Vera Gemini
From Blue Öyster Cult’s Agents of Fortune. Buck is one of the great underrated lead guitarists of rock. While his extended solo on the live version of Astronomy from Some Enchanted Evening is wonderful stuff, I really love this solo. Short (I think it’s only eight bars long), and simple, but perfect for the song. Not one note is wasted!

Dave Gilmour – Comfortably Numb
From Pink Floyd’s The Wall. This is one of those solos everyone lists, but that’s no excuse for me not to list it as well. A great example of feel and emotion as opposed to pure technique.

Steve Hackett – The Lamia
From Genesis’s Lamb Lies Down on Broadway. While Firth of Fifth was always his live showcase in Genesis days, this emotional solo always causes a tingle down the back of my spine whenever I hear it.

Steve Rothery – This Time of the Night
From Marillion’s Clutching at Straws. Another understated and evocative solo; a truly beautiful piece of playing. One of the rare cases of a solo right at the beginning of a song.

Richie Blackmore – Stargazer
From Rainbow Rising. Richie Blackmore was at his peak in the early 70s, both with Deep Purple and with his own band Rainbow. While much of the time his studio playing lacked the fire of his blistering 70′s live work on albums like California Jam and Rainbow On Stage, the evocative eastern-sounding solo on the epic Stargazer was a notable exception.

Michael Schenker – Rock Bottom
From UFO’s Phenomenon. And Michael Schenker was the phenomenon here. An early example of ‘shredding’, but with a sense of melody that most shredders lack.

What are your favourite solos? Use the handy comments facility!

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Bye-Bye Manchester

Yes, after two years I’m leaving Manchester and returning south. I moved north for what was initially a three month contract for SX3, which got extended and eventually lasted more than 18 months. Sadly the downturn in the IT market in the past year had meant contract work in the north-west has just about dried up, so I’m going to try my luck elsewhere.

I handed in the notice for my flat in Sale this morning, and for the next few months I’m going to be staying with my parents in sunny Slough.

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Iä! Iä! Tipper F’tagn!

Dodgeblogium discovers the awful truth about Tipper Gore’s dreaded PMRC! Who would have thought it!

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What’s wrong with liberatianism?

I’ve included Mark Rosenfelder’s Zompist.com on my blogroll from the beginning, even though his site isn’t really a blog as such. I find him mostly well-written and thought provoking, and his politics balances all those ranting right-wingers on my blogroll.

He’s written a long essay on what’s wrong with libertarianism. You may or may not agree with what he says – I know there are a lot of libertarians on my blogroll, and some of them may even read this blog. Most of his points are well-argued and thought out, but he closes with the following comments:

Libertarianism is essentially the morality of a thug. It’s a worship of the already successful, privileging money and property above everything else– love, humanity, justice. And let’s not forget that lurid fascination with firepower.

It’s also the philosophy of a snotty teen, someone who’s read too much Heinlein, absorbed the sordid notion that an intellectual elite should rule the subhuman masses, and convinced himself that reading a few bad novels qualifies him as a member of the elite.

Is he attacking a straw man here? It seems to me he’s attacking the most extreme elements of liberatianism, such as the ranting wingnuts you meet on usenet, and using it to discredit the whole philosophy, in the same way that some conservatives use the worst excesses of Stalinism to discredit social democrats. Or is there a grain of truth in what he says?

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Googlefight!

Make a fight with Googlefight!

Results so far:

John Major beats Edwina Currie
And so does Ann Widdecombe. Not sure what this proves

The Welsh beat Anne Robinson. She won’t call them ‘Ugly Trolls’ again!

What about music? It appears that Dio beats Ozzy

Trains? Virgin Voyagers beat Class 47/8s. I think Richard Branson has been bribing Google

RPGs? D&D sadly beats GURPS. But GURPS still manages to beat Deadlands

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Game Wish 16: Old and New

This week’s Game Wish from Turn of a Friendly Die

In the gaming you are doing lately, what do you miss from earlier games? What works so much better you never looked back? Three examples?

