Music Blog

All the music-related posts gathered together in one place.

Twelfth Night – Live and Let Live

Twelfth Night Live and Let Live - Album CoverI’ve written a review of Twelfth Night’s “Live and Let Live” for Trebuchet Magazine. This album always was one of the high points of their all-too-brief original career, and the former single LP is now expanded to double CD containing the full two-hour set. It now includes the epic “The Collector” as well as some rare songs never released as studio versions.

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A question for those of you who listen to music while you work. Are you more productive if you listen to music on random shuffle rather than listening to individual albums all the way thought as Steve Wilson intended? Does it actually make any difference?

Posted on by Tim Hall | 1 Comment

Disintermediation

In yet another post on the state of the music industry, Steve Lawson muses on the oft-repeated statistic that file-sharers spend more on music.

Are we part of the ongoing viability of their music practice, or not? There are lots of ways of being that, far beyond blunt figures about where we get hold of particular recordings from (and a whole lot of material on BitTorrent isn’t available to buy anywhere anyway), but are we part of the healthy future for disintermediated music, or are we just trying to see how much we can get away with? Cos I’ve got no interest in the people in the latter group… Music has given me far too much in my life not to want to give back…

What we don’t know (and there may not be any way of telling) is the extent to filesharing changes not just how people will spend on music, but what sort of music they will buy. There is a lot of anecdotal evidence to suggest that they’re spending less on heavily-promoted “mainstream” music much of which doesn’t live up to the hype. But instead they’re spending more on artists not signed to the major labels and their subsidiaries who don’t benefit from huge promotional budgets. Quite a bit of this is direct sales from artists, which frequently don’t show up in official statistics; the disintermediation of which Steve Lawson speaks.

If this is true, it would explain why so many of those who shout the loudest against the evils of filesharing are not artists, but marketing types and execs who have the most to lose from disintermediation. These people always claim to speak on behalf of artists, even though independent artists can speak for themselves. Is this just because nobody really cares if the likes or record pluggers have to seek alternative employment?

No that I condone people who download huge amounts of music without any intention of paying for a note of it. But I’ve never bought into the argument that the sky is falling, and the only way the “creative industries” can be saved is to give the big labels and studios unchecked power to shut down any parts of the internet they don’t like. As Bloom.fm’s Oleg Formenko said on Twitter, piracy is what happens when there are no legal alternatives at prices the market is willing to pay.

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The Rolling Stones – Corporate Rock at it’s Worst?

So The Rolling Stones are apparently charging £406 (including fees) for floor-level seats at their recently-announced O2 Arena shows. The Felix Baumgartner level seats are admittedly a bit cheaper, but this is still completely taking the piss.

Surely no band is worth that sort of money.

They appear to be targeting the corporate hospitality market now, pricing ordinary music fans out of the market. Yes, I’m sure some people with far more money than sense will be willing to fork out stupid amounts to try and relive their youth, without thinking of how far that £406 will go supporting the grass roots music scene instead. But I bet the audience will be full of celebrities and people there purely to flaunt their wealth and be seen.

Is this what rock and roll is supposed to be about?

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Stabbing a Dead Horse

A tour featuring three bands from the more avant-garde end of the progressive rock spectrum, Knifeworld, The Fierce and The Dead, and Trojan Horse. There are allegedly bassoons involved, although as for which of the three bands might feature such instruments, that would be telling.

This progtastically bonkers extravaganza can be seen at the following venues:

  • 27th October – The Stag & Hounds, Bristol.
  • 28th October – Clwb Ifor Bach, Cardiff
  • 29th October – The Ruby Lounge, Manchester.
  • 30th October – The Brudenell Social Club, Leeds.
  • 31st October – The 13th Note, Glasgow
  • 1st November – B2, Norwich
  • 2nd November – The Lexington, London

Full details including ticket info can be found at http://www.stabbingadeadhorse.com/

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Do musical genre labels (Rock, pop, metal, prog, folk, symphonic or whatever) make far more sense if you think of them more as ingredients than as pigeonholes?

What do you think?

Posted on by Tim Hall | 9 Comments

He even looks like Nigel Tufnel

Some rather OTT 80s-style shred metal from Michael Angelo Batio. Anyone else waiting to see if he starts playing it with a violin, or is it just me?

Can’t honestly say I think much of this style of guitar playing – It comes over to me as all technical virtuosity for it’s own sake, without nearly enough soul or emotion.

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Mostly Autumn, Bury and Bath

Olivia Sparnenn of Mostly Autumn at The Met, Bury, September 2012

A few photos of Mostly Autumn’s September tour, from the shows at The Met in Bury, and from the final night of the tour at The Komedia in Bath three weeks later.

Bryan Josh of Mostly Autumn at The Komedia in Bath, September 2012

I managed to see the band five times in total on the tour, including back to back dates at The Spirit of 66 in Verviers in Belgium, and De Boerderij in Zoetermeer in The Netherlands, the first time I’ve actually travelled abroad to see the band. The band were on consistently great form throughout the tour.

Anne-Marie Helder of Mostly Autumn at The Komedia in Bath, September 2012

There are a lot more photos from these two gigs in my photo gallery.

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Sankara – Guided By Degrees

Sankara Guided By Degrees CD ArtworkSankara, the rock band formed from former members of The Reasoning and The Bluehorses are about to release the debut full-length album. They’re having an official launch on 17th November at The Buffalo Bar in Cardiff. I’ve reviewed the album, titled “Guided by Degrees” over on Trebuchet Magazine.  As I say in the review, it’s a solid piece of work, which ought to establish Sankara as a band who mean business.

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What I Like About Rock

Rock is frequently a fight between the lead singer and the lead guitarist for the spotlight. Not, of course, a literal fight, especially if it involves David Coverdale, Ritchie Blackmore and a plate of spaghetti. But it’s a dynamic of the lead guitar and the lead vocal as a foil for one another that’s a big part of what makes rock exciting for me.

It’s also why I find a lot of “indie” and “alternative” guitar music less interesting, because they tend to relegate the guitar to a supporting role, with the vocals as the only source of melody and everything else purely for rhythm. It’s possibly why it’s hard for a band to do a successful indie/rock crossover, because audiences want different things. Many indie and alternative fans loathe guitar solos with a passion. Strip out the solos to appease them without putting anything else in their place, and rock fans will find the results unsatisfying.

Of course, some metal has gone the other way and marginalised the vocals in favour of the guitars. Where are today’s Ronnie Dios and Rob Halfords?

Posted in Music Opinion | 11 Comments