Music Blog

All the music-related posts gathered together in one place.

Swallow, The Butler, Reading

Swallow at The Butler in Reading

I don’t usually do covers bands, but since this one was just round the corner from me, it would have been rude not to. Swallow are the Reading-based classic rock covers band fronted by Crimson Sky’s Jane Setter, with Diane Fox (above) on bass, Nick Martin on guitar, and Ade Ogden on drums. Their repetoire includes songs from Blondie, Uriah Heep, Golden Earring, Jefferson Airplane, and expecially for this gig, Led Zeppelin.

Swallow at The Butler in Reading

It’s not many gigs where I end up with more good photos of the drummer than of the singer, but pub gigs of this nature can be a challenge to photograph. The “stage” was wide but not very deep, with everyone in the front row. I was impressed with Ade’s drumming, and indeed the tightness of the whole band, as demonstrated by a very powerful version of “Radar Love”, one of the high spots of their first set. As a basic guitar-bass-drums-vocals lineup some songs needed to be played in a stripped-down forum, but the band’s arrangments worked, even managing to do Uriah Heep’s “Easy Livin’” justice without keys. I liked the way Diane Fox played the piano intro for UFO’s “Doctor Doctor” on bass.

Swallow at The Butler in Reading

Most of their second set was Led Zeppelin songs, at the request of the venue. Having seen the likes of Karnataka and Panic Room play Led Zep standards as encores, I’ve always thought Led Zeppelin songs work extremely well with female vocals, and the half-dozen songs they played, drawn largely from the early albums proved to be a very good fit for Jane’s voice. Somehow I doubt that Robert Plant could hit the high notes on “Immigrant Song” nowadays. And if Jane Setter could do Robert Plant, Ade Ogden also did a very convincing John Bonham.

While I still prefer to see bands play original material, it nevertheless makes for an entertaining evening, and Swallow do what they do extremely well.

Posted in Live Reviews, Photos | Tagged | Comments Off

Morpheus Rising – Bending Light

A rough demo of a new song “Bending Light”, a track which should on their forthcoming album due later in 2013.

Posted in Music News | Tagged | Comments Off

How the NME damaged Britain’s music scene

Angry readers complaining about the magazine putting Muse on the cover inspired this great post by Classic Rock Magazine’s editor Scott Rowley. How The Music Press Spoiled Rock blames the fragmentation of the music press into specialist publications catering for ever-smaller genre-specific niches for encouraging narrow-minded tribalism. But it saves the real vitriol for the NME.

The wrong inkie survived. Sounds and Melody Maker were both in love, in different ways, with the rock’n’roll woah. Sounds with its piss-taking, street-wise fascination with rock’s comic book foolishness, MM in its always-progressive-and-frequently-pretentious search for the next big thing. The NME, meanwhile, looked down its nose at anything it deemed ‘uncool’. What constituted ‘uncool’ could change from one week to the next but two of the main principles seemed to be that: 1) It was uncool to like rock (spelled ‘RaWk’), and 2) It was uncool to live outside London – in what Londoners like to call ‘the provinces’ (aka the rest of the country).

The whole thing is well worth a read, and when it comes to blame it’s certainly a target-rich environment. But I’m not the only one to believe the NME has had an especially corrosive influence to the detriment of Britain’s music scene as a whole. I’ve jokingly stated that Britain will never have a decent mainstream music scene until the last Radio One daytime DJ is strangled by the last copy of the NME.

Despite declining circulation figures that ought to have heralded a slide into a well-deserved irrelevance, the NME still punches well above it’s weight in terms of cultural influence. Much of The Guardian’s music writing, for example, remains steeped in the NME world-view, despite recent and welcome attempts to broaden their coverage. And likewise Later with Jools Holland has always been overloaded with NME-style indie bands, with rock never more than a token. When it’s unthinkable to imagine bands like Nightwish, Opeth or Porcupine Tree ever appearing on the show, let alone someone like Panic Room or Touchstone, you know there’s a problem.

Yes, the closed-mindedness of many classic rock (and prog) fans is nothing to be proud of, Scott Rowley is right to point out that much of this is a defensive reaction to the way rock, despite it’s popularity, is all-too-often marginalised by large sections of the media.

Posted in Music Opinion | Tagged , | 2 Comments

Fish announces tour dates

Fish at the Band on the Wall in Manchester in 2010, part of the

Fish has announced UK and European tour dates, with a warning that those are the only shows it’s going to be economically and logistically viable to play. Two weeks in the UK in the second half of May, and eight weeks across continental Europe in September and October.

No official word yet on the lineup of the band, although I’m assuming he’ll still be having Gavin Griffiths on drums. Fish is not going to be touring for a solid 18 months on the road as we saw for the “13th Star” tour in 2007/8, so I’m hoping that means Gavin is still going to be available for live appearances with both Panic Room and Mostly Autumn over the course of the year. Panic Room have a couple of dates in Belgium and Holland in mid-April, and have promised a UK tour in June.

As for Fish, he’s well worth seeing live. Last year he did a handful of dates co-headlining with Glenn Hughes. On the night I saw them, he blew Hughes off stage.

Posted in Music News | Tagged | Comments Off

People accused Beyoncé of lip-synching when she headlined Glastonbury a couple of years ago. I can only assume many indie kids have never heard a real singer performing live, and expect out-of-tune vocals as proof that it’s “4real”. Auto-tune in pop has an awful lot to answer for.

Posted on by Tim Hall | Comments Off

Crimson Sky live dates!

Photo & Video Sharing by SmugMug

Crimson Sky, the Bristol-based band I’ve previously described as sounding like a mix of 70s progressive rock with a dash of 80s new-wave have a couple of gigs coming up.

