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Best Albums of 2016 – Part Two

We’re into the top ten now, and this time I’ve managed to rank the albums in order rather that just list them alphabetically. So with no further ado…

10: Rebecca Downes – Believe

Bebecca Downes BelieveDeserved winner of Best Female Vocalist and Best Breakthrough Artist at the British Blues Awards, Rebecca Downes has a great voice, with range and power as well as emotional depth, equally at home with soulful ballads as belting out hard rockers. When combined with her talented backing band result is a hugely varied record, combining blues with hard rock, funk and soul.

9: Tilt – Hinterland

Tilt HinterlandThe band including Fish alumni Steve Vantis, Robin Boult and Dave Stewart deliver a hard-rocking album. The layered sound and powerful bass grooves recall Porcupine Tree and Steve Vantsis’ work with Fish.

But Paul Dourley is a very different sort of singer; his soulful vocals have the occasional hints of Peter Gabriel and Lou Gramm, and if anything it’s his performance that lifts this record from a good one to a great one.

8: Ihsahn – Arktis

ihsahn-arktisThe fiendishly inventive Norwegian black metallers reign in the avant-garde experimentalism of 2013′s Das Seelenbrechen in favour of an album of more straightforward metal songs. But “straightforward” is a relative thing for a band like Ihsahn; there’s a lot of varied creativity on display here, balancing face-melting guitars with occasional moments of atmospheric beauty,

7: Mantra Vega – The Illusion’s Reckoning

Mantra Vega The Illusions ReckoningThe collaboration between former Mostly Autumn singer Heather Findlay and Sound of Contact’s Dave Kerzner results in a record with a strong 70s vibe.

There are nods to Stevie Nicks era Fleetwood Mac and the rootsier side of Led Zeppelin, as well as the folky feel of Heather Findlay’s work with Odin Dragonfly and early Mostly Autumn. It’s an impressive work that’s as good as anything either of them have done.

6: Big Big Train – Folklore

Big Big Train - FolkloreBig Big Train continue to be better than anyone else at invoking the spirit of 1970s English pastoral progressive rock. Again the lyrics are steeped in English landscapes and socio-economic history.

The songs cover subjects from London’s lost rivers to World War 2 RAF pigeons, with music that sometimes evokes the mood of albums like Genesis’ “Trespass”, and at other times is closer to the electric folk-rock of bands like Steeleye Span.

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Best Albums of 2016 – Part One

It’s that time of year again, when music bloggers go through the year’s releases and highlight the best of the year. The usual caveats apply; these are the best records of 2016 I’ve actually had the chance to hear. I only have a finite CD budget, and even though I’m a part-time music writer, not every record company sends me free promos.

We’ll start with 25 to 11. Except that they’re not ranked in any order, because that would be next to impossible.

Update Because I missed out one record by mistake, this year’s list now goes up to 26. You will have to guess which one it was yourselves.

Continue reading

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Judas Priest – 10 of the best

judas-priest

The Guardian Music Blog has another one of mine in their Ten of the Best series, this time for The Black Country’s finest, Judas Priest.

I’ve covered much of their career, going from Sad Wings of Destiny to Nostradamus. Unfortunately I wasn’t able to include anything with Tim “Ripper” Owens; though “Cathedral Spires” was in my shortlist, “Jugulator” isn’t on Spotify, so I couldn’t include the song,

One or two people have said they can’t take Judas Priest seriously. Whatever gives them that idea?

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F.E.A.R and Loathing at The Royal Albert Hall

fear-at-the-rah

Marillion have announced a show at The Royal Albert Hall on Friday 13th October 2017. Tickets go on sale on Monday 5th December,

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Papillon tour dates

Papillon, the acoustic duo of violinist Anna Phoebe and guitarist Nicholas Rizzi who supported Mostly Autumn on more than one occasion this year have a number of live dates scheduled across Spring and Summer 2017. They’re well worth seeing if you can catch any of these dates. Full datails on the Papillon website.

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Cairo and Luna Rossa

Cairo

To promote the launch of the album “Say”, former Touchstone mainman Rob Cottingham’s new band Cairo embarked on a short three-date tour taking in London, Rotherham and Leicester over the course of a long weekend.

The support for all three shows was Luna Rossa, playing as a duo rather than the expanded four-piece that performed a few headline shows last year. Playing a set drawing heavily from their second album “Secrets and Lies”, their stripped-down less-is-more sound was as beautiful as ever. “Fly Away” was still a highlight even with Jon playing the harp parts on piano, as was the cover of Todd Rundgren’s “Tiny Demons” with Jon teasing the audience with a couple of bars of “No Quarter” on the intro. They ended with a cover of Leonard Cohen’s “Anthem”, commemorating the legend who’s passed away just days before.

