Tag Archives: Twitter

Hey Twitter. Instead of shoving random celebrity nonsense we didn’t ask to see into our feeds, how about building a reputation system instead? We could use that to filter out junk from drive-by trolls from our notifications and searches, which are the only parts of Twitter we’re not able to actively curate ourselves.

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The Trouble With Twitter

Fail WhaleI am getting sick of #GamerGate on Twitter, especially when I have online acquaintances on both “sides”.  There way too much toxicity swilling aroud the whole thing, to which people on both sides are contributing. It’s yet another example of the failure mode of “Hashtag activism”, and I know I’m not the only person who wonders if all this negativity is sucking out all the positive aspects of Twitter.

I’m not the only one who thinks this:

Dave Rickey writing in Zen of Design

Twitter is a breeding ground for social dysfunction, where you are lulled into a sense of community and comradery because everyone you follow and everyone that follows you are basically in agreement. The only things that can penetrate the bubble are “Outrage Porn” being retweeted into it, and attacks responding to outrage porn that is being passed around other bubbles.

There’s no room for nuance or in-depth discussion, and anyone who makes the mistake of trying will see their lengthy and thoughtful think-piece distilled down to a barely-true (if that) 140 character sound bite that will be used as a new piece of outrage porn.

David Auerbach writing in Slate:

People are accustomed to being irreverent in conversations with friends, but on Twitter, anyone who might take offense is likely to overhear (unless your tweets are protected, but why be on Twitter in that case?). At least you can go on Reddit without having the repugnant Philosophy of Rape subreddit being shoved in your face; Twitter drags everyone down to the bottom. No matter whom you unfollow, mute, or block, someone you do follow will sooner or later draw your attention to an outrage and encourage you to join the condemnation. On Twitter, negativity is viral.

Twitter didn’t used to be like this. I can remember the times when it was the virtual equivalent of the friendly local pub where all your mates hung out and you swapped joles and stories. I remember reading Robert Scoble’s blog post from five years ago claiming Twitter didn’t suffer from the “forum/chatroom problem” because your feed showed only people you’d invited to join the conversation.

We’ve lost that somewhere along the line.

Maybe it was when Twitter gave greater prominence to the notifications tab. Maybe it all went pear-shaped when they introduced the retweet, something Robert Scoble raised as a concern. Or maybe it was just that, like so many other places, Twitter was better in the early days before the rabble arrived, when most people were enthusiastic early adopters.

Twitter at it’s best can still be great fun; I love the rapid-fire exchanges between one particular group of friends who managed a mashup of The Shipping Forecast and Bruce Forsythe’s Generation Game (“…set of matching luggage 4, becoming 5 later…“)

But I can’t help feeling that either we all need to be smarter in our use of Twitter, with a little less “outrage porn”, ot Twitter needs to rethink some aspects of how the service works, so it amplifies the loudest voices a little less.

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Moderating Twitter

Twitter has a troll problem.

If you’re white, male, not a celebrity and don’t tend to say anything much that’s controversial, then blocking the occasional drive-by troll works perfectly well. If at least one of those things doesn’t apply to you there’s plenty of evidence that Twitter is a little bit broken and better blocking and moderation functionality is needed.

Twitter does have a function to report abuse, but I’m seeing complaints that it’s far too cumbersome, and that has a (possibly deliberate) effect of limiting its use. At least one person has noted that it takes more effort to report an account for abuse than it does for a troll to create yet another throwaway sock-puppet account, a recipe for a perpetual game of whack-a-mole.

In contrast, here’s the Report Abuse form from The Guardian’s online community. There is no real reason why reporting abuse on Twitter needs to be any more complicated than this.

Grainiad Abuse Report
And here’s dropdown listing the reasons. Not all of those would be appropriate for Twitter; “Spam” and “Personal Abuse” certainly are, the others less so.

Grainiad Abuse Report 2
While I approve of Twitter taking a far tougher line against one-to-one harassment, I am not at all convinced that more generalised speech codes are appropriate for a site on the scale of Twitter. Such things are perfectly acceptable and even expected for smaller community sites where it’s part of the deal when you sign up and reflects the ethos behind the site. Indeed, most such community sites are only as good as their moderation, and there are as many where it’s done badly as those where it’s done well. We can all name sites where either lack of moderation or overly partisan moderation creates a toxic environment.

But for a global site with millions of users the idea of speech codes opens a lot of cans of worms which ultimately boil down to power. Who decides what is and isn’t acceptable speech? Whose community values should they reflect? Who gets to shut down speech they don’t like and who doesn’t? I can’t imagine radical feminists taking kindly to conservative Christians telling them what they can or cannot say on Twitter. Or vice versa.

