Elvis

The media have predicably being going overboard about the 25th anniversery of Elvis’ death. Maybe I’m the just of the wrong generation, but I only remember Elvis as the bloated has-been crooning cheesy MOR. His apparent deification totally mystifies me. Scott at The Gamer’s Nook clearly feels the same way.

Meanwhile Andrew Ian Dodge over at Dodgeblog doesn’t mince his words – “Elvis was an ignorant drug-addled over-eating cretin. He would have been forgotten if he had not died on the bog from an overdose.“. See his comments board for the flames from Elvis fanatics.

Of course, not all Elvis fans are like the family from My Trailer is Bigger Than Your Trailer, but that site’s worth mentioning for their award-winning Amazon wish list.

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Blogcritics!

Now Blogcritics.org is fully up and running, I’ve got four reviews up! These are expanded versions of the reviews I posted to this very blog a week or so ago.

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Alanis Morissette on Railway Privatisation

A very silly idea using the Alanis Morissette Lyric Generator, suggested by Scott at The Gamer’s Nook.

“Will to Live”

I feel miserable
Delays make me ill
I feel miserable
Fragmentation tears at my foundations
I feel miserable
Crashes are dragging me down to the depths of misery
I want to die

Is it because of Railway Privatisation that I feel this way?
With the rail blue rays of misery pounding on my brain?
Or am I lost in tale of Captain Deltic, adrift far from home
I don’t think so, I don’t think so.

John Major Broke My Will to Live
John Major Broke My Will to Live
John Major Broke My Will to Live
I was getting better but then
John Major Broke My Will to Live

I feel miserable
Bloated costs rot the flesh from my bones
I feel miserable
Railtrack shareholders defeat my purpose
I feel miserable
Angry passengers are doing their best to impale my soul
I want to die

Is it because of Railway Privatisation that I feel this way?
With the rail blue rays of misery pounding on my brain?
Am I lost in tale of Captain Deltic, adrift far from home
I don’t think so, I don’t think so.

John Major Broke My Will to Live
John Major Broke My Will to Live
Oh God, John Major Broke My Will to Live
I was getting better but then
John Major Broke My Will to Live

Posted in Music, Railways | 3 Comments

Blogcritics is now up and

Blogcritics is now up and running. The reviews I’ve written aren’t up yet, but they will be!

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An announcement from Eric Olsen

An announcement from Eric Olsen at Tres Producers, concerning the launch of Blogcritics.com.

The launch is tomorrow!! Please tell your neighbors, relatives, media, and readers. We will be interviewing Cary Sherman, president of the RIAA as well as posting a boatload or two of great reviews, essays, ruminations and the like. Below is the current roster – if I have missed you, please let me know. If you would like to join us, send me an email.

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Train Fares

In his UK Transport blog, Patrick Crozier claims that rail fares haven’t really risen; although walk-on fares have gone through the roof (and are the highest in Europe), the availability of cheap inflexible book-weeks-in-advance tickets mean average fares have come down.

I’m not sure that’s a valid argument; the reason a greater proportion of travellers buy advance tickets is that that’s all they can afford. To me, a restricted ticket with no option to change schedule which has to be booked a considerable time in advance is worth rather less than a walk-up ticket which can be bought immediately before travel and gives a choice of return journey.

He gave me this reply to my emailed comment:

I hope to get round to a proper reply on fares – I’ve had quite a lot of feedback on this one. I would just say this: to me a cheap fare albeit with restrictions is lot more valuable than a more expensive, flexible one. It is the difference between travelling and not travelling.

I’m afraid I don’t buy his argument here; a heavily restricted ticket is worth less because of the restrictions; over the past couple of years I’ve made a lot of journeys by Virgin Trains; on all occasions I’ve had to purchase the more expensive “saver” tickets because either I haven’t been able to book far enough ahead, or I’ve needed the flexibility to change my return journey. This applies to an awful lot of journeys, especially business travel.

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On Roleplaying

I advertise this site as “RPGs, Trains, Music”, but I realise while I’ve posted several lengthy railway and music-related pieces, I’ve had little to say recently about the world of roleplaying games. Perhaps it’s because much of my RPG-related writing is the actual games themselves, after all, I’m running three internet-based games, two on Dreamlyrics and one on The Phoenyx, as well as playing in a couple more.

I know roleplaying games are even more uncool than trains or listening to prog-rock, and I get enough flack for them. And if you think such things are too nerdy, what are you doing surfing the web? You should be down the pub, or playing football!

What are roleplaying games anyway? Those that know can skip this paragraph; those that were originally here for the trains or the prog-rock, read on. I would describe it as a cross between co-operative storytelling and wargaming; a group of players each take the part of one major character in the story, while one (called the Games Master) takes the part of minor characters, and controls the setting. Most games use a set of published rules that define character’s abilities, and some mechanisms for determining character success at doing things. Games can cover all sorts of fictional genres, with action-adventure themes always the most popular; published rules cover things Tolkein-style fantasy, 50s style science fiction, comic-book superheroes in spandex costumes, vampires battling against werewolves, or angels battling against demons.

So what attracts me to roleplaying games? Unlike a lot of gamers, I didn’t discover RPGS until my 20s. I was never the sterotypical teenage munchkin acting out his adolescent power fantasies. One thing that I really love is the worldbuilding aspect; there’s something about creating an entire imaginary world, with it’s peoples, places, cultures, religions and even languages. And persuading other people to explore this world with their equally imaginary characters, for me, makes it all worthwhile.

I love games with rich, detailed settings, a style of gaming which has gone out of fashion in recent years. My own Kalyr setting is a case in point; it’s been written up and developed over a period of many years. One of my favoutite settings is has to be Glorantha, developed over more than 25 years, originally the setting for Runequest, now the setting for a new game, Hero Wars.

At the moment, I’m not in any long-term campaigns since I moved away from my original group. All my gaming is either one-shot games at conventions, or internet-based, either email or message board.

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Iä! Plush F’tagn!

The author of the anti-roleplaying tract “Terrors in the Toybox” surely didn’t have this in mind. Thanks to Turn of a Friendly Die for the link.

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A Twelfth Night site

For those interested in the Twelfth Night piece I wrote a couple of days ago, Twelfth Night – The Collector is a new (ish) Dutch site containing the full history and discography of the band.

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Blog of Dog?

Blog of Dog? As they used to say in Northern Ireland, vote early and vote often!

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