The first is at The Old Firestation in Windsor (Known in the dim and distant past as The Windsor Arts Centre), on Friday 8th Feb, and the second is the following weekend at The Railway in Winchester on Saturday 16th Feb. The support for both shows will be The Mighty Bard.

Photo & Video Sharing by SmugMug

If you can get to either of these shows, I recommend that you do. They’re an excellent live band, as everyone who was at last year’s launch gig in Reading will tell you.

Posted in Music News | Tagged | 3 Comments

Flogging a Dead Cliché

When a writer begins with the line “much has been made of the recent death of guitar music and how this year should see its glorious return“, is there really any point reading any further?

I may be missing out on some really wonderful music, but I get the feeling I probably won’t. I get the impression that any writer who uses such dreadful tired clichés as the one above thinks “three-chord indie-pop” and “guitar music” are synonyms, and genres like blues, metal or punk which centre around the sounds made by electric guitars either don’t exist or aren’t relevant. I can also safely assume the band he’s writing about are most likely to be some form of dull landfill indie and will not be worth three minutes of my time.

Posted in Music Opinion | Tagged , | 2 Comments

Martin Ledger joins Stolen Earth

Posted this morning on Stolen Earth’s Facebook page:

It is with much pleasure and great excitement, we welcome Martin Ledger into the fold, he will be joining the Stolen Earth family as lead guitarist. Those of you familiar with any of Heidi’s previous projects will recognise Martin as one half of The Secrets and will know what a fantastic asset to the band he will be!

We are getting stuck into writing the second album, booking summer gigs, recording a lovely new track with some visual delights to go alongside it and generally looking forward to the future!

Thank you to everyone who has joined us on the journey so far, lets continue together and see where we go!!

Stolen Earth x

Certainly good news for Stolen Earth fans, and I look forward to seeing how the new lineup sounds live.

Posted in Music News | Tagged | Comments Off

Blue Coupe, The Mill Arts Centre, Banbury.

Albert Bouchard of Blue Coupe at The Mill Arts Centre in Banbury

Blue Coupe comprise the brothers Joe and Albert Bouchard, the original rhythm section from the classic lineup of Blue Öyster Cult, and Dennis Dunaway, one time bassist for Alice Cooper. They’re a power trio, with Joe swapping the bass for his original instrument, the guitar.

I only got to hear about their “Hot Rails to Hull” UK tour at very short notice, and with a somewhat strange tour itinerary concentrating on the north and the midlands, with no shows in any major cities. Their appearance at The Mill Arts Centre in Banbury was the closest they came to me.

The Mill is a great venue; as the name suggests it’s a former mill converted into a modern multi-purpose arts centre, a quite different sort of environment compared with the more typical grungy rock club. No sticky floors here, although the bar did stock some excellent local real ales. While not full, they pulled a fair-sized crowd for a Thursday night, on a tour that saw some gigs sold out, while others were cancelled due to lack of ticket sales.

I wasn’t quite sure what to expect; Blue Öyster Cult were known for their multi-layered sound and I did wonder how well a three piece band would do the material justice. The start was a tease, opening with distinctive byrds-like guitar figure of “Don’t Fear The Reaper” before launching into the Alice Cooper hit “Elected”. What followed was a mix of BÖC and Alice Cooper standards, with an early highlight being Albert’s signature tune “Cities of Flame”, which saw Joe go walkabout in the crowd during his extended solo.

Joe Bouchard of Blue Coupe at The Mill Arts Centre in Banbury

Joe’s guitar playing made a very strong impression. His playing filled a lot of space, especially when you consider than many BÖC standards had two or sometimes three guitar parts, and he more than did Buck Dharma’s original lead guitar parts justice. Bassist Dennis Dunaway threw most of the rock shapes, while Albert seemed to be enjoying himself a lot on drums; with a far stronger stage presence than most rock drummers. The whole thing was very rock and roll, playing raw, stipped-down garage-style versions of some much loved songs.

All three shared vocals, with Joe Bouchard perhaps singing the lion’s share of lead vocals, while Dennis Dunaway did most of the song introductions. From where I was standing the vocals, especially Joe’s, got lost in the mix at times, which was one flaw in an otherwise great gig.

It wasn’t all oldies, as they threw in a few new songs for good measure. “Dark Boat” from one of Joe’s solo albums was particularly memorable, and they actually have a song called “More Cowbell”. The new material stands up well alongside the old, and marked them out as something far more than a mere nostalgia act, rather a band who still have something to say.

Dennis Dunaway of Blue Coupe at The Mill Arts Centre in Banbury

They ended the set with the biggest hits. First Godzilla (“Oh No! There goes Tokyo!”) with first a bass solo, then Albert going walkabout, drumming on the floor, the PA stack, the curtains(!) and finally returning to his kit for an actual drum solo, which, as drum solos go, has to be one of the more entertaining ones. Then it was “School’s Out”, and finally, after that tease at the very beginning, “Don’t Fear The Reaper”. They came back for no fewer than three encores, including a superb take on The Doors’ “Roadhouse Blues”, a song frequently covered in BÖC days, and of course, “Hot Rails To Hell”, before ending with “Under My Wheels”.

It’s a feature of today’s classic rock scene that some of the people who once played stadiums are now playing small venues in the most un-rock’n'roll of towns. But bands like Blue Coupe have still got it, and can still put on a great show. They’ve promised they’ll be returning to the UK, and when they do, go and see them. You won’t be disappointed.

Posted in Live Reviews | Tagged , , | 6 Comments

They don’t have to be your favourite band, but if you have no time at all for Led Zeppelin, I do have to question whether or not you really like rock music.

Posted on by Tim Hall | 3 Comments