The first time as tragedy, the second as farce

67021 heads a eastbound mail through Dawlish

As part of the 1955 modernisation plan, British Railways ordered large numbers of diesel locomotives from just about every manufacturer that believed they were capable of building such things. Many companies with a good track record for building steam power took up the challenge. Many of those designs proved not to be up to the job, and many ended up on the scrapheap after ridiculously short lives, in some cases as little as six years in traffic. Such was the fate of classes like the Class 17 “Claytons”, the class 23 “Baby Deltics”, and everything produced by the Glasgow firm North British.

This posting by Hugh Dady to the South West Rail Gen mailing list suggests that history may be about to repeat itself.

Happy Anniversary 67014

Today 9th August 2002, General Motors ably assisted by Alstom can celebrate what is thought to be a ‘first’ in UK diesel traction for an almost brand new locomotive. One year ago today with the locomotive little over a year old, 67014 was declared a failure at Penzance on 9/08/01 before working 1C01 the 1930 TPO to Bristol and to this day has not worked a train again. Happy Anniversary for the first year out of service and good luck with the next!

This ultra reliable product (or so we were led to believe by Mr Fisk & Co) designed to replace the aging 47/7s has been off lease from EWS for some time dumped in the scrapline at Cardiff Canton – give, or take, 1.3 million pounds of scrap metal.

Even the worst examples of the pilot scheme diesels, Co-Bos, Baby Deltics, D8400s etc are hard put to beat this record – most of them were 5 years old before taking their rightful place decorating the depot yards of Britain.

The problems of the 67 design should have been no surprise to Ed Burkhart and his engineer Jim Fisk. They had only to look at the performance of the Alstom Mega class (Cl 67 clone) delivered to Israel Railways in June 98 to realise that they were buying a problem on wheels. Not only were Israel less than impressed with the Mega but they didn’t seem to think much of its big brother curiously named Semi-Mega which is a Co-Co. Alstom had offered the basic body shell in a number of configurations with various traction packages available. The contract signed by EWS was with General Motors, the locomotives technically built under license by Alstom at Valencia in Spain.

Given the mechanical problems which have befallen the 67s, it might have been a safer option to plump for the Co-Co variant rather then hover on or over the axle load limit by trying to get the whole lot into a Bo-Bo locomotive that is actually longer than a 47!

Despite the many shortcomings of the mechanical design which manifest themselves in poor ride quality, excessive wheelset wear, short bogie spring life, buffing and drawgear problems etc it would appear that it is the GM supplied power plant which has been the downfall of the once SWRG ‘pet skip’ 67014. The locomotive had been in trouble long before August 9th last year with all sorts of heavy current electrical problems and a rather unhelpful fault diagnosis system which itself was giving misleading information from the on board engine management system.

On that fateful Thursday, the locomotive worked from St Blazey down to Penzance with 5C01, the TPO ecs, to form that evenings 1930 service to Bristol. It would seem that trouble was anticipated for an HQ riding inspector was already with the loco following previous repairs. Clearly both he and the driver were not happy for the locomotive was left on the country end at Penzance while alternative traction was found to work the service forward. 67014 was towed dit on the rear of the train before being cut at Par to make its way l/e to BZ. Two days later it ran under its own power first to Barton Hill and finally to Canton where GM and Alstom engineers were contacted.

By November both GM engineers and ones flown in from Alstom’s Valencia plant had visited the loco but it appears they could not really agree what was wrong and perhaps more importantly who was responsible for putting it right! A vail of secrecy closed around the loco. The problems appeared to centre around the alternator which Alstom argued had been incorrectly manufactured by GM while GM declared that Alstom had fitted it incorrectly. Meanwhile with EWS struggling to keep the rest of the fleet operational it quickly became a Christmas tree for spare parts, first some wheel sets but later all manner of parts. The loco remains off lease with an unknown future while EWS finally announced three weeks ago that they were in effect back-peddling and would be embarking on a programme of light overhaul and what are politely referred to as ‘reliability modifications’ to selected examples of its elderly 47/7 fleet.

Plans to utilise 67s on charter work at the weekends have all but been thrown to the wind as those who watch the regular outings to Eden and elsewhere will realise. The higher Route Availability of 8 for a 67 as opposed to the 7 rating for a 47/7 is offered as the excuse, but that hardly adds up as the routes over which the Eden charters work are invariably cleared throughout for RA10!

Photograph them while you can – 67002 continues to languish at Crewe after its crash at Stapleton Road, and the class faces an uncertain future with EWS. On a positive note they have proved to be an excellent sales advert for the 57 conversion programme! Whether Britain’s only 125 mph rated locomotive will ever be able to flex its muscles at this speed remains to be seen. The extensive on-going modification programme to the class is showing some signs of success with ride quality improved if still short of the norm expected on UK built products. Whether they ever deliver the promise remains to be seen, but for enthusiasts they have all the ingredients for a future cult class – small, idiosyncratic, named, difficult to get milage behind, potentially fast and just generally strange looking.
H.D.

