Music Blog

All the music-related posts gathered together in one place.

Two Reviews

Not much to say lately; I’ve been laid up with a painful case of shingles. So I’ll review the most recent CDs I’ve purchased

First, “Star One”, the latest project by Dutch prog-metal artist Arjen Lucassen of Ayreon. Like Ayreon’s music, it includes an ensemble of guest singers whose names will be familiar to those who follow the European prog-metal scene and totally unknown to those of you that don’t. No sign of Fish or Bruce Dickenson this time, sadly. It’s heavier and more guitar-based than much of Ayreon’s recent work, although widdly synth solos are still much in evidence.

Lyric-wise, all the songs are based on well-known science-fiction films, and are excessively corny. It’s not hard to guess which film each song is based on, whether it be Dark Lords and Princesses, or alien spaceships trying to communicate with whales, or even Blake’s 7! We’re spared any Dr Who or Gerry Anderson references, to which I refer you to Geezer Butler’s “Black Science” album.

Second, the live album “The Voice of the Wretched”, by British doom-metallers My Dying Bride, very Ümläütesque. I miss the violin, though, which was a distinctive feature of early MBD albums.

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The Musical Box – Manchester Apollo

Saw The Musical Box perform Selling England by the Pound at the Manchester Apollo last night. Tribute bands are normally dismissed as the epitome of naff, but this bunch of French-Canadians are a relevation. Using original costumes, stages sets and slides, and a real live mellotron, they try to reproduce the experience of seeing the Peter Gabriel lineup of Genesis as closely as possible.

Since I’m not old enough to have seen the Gabriel lineup live (by the time I was old enough to go to gigs, the Bald Git had taken over and they had blanded out, so I went to see Marillion instead), I can’t give you a direct comparison. However, Peter Gabriel himself has stated that the guy playing him, Denis Gagné, is ‘Brilliant’. He is certainly a charismatic and visually arresting frontman. The other four musicians, although not physically resembling their counterparts, provided note-perfect renditions of the music. Overall, a wonderful experience, and the best thing short of having a genuine time machine to take you back to 1973.

The set complised almost all of ‘Selling England by the Pound’, plus ‘Watcher of the Skies’, ‘The Musical Box’, ‘The Knife’, and, of course, ‘Supper’s Ready’.

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Punk Was Rubbish!

At last! Nigel Williamson, in this Guardian article for once challenges the standard Stalinist NME view on music history.

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The Eurovision Song Contest

Tonight is the dreaded Eurovision Song Contest, where various nations of Europe and beyond compete see who can come up with the most banal song. The voting is always more entertaining than the actual music – Greece and Cyprus always give each other 12 points, every year, without fail. Sadly Norway (nul points) weren’t in it this year.

This years winner was Latvia.

Am I the only person that thinks the British entrant next year should be Mötorhead?

I’ve also been wasting time reading www.railcar.co.uk – a site telling far more than you ever wanted to know about diesel multiple units.

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Who or what would you put in Room 101?

For non-Brits, Room 101 is the BBC programme hosted by Paul Merton in which the week’s guest is invited to nominate half a dozen things they hate to be dropped in it. A few people have become infamous, like Anne Robinson nominating the Welsh, or Michael Grade nominating Dr Who – “We’ve seen Star Wars, we’ve seen ET, then we had these cardboard things clonking across the floor. I hate sci-fi anyway. So I cancelled it”.

What would I put in Room 101?

First up, music journalists.

The late Frank Zappa described this species as “People that can’t write writing about people that can’t play for the benefit of people that can’t read”. As a species, they have this ridiculous idea that popular music isn’t actually about music at all, but is really all about ‘style’ and ‘attitude’. All real music gets dismissed by these Stalinist idiots while they champion talentless rubbish. Unfortunately they’re read by 17-year olds that have yet to learn to distinguish facts from opinion, and can be convinced that ridiculously overrated acts like The Smiths really are the most influential band of all time.

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Hey, now, hey now now, sing this corrosion for me…

A couple of Gypsycons ago, we had a fun time playing Gother Than Thou, a card game which mercilessly takes the piss out of goth subculture. Along with cards like ‘Fun With Eyeliner’, ‘Pet named Hecate’ and ‘Visit from Mum’, there’s one called “Sing This Corrosion for Me” – worth Goth Points if you can sing it, negative Goth Points if you can’t. None of us could (One individual who shall remain nameless tried singing it to the tune of ‘Happy Birthday to You”)

Eventually, curiosity got the better of me, and I obtained The Sisters of Mercy greatest hits, containing the said song.

Now I’ve got the tune stuck in my head and it won’t go away. Arrrrggghh!!!

At least it’s not Rod Stewart’s “D’ya think I’m sexy”….

Ümlä&uumlt will have to cover this song, I can tell. With spooky flanged electric violin replacing Jim Steinman’s choir.

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Blue Öyster Cult – Astoria, London

Saw Blue Öyster Cult on Friday night at the Astoria Theatre in London. It’s been a few years since they’ve played Britain; four years since they last played a one-off show in London, and about fifteen since they toured the whole country.

Unfortunately I only caught the last part of Carl Palmer’s set, but the guitar-driven versions of ELP’s ‘Toccata’ and ‘Fanfare for the Common Man’ were impressive. Were they support for the whole tour or just a one-off for the London show?

Blue Öyster Cult’s show was a big improvement from their slightly lacklustre performance four years before. Allen Lanier no longer looks on death’s door, Eric Bloom’s got his hair back, although we’re spared that Jeff Lynne-style perm from the 70s. The sound was slightly muddy at the bottom-end, but no bad enough to spoil the gig – none of equipment problems that plagued the last show at this venue. Allen spent most of the show playing guitar; Eric played as much keyboards as he did.

They played just one number from the newest album. ‘Curse of the Hidden Mirror’, ‘Pocket’, and nothing at all from the preceding ‘Heaven Forbid’. Instead the band resurrected some older classics; ‘Mistress of the Salmon Salt (Quicklime Girl)’, ‘The Golden Age of Leather’, and ‘Perfect Water’, the one gem from the otherwise mediocre ‘Club Ninja’. But sadly no ‘Astronomy’. The standards were all present and correct; ‘ETI’, ‘Godzilla’, ‘Reaper’, ‘Cities on Flame’ and ‘Last Days of May’, now with a solo from Allen as well as the lengthy solo from Buck Dharma.

Setlist:
- Burning for You
- OD’ed on Life Itself
- ETI
- The Vigil
- Pocket
- Cities of Flame with Rock and Roll
- Mistress of the Salmon Salt (Quicklime Girl)
- Harvester of Eyes
- Buck’s Boogie
- The Golden Age of Leather
- Perfect Water
- And Then Came the Last Days of May (guitar solos from Allen and Buck)
- Godzilla (Bass and drum solos)
- (Don’t Fear) The Reaper
Encore
- Dominance and Submission

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Fact Checking (Lack of!)

Some people don’t bother to check facts, do they?

A couple of years ago I put up a web page about the ficticious death metal band Ümläüt as part of an on-line Call of Cthulhu game in which I was playing at the time. Part of the back-story featured the gruesome murder of one member of the band.

Looking at my web site access statistics recently I found references to my site from something other than the usual phoenyxs, googles and yahoos, so I investigate the site. It turns out my spoof web page had been taken as genuine, and my dead NPC is listed on a The Dead Rock Stars page alongside Jim Morrison and Kurt Cobain – See it at users.efortress.com/doc-rock/1995.html

Of course, the band have been recyled into a different game, the said member is not due to die until some time in 2003, and I updated the page to reflect this.

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