Better to make it easier for groups of people whose values clash so badly that they cannot coexist in the same space to be able to avoid one another more effectively. Yes, there is a danger of creating echo-chambers; as I’ve said before, if you spend too much time in an echo-chamber, then your bullshit detectors cease to function effectively. But Twitter’s current failure mode is in the other direction; pitchfork-wielding mobs who pile on to anyone who dares to say something they don’t like, overwhelming their conversations.

At the moment, the only moderation tool available to individual users is the block function, which is a bit of a blunt instrument, and is only available retrospectively, once the troll has already invaded your space.

There are other things Twitter could implement if they wanted to:

For a start, now that Twitter has threaded conversations, how about adding the ability to moderate responses to your own posts ? Facebook and Google+ both allow you delete other people’s comments below your own status updates. The equivalent in Twitter would be to allow you to delete other people’s tweets that were @replies to your own. If that’s too much against the spirit of Twitter, which it may well be, at least give the power to sever the link so the offending tweet doesn’t appear as part of the threaded conversation.

Then perhaps there ought to be some limits to who can @reply to you in the first place. I’ve seen one suggestion for a setting that prevents accounts whose age is below a user-specified number of days from appearing in your replies tab, which would filter out newly-created sock-puppet accounts. A filter on follower count would have similar effect; sock-puppets won’t have many friends.

Another idea would be to filter on the number of people you follow who have blocked the account. This won’t be as much use against sock-puppets, but will be effective against persistent trolls who have proved sufficiently annoying or abusive to other people in your network.

All of these are things which Twitter could implement quite easily if the will was there. But instead they seem more interested spending their development effort on Facebook-style algorithmic feeds.

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Should you log every bug?

Are all bugs serious enough to log?

I found one during testing today that raised the question of the costs of raising, triaging, fixing and retesting a bug compared with the costs of just leaving it in the system.

It set off some interesting discussions on Twitter on the subject.

The bug in question was a drop-down list for an optional value in a create dialog in a relatively little-used part of the system. One of the values in the dropdown was not valid, and quite obviously not so, at least with the data in the test system. If you selected that bogus value and saved the record, the server-side code didn’t throw an error, but inserted null into the column.

Since neither the field nore the underlying column were mandatory, the bug didn’t result in any data corruption, and it did save the correct value to the database if you selected one of the legitimate, valid values.

From a user perspective, it’s more of an irritation than a major issue; it certainly doesn’t prevent you from using the feature in its intended way.

In the end I discussed it with the business analyst, and we agreed to log it in the bug tracking system, but assign a low severity.

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#BaenAwardsStories

Baen Logo Everyone loves a Twitter hashtag game. But this one does need a little context in order to make sense.

Science Fiction publisher Baen Books, who specialise in military and action-adventure SF with a decidedly conservtive-libertarian bent, have announced a Fantasy Short Story Award. The way it’s come so soon after the highly controversial Hugo Awards right-wing block-voting slate that included a number of Baen authors has raised eyebrows, and there have been suggestions that it’s not entirely a coincidence.

Worse, it’s being judged by none other than Larry Correia, who put together that slate and promoted it along with the virulent racist, homophobe and rape apologist Vox Day, whose work also appeared on that slate. Correia may be a fine writer, but from his blog he comes over as an unpleasant egotistic bellend. And he doesn’t seem the least bit bothered that association with Vox Day might damage his career. It makes you wonder just how radioactive someone needs to be before people refuse to associate with them.

The rules of the contest make it clear what sort of stories they’re looking for.

What We Want To See

Adventure fantasy with heroes you want to root for. Warriors either modern or medieval, who solve problems with their wits or with their sword–and we have nothing against dragons, elves, dwarves, castles under siege, urban fantasy, damsels in distress, or damsels who can’t be bothered to be distressed.

What We Don’t Want To See

Political drama with no action, angst-ridden teens pining over vampire lovers, religious allegory, novel segments, your gaming adventure transcript, anything set in any universe not your own, “it was all a dream” endings, or screenplays.

Yes, it does seem to emphasis a certain somewhat clichéd type of story, with rather a lot of implied sexism.

The satirists of Twitter were very quick off the mark with a hashtag game that mercilessly mocked all of Baen Books’ tropes. Here are a few of the highlights.

Spot the parody of Vox Day.

And while on the subject of Vox Day, Stephanie Zvan has reviewed his Hugo Award nominated Opera Vita Aeterna, and concludes the story is indeed truly, truly awful, Eye of Argon without the unintentional humour. It’s impossible to escape the conclusion that it was nominated for the sole purpose of trolling the awards.

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WTF Twitter?