Posted in Railways | 2 Comments

West Coast Misery

The West Coast Mainline is to be closed between Milton Keynes and Hemel Hempstead for every weekend until Christmas. This is so they can replace one set of crossovers between the fast lines and slow lines.

It says something about the ill-considered rationalisation of tracks over the past 30 years that they’re making no attempt to divert any services over alternative routes; all potential alternate routes (Manchester-St Pancras via the Hope Valley line and the Midland Main Line, or Birmingham-Banbury-High Wycombe-Marylebone) have had to be ruled out because those lines are already at capacity with existing services. Instead passengers must endure the misery of being bussed round the blockade, and continue their journeys to London in commuter trains.

This is a problem that predates privatisation. Penny-pinching economies in the 80s and 90s removed extra tracks and loops, to give a network that could cope with the current timetabled traffic, and no more. So when traffic increases, or worse still, another line is blocked, the lines can’t take the strain.

I can’t believe the fragmentation involved with privatisation has helped, though. I suspect there’s a bit of HSE-related sillyness that’s made it necessary to close all four tracks in the first place.

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My blogger code

My blogger code is B2 d t k s+ u– f i– o x e- l c–

Thanks to Dodgeblog for that one.

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Dawkins on Iraq

Guardian Unlimited | Special reports | Ministers attack US war chaos
Tony Blair has discovered the awful truth. British voters don’t like George W Bush. Worse that than, they don’t like Blair seeming to act as Dubya’s poodle. If Britain joins in Bush’s ill-considered war on Iraq, and it all goes pear-shaped, then Blair is doomed.

I have to quote this Guardian article yesterday, listing anti-war quotes from a number of people.

Richard Dawkins, the writer, biologist and professor of the public understanding of science at Oxford, was also firmly against any US assault: “Obnoxious as Saddam Hussein undoubtedly is, it is not obvious that he is more of a danger to the world than ‘President’ Bush and his reckless handlers.

“It would be a tragedy if Tony Blair, a good man who has so much to offer this country, were to be brought down through playing poodle to this unelected and deeply stupid little oil spiv,” he said.

I have to say I’m not a fan of Dawkins. As a Christian I find his anti-religious bigotry repulsive; he’s unable to distinguish true religious faith from blind, unthinking fundamentalism. But on the subject of GWB, I think he well sums up the way a great many Britons think. I guess many people wouldn’t have expressed their opinion in quite those terms. Tact and diplomacy aren’t exactly Dawkins’ strengths.

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Twelfth Night

No, not the Shakespeare play, but a neglected progressive rock band from the early 80s. While contemporaries Marillion went on (at one stage in their career) to play enormo-domes like Wembley Arena, and lesser bands like IQ and even the derivative Pendragon went on to lengthy careers, both commercial success and critical acclaim were to elude Twelfth Night.

I first encountered Twelfth Night as a four-piece instrumental band when I was a student at Reading University, in 1980. The band were students themselves at the time, and played the student’s union and local clubs in the Reading area at the time. The band’s sound revolved around guitarist Andy Revell’s extensive use of an echoplex. With song titles like “Fur Helene part 1″ and “Afghan Red”, they were either loved or hated by the student fraternity. Old-school rock fans loved them, punk and new-wave fans hated them with a vengeance.

This lineup recorded a live album, “Live at the Target”, which gives a good impression of what the band sounded like at the time. I was in the audience for this recording, in a underground pub with the band’s equipment crammed in a tiny stage at one end of the long, narrow room. The music, described by the band as a “timeless kaleidoscope of sound”, climaxed with the 20-minute epic “Sequences“, which condensed all the best bits of their sound; spacey echoplexed guitar in the early sections, atmospheric keyboard sections, and fluid guitar soloing.

The band sensed they needed to add a vocalist to move forward. After a unsuccessful start with a woman named Electra Macloed, and an awful, awful single called “The Cunning Man“, they chose fellow Reading fine art student Geoff Mann. Then they gave him a baptism of fire; to debut as singer in front of the biggest crowd Twelfth Night had ever played to; the 1981 Reading Festival, adding vocals to “Sequences“, transforming the instrumental epic into an the story of an idealistic recruit swallowed up in the horrors of World War One.

A year later, they recorded what was probably their best studio album, “Fact and Fiction“. This established Geoff Mann as a lyrical force to be reckoned with. The lengthy “We Are Sane” and “Creepshow” were both drawn from his experiences with art therapy at a psychiatric hospital, while the cynical “Fact and Fiction” reflects the arguments about nuclear weapons raging at the time. One critic described “We Are Sane” as ‘Pink Floyd’s “The Wall” summarised in ten minutes’. The overall tone of the album was dark and gloomy, reflecting the times – the early 80s were dark and gloomy, the feeling Thatcher and Reagan had declared war on the young and the poor, and with the ever-present threat of nuclear war. Mann’s voice was an acquired taste; more Peter Hamill than Jon Anderson, but there was a passion and humanity in his lyrics, reflecting his strong Christian faith.