I’ve moved from GMing and playing in long-running campaigns to a mix of one-shot convention-style games and PBeMs/PBMBs, so that’s a big change in gaming style!

Like many people, I started RPGing in long-running games. Over the years I played in an ADnD game and GMed a GURPS game both of which ran for more than 5 years. The GURPS game actually ran to a conclusion, which is rare, the DnD game and a later Runequest game eventually fizzled out when players dropped out.

Then I got into on-line games, initially those run on the message boards of the now-defunct Compuserve RPGAMES forum. Compared with my previous face-to-face gaming, it’s quite a different world. The games run at a much slower pace (a single evening’s tabletop gaming would take several weeks to play out on-line), but you can compensate for this by playing multiple games in parallel. At one point I was playing in six, as well as running one of my own. Following the demise of RPGAMES (documented here) I’ve continued on-line gaming on Dreamlyrics and The Phoenyx.

More recently still, I’ve started going to conventions, both the big organised ones like Gen Con UK, Dragonmeet, Stabcon and the Dudley Bug Ball, and small private ‘mini-cons’ run by people from the ex-RPGAMES community. At these I’ve played in a wide variety of one-shot games in different systems.

From earlier games, I miss the long-term character development and really epic quests that you can do in a long-running campaign. For example, in the GURPS Kalyr campaign I ran, I sent the players on a quest taking them to every corner of my game world, interacting with every nation, culture and race in the world. Similarly the Runequest game saw my character Javin develop from a callow youth with a grudge against the Lunar Empire to a significant force (in a completely different body, just to confuse the Lunars). I do miss having a regular game group, even if we didn’t actually game that regularly due to scheduling problems.

The one thing I don’t miss at all are the interminable ADnD combats that used to take up two-thirds of each session!

Moving on, I find the slower pace of on-line gaming gives more time for in-depth characterisation; you can think more about the character’s motivations and back-story when you’re not holding up the action. I couldn’t imagine describing a character’s very surreal dreams in a face-to-face game, as I did several times in the first on-line game I played in, a GURPS Cyberpunk epic. I also like having a permanent record of the game, right down to the in-game dialogue. The RPGAMES/Dreamlyrics community has some superb writers!

I’ve played some very good games at conventions too; there are some wonderful GMs on the convention circuit, and many of them rerun and tweak their scenarios until they’re perfect. I’m lucky living in the UK with it’s more compact geography here, which means there are many conventions a year within easy travelling distance of most parts of the country. It’s strange RPing with complete strangers, although you do tend to run into the same people at successive cons. As for the private weekend-long ‘mini-cons’ organised by people I first met through on-line gaming, I now know many of them well enough that it’s as good as playing with a regular group. One good point is exposure to a wide variety of systems – at one point this year I had played ten consecutive games at various cons in ten completely different systems. I guess I’m not one to be fazed with learning a new system as I play; I’ll even sign up to a game without knowing what system it’s going to be run under!

My best memories of organised cons are of two very different In Nomine games, one at Gen Con UK 2000 run by Jo Ramsey, who has written for In Nomine, and one run at StabCon earlier this year by Mark Baker. The first featured Demon PCs based on the characters from the TV Sitcom “Drop the Dead Donkey” thrown into a plot loosely based on “The Omen”, featuring Tony Blair and a gunfight at a village fete in Devon. The second, an much darker Angelic game set in Naples, Italy was filled with some very powerful imagery that had me dreaming about the game that night!

While I’d like to be part of a regular (weekly or bi-weekly as opposed to three or four times a year) group, I don’t think I want to go back to 5-year epic campaigns again; there are just too many games I’d like to play or run to want to sink a large chunk of gaming time into just one. Having tasted variety, I would prefer shorter 6-month campaigns and try and get the best of both worlds. Time will tell.

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