FailWhaleYesterday I was horrified to see a Promoted Tweet for a PUA (Pick Up Artist) promoting their hideous rapey misogynistic subculture. It’s not often I swear on Twitter, but I’m told my reaction was more than justified.

Yes, I immediately reported it as abusive, since it must be in violation of Twitter’s policy on ads for “Sexual services”. But it begs the question of how the Hell such a promoted tweet got into my timeline in the first place. This is almost certainly not unconnected to the fact that Twitter employ virtually no women.

Either Promoted Tweets are not screened at all, and they rely on users reporting offensive ads. Or somebody in Twitter reviewed it, and thought it was OK.

I don’t know which is worse.

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Epic Bureaucracy Fail from Canada.

In Canada, Government tweets are sanitized through ‘super-rigid process’ This is just head-explodingly ridiculous.

Newly disclosed documents from Industry Canada show how teams of bureaucrats often work for weeks to sanitize each lowly tweet, in a medium that’s supposed to thrive on spontaneity and informality.

Most 140-character tweets issued by the department are planned weeks in advance; edited by dozens of public servants; reviewed and revised by the minister’s staff; and sanitized through a 12-step protocol, the documents indicate.

Insiders and experts say the result is about as far from the spirit of Twitter as you can get — and from a department that’s supposed to be on the leading edge of new communications technologies.

Some things are the very epitome of unwieldy, top-heavy bureaucracy. It reads like something straight out of Parkinson’s Law, except C. Northcote Parkinson would have rejected is as too unbelievably surreal.

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The Twitter Block Fail Whale

FailWhaleIf you’ve been on Twitter the last couple of days you’ll have noticed a major shitstorm over Twitter’s ill-considered change to the way blocking worked.

Previously the block function not only prevented you from seeing the posts from people you’d blocked, but it also prevented them from following you or seeing your own tweets. The change reduced this to a mere “mute” functions; all it did was to mute them from your own timeline and interactions tabs, without preventing them from following or even from retweeting you.

All credit to Twitter for rolling back the change within the space of a few hours in response to the storm of anger from users, but you have to wonder what they were thinking when they implemented it in the first place. Something tells me that nobody involved in the decision ever consulted anyone with first-hand experience of online harassment or stalking.

Yes, I am aware that blocking was never 100% effective, since your public posts are still visible to a logged-out user if they go to your profile. But there’s a big difference between @Dickhead being able to see your profile by logging out, and @Dickhead being able to follow you and retweet your posts to his dickhead friends. It’s akin to saying there’s no point locking your door because a burglar can always break the window.

And I’m also aware that Twitter has a serious problem with abusers and trolls, and there isn’t any optimal solution that doesn’t have potential downsides; successful moderation strategies that work on community-based sites just don’t scale to something the size of Twitter, especially it’s part of a wider ecosystem that includes other sites over which Twitter has no control. But that’s no excuse to roll out a change that actually enables the bad actors.

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The day Twitter.com died

Twitter have done what they’ve been threatening to do for a while, and started displaying “rich content” (i.e. pictures and videos) in timelines. It means Twitter now looks like this:

The Day That Twitter Died

It is just as bad if not worse than I feared it would be, with what had been a clean text-focussed User Experience utterly clogged-up with low-value images that dramatically lowered the signal-to-noise ratio.

The grinning backpfeifengesicht above is from one of the dreaded “Promoted Tweets”, and probably gives away the real reason for the change; it’s a backdoor implementation of huge intrusive banner ads.

The Twitter blog makes this claim:

So many of the great moments you share on Twitter are made even better with photos or with videos from Vine. These rich Tweets can bring your followers closer to what’s happening, and make them feel like they are right there with you.

We want to make it easier for everyone to experience those moments on Twitter. That’s why starting today, timelines on Twitter will be more visual and more engaging: previews of Twitter photos and videos from Vine will be front and center in Tweets. To see more of the photo or play the video, just tap.

I’ve left with the impression that Twitter’s intended audience for this is semi-literate teens and annoying marketing types who want the ability to shout louder than everyone else. As others have said, Twitter now resembles what many of us don’t like about Facebook.

Fortunately the iOS and Android Twitter clients give the ability to switch this new feature off, but no such setting exists in Twitter.com. For us grownups who want to use Twitter to express ourselves in words, it’s time to stick a fork in Twitter.com and use alternative web-based or desktop clients.

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Angry Small Band

Who’s following Self Righteous Band (@angrysmallband) on Twitter? If you’re on Twitter, and either follow your favorite small bands, or are in a small band yourself, they’re a must-follow.

 

What makes this parody account so funny is how closely their twitter feed resembles that of one or two real bands. No, I’m not going to mention any names. But if you’re in a band, and you think your own Twitter feed is dangerously close to theirs, then perhaps you need to rethink your social media strategy?

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