Luna Rossa

Cairo’s set began with an announcement from Rob Cottingham that there was bad and good news. The bad news was that vocalist Rachel Hill, who’d sung on the album, had stepped down from the band for health reasons. The good news was that a new singer, Lisa, had joined and had learned the set at very short notice.

You’d never have known. The whole band delivered a tight performance both on Friday in London and on Sunday in Leicester, a mix of melodic rock and metal with the odd touch of electronica. Lisa impressed as a vocalist given how recently she’s joined the band, sharing twin female/male lead vocals with Rob himself. Paul Stocker’s propulsive bass riffs drove many of the heavier songs, with the fluid guitar work of the youthful James Hards adding colour and textures.

The five-piece band played the album “Say” in full, though not in the album running order, rounding out the set with “Chasing Storms” from Rob Cottingham’s earlier solo album “Captain Blue”, and another song from his much older solo album from pre-Touchstone days. The older material fitted seamlessly into the set, which confirms the feeling that “Say” is closer to a heavier version of Captain Blue than to Touchstone’s sound. They saved the best till last, rocking out with the dramatic and dynamic “Nothing to Prove” and ending with their nearest thing to a single, the title track of “Say”.

Cairo

Cairo started their live career with a bang. For a brand new band theu have gelled extremely well, especially give the last-minute change in lineup. They were good even at their very first gig together in London, and even more powerful two nights later in Leicester, pulling appreciable crowds on both occasions. They have more plans for 2017, so watch this space.

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Lazuli UK Tour Approaches

lazuli-tour-flyerFrench prog legends Lazuli, described as “Medieval blacksmiths from the future” hit the UK beginning this weekend.

The tour takes in Rotherham, Bristol, Bilston, Manchester, Southampton and London, and features the unique Léode, which looks like a cross between a keytar and a Chapman Stick, and sounds like an electronic cello.

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Rebecca Downes: Be:Live

rebecca-downs-be-liveBlues-rock singer-songwriter Rebecca Downes has been making waves in 2016. She won both “Best Female Vocalist” and “Best Emerging Artist” at the British Blues Awards, and released the excellent album “Believe” early in the year. To bring a successful year to close comes a live album recorded during the tour promoting “Believe”.

If anything, this record is an even more powerful statement on intent than “Believe”. It captures the energy of her electrifying live shows, with a setlist drawing heavily from that album, along with highlights from her début “Back to the Start”, the EP “Real Life” and a couple of well-chosen covers.

It’s a fabulously tight performance from her band, playing high energy blues-rock with a touch of funk and soul. Guitarist Steve Birkett delivers some impressive blues licks, and there’s some great piano and organ flourishes from Rick Benton. But none of them steal the spotlight from Rebecca herself, who is on superb form vocally; at times soulful, at times belting out rockier material. The variety of material is a strength here, there are twelve bar blues stompers alongside hard rockers and soulful ballads. And it’s all recorded and mixed with clear but powerful sound; this is no bootleg-quality filler release.

Highlights are many; there’s the funky “Fever in the Night” and “Night Train”, an excellent cover of Janis Joplin’s “Piece of My Heart”, the piano-driven rocker “Back to the Start”, the back to basics rock’n'roll of “Basement of My Heart” and the guitar-shredding ballad “Sailing on a Pool of Tears”. It ends with a cover of “With a Little Help From My Friends” that owes more than a little to Joe Cocker’s version. Even though Rebecca Downes only has a limited back catalogue it still has the feel of a greatest hits set. As an introduction to her music, this is as good a place as any to start.

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Glenn Hughes announces new 2017 tour

Following the cancellation of his co-headline tour with Living Colour, Glenn Hughes has announced a new tour of smaller club venues inJanuary and February 2017 to promote his album “Resonate”.

He’s playing the following venues, with Stone Broken as special guests.

  • Friday 20 January- The Riverside, Newcastle
  • Saturday 21 January – Islington Assembly Hall, London
  • Monday 23 January – The Robin 2, Bilston
  • Tuesday 24 January – The Garage, Glasgow
  • Thursday 26 January – Rescue Rooms, Nottingham
  • Friday 27 January – O2 Academy 2, Manchester
  • Sunday 29 January – Sub 89, Reading
  • Monday 30 January – The Junction, Cambridge
  • Wednesdy 1 February – The Church, Leeds
  • Thusday 2 February – The Fleece, Bristol

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Mark Rowen album promo

A short teaser promo for “Radience”, the forthcoming album from former Breathing Space guitarist Mark Rowen.

It boasts a very impressive cast list, including the former Breathing Space rhythm section of Paul Teasdale and Barry Cassells, plus Moray McDonald, Rob Cottingham, Guy Manning and many more.

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