They played the Reading Festival again in 1983, opening the bill on the Sunday, and I had the opportunity to see what a great frontman Geoff Mann had become; his charisma and lyrics more than made up for his shortcomings as a singer. However, just as things looked as though they taking off, Geoff left the band. The live album “Live and Let Live comes from his final gigs with the band at the Marquee club in London. Perhaps the band’s best album overall, the band on excellent form, featuring some material from “Fact and Fiction“, the previously unrecorded “The Ceiling Speaks”, and the full version of the epic “Sequences”.

Geoff Mann went on to train as an Anglican priest. He continued to gig and record with his new band The Bond, who I saw live a couple of times. To my tastes, they lacked the musical scope of Twelfth Night, and it seemed to me that Geoff had lost his lyrical edge too. Sadly Geoff was to die of cancer a few years after being ordained. Who knows where his career might have gone?

Twelfth Night themselves regrouped with new singer Andy Sears, and recorded the mini-album “Art and Illusion”. By now the sound was a little smoother and more commercial, but still retained enough depth to be interesting. In 1985 they finally signed to a major label, Virgin Records.

Sadly, the resulting album, titled simply “Twelfth Night” was a mess, musically, and a major disappointment. It’s as if they couldn’t decide whether to be Pink Floyd or Duran Duran. If it was an attempt at commercialism, it was a dismal failure. Only “Take a Look” came together and reflected the Twelfth Night of old. It didn’t sell, and year later the label dropped them. The band split.

But this wasn’t quite the end of the story. In 1988, the Geoff Mann lineup briefly reunited in the studio to record “The Collector”, an 18-minute epic played live but never recorded. This was to appear on the 1988 compilation “Collector’s Item”, a retrospective look at the band’s entire career.

Today, two albums are still available on CD; the live album “Live and Let Live”, and compilation “Collector’s Item”, recently re-issued with three new tracks replacing “Sequences” (which is on the live album). Other albums, including the classic “Fact and Fiction” remain out of print.

Update: According to the site Twelfth Night – The Collector, the classic “Fact and Fiction” is to be re-released.

Posted in Music | 20 Comments

Guitar Greats Poll

BBC NEWS | Entertainment | Music | Hendrix tops guitar greats poll
Yet another “Greatest Guitarist” poll, with a totally predicatable poll winner. The rest of this list is pretty predictable too; the usual suspects Jimmy Page and Eric Clapped-Out (both of whom I consider overrated).

The article makes an interesting point about the fact that only one woman (Tracy Chapman) made top 100

Rowley said women were not as “geeky or competitive” about music as men.

“Instead of showing off, they’re trying to write a good song. Which is probably smarter,” he added.

Maybe; but maybe it’s because lead guitar is a very, well male thing.

At the moment I’m having great difficulty thinking of any significant women rock musicians. Singers, yes, but not musicians. In comparison, the classical world has a great number of female soloists. Where is the rock equivalent of Vanessa Mae (who reminds me of a female Yngwie Malmsteen!)?

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Robert Plant flees!

BBC NEWS | Entertainment | Led Zeppelin star ‘fled gig’
Amusing story – Robert Plant goes to see a Led Zeppellin tribute band, and flees when fans recognise him. He claims he was worried about being dragged up on stage to sing “Battle of Evermore”. Could have been worse, Robert; they might have wanted you to sing “Stairway!”.

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Israel and Palestine

I’ve tried to avoid mentioning Israel/Palestine and Iraq in this blog; every other blog in the blogverse seems to be full of postings on this subject, mostly trying to compete with each other to see who can be the most rightwing and pro-war. Bruce Baugh has some thought-provoking comments (to which I have added some comments of my own)

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Blogrolling!

Thanks to Patrick Crozier for including me in his permalinks – I think this is my first one.

I’ve added a few more to the list of blogs here; the Catholic Goilard Blog, who’s author is currently writing a funk mass for Hammond B3 organ (Yay!), the Cthulhu-worshipping Dodgeblog (Iä F’tagn!), and it’s offshoot Darker than Dark, and of course, Eric Olsen’s Tres Producers, which is about anything and everything, but particularly music.

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Clerics and Druids?

I see the reactionary fundamentalists Reform are getting steamed up again about Rowan Williams joining the Gorsedd of Bards, accusing him quite falsely of dabbling in Paganism.

I shall have to look up the Dungeons and Dragons Player’s Handbook to see if Clerics and Druids can multiclass :)

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