Music Blog

All the music-related posts gathered together in one place.

Giving the excellent Occupying Forces by Halo Blind another spin. One of no fewer than five excellent albums from the York scene so far this year.

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Haken – Darkest Light

Haken release a promo video with a track from the forthcoming EP “Restoration”.

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Purson on tour

Purson at HRH Prog 2

Psychedelic rockers Purson are on tour in the UK throughout the second half of October, starting with a free gig at The Purple Turtle in Reading on October 14th, and endng at The Borderline in London on the 28th. In between it takes in much of the UK including Scotland and Wales.

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The Pineapple Thief announce tour dates

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The Pineapple Thief have have announced a European tour culminating in four UK dates at the beginning of December.

The four UK dates are:

  • Wednesday Dec 3rd: O2 Academy Islington, London
  • Thursday Dec 4th: Fleece, Bristol
  • Friday Dec 5th: Ruby Lounge, Manchester
  • Suturday Dec 6th: The Liquid Rooms, Edinburgh

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I am liking the new Robert Plant album “Lullaby and the Ceaseless Roar” a lot. It’s the best thing he’s done for years, with a fire that’s beem missing from his last few records.

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Jym Furlong

Jym FurlongThe progressive rock family have lost one of our own.

I didn’t know Jym well, but he was a familiar sight at London gigs, and we had a great many friends in common. This post from Jym’s blog about last year’s Touchstone gig speaks of the sort of person he was.

RIP Jym, you will be missed.

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Empty Yard Experiment – Kallisti

Empty Yard Experiment - Kallisti Unlike many other genres of music, progressive metal is a global phenomenon. Its reach now extends well beyond the traditional strongholds in north America and northern Europe. Dubai-based Empty Yard Experiment are the sort of band that exemplify this, a multinational band with members from Serbia, Iran and India.

“Kallisti” is the band’s first full-length album, following their self-titled EP from 2011. They cite the likes of Tool, King Crimson, Porcupine Tree, Anathema and Mogwai as influences, and have come up with an impressive and varied record. Dark and dense guitar riffs and swirling Mellotron contrast with delicate piano arpeggios, and there’s always a strong sense of dynamics balancing light with shade. Highly melodic songwriting sits alongside lengthy instrumental compositions, and there are moments where the strength of the arrangements make it difficult to believe this is a début.

Unusually for a prog-metal record, especially one with such a strong emphasis on instrumental material, it’s marked by the complete absence of any conventional solos, but there’s so much going on that the songs don’t need them. Unlike so many lesser bands who give progressive metal a bad name with self-indulgent widdly-woo, there is absolutely no technical showboating for its own sake on display here.

There is certainly something of Judgement-era Anathema in the highly melodic “Entropy” and of Porcupine Tree in chiming guitar of “Lost In A Void That I Know Far Too Well”. There’s also more than just a hint of more recent Opeth across the whole record, notably evident in the twists and turns of the lengthy closing number “The Call” especially in that massive piledriving riffing at the end. The atmospheric “The Blue Eyes Of A Dog”, one of several instrumentals, even recalls the symphonic post-rock of Godspeed You Black Emperor.

But Empty Yard Experiment are no derivative pastiche of other, better bands. With a sound that stretches from the sparse classical piano of “Sunyata” to the claustrophobic heaviness of “Entropy”, Empty Yard Experiment are a band with a strong music identity of their own, and “Kallisti” works well as a coherent album where the whole is more than the sum of the parts. It’s a hugely ambitious and mature record that represents much of what is great about progressive metal while avoiding that genre’s obvious clichés.

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Touchstone announce Christmas Dates

Moo Bass of Touchstone

Touchstone have announced two Christmas shows, at The Borderline in London on Friday December 12th, and at Bilston Robin 2 on Sunday December 14th, and have put together very interesting bills for both shows.

On Friday they will be supported by the violin-driven goth-metal of Symphony of Pain, who made a very strong impression at the Cambridge Rock Festival back in August. Sunday’s gig is a co-headliner, featuring IOEarth, who have been absent from the UK’s stages for far too long.

This years’ prog Christmas season will seem a little strange, with no Mostly Autumn Grand Opera House show due to the venue being booked up with pantomimes, and no Panic Room shows because of Gavin Griffiths’ commitments with Fish. But with Mostly Autumn, Marillion, Fish and now Touchstone all touring there’s not going to be any shorage of Christmas shows this year.

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Purson – Death’s Kiss

New single from Purson, taken from their forthcoming EP ‘In The Meantime‘ EP out on 13th October 2014

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Bob Lefsetz, One Direction, and American Psycho

I’m not sure that there are many people who still take Bob Lefsetz seriously; after all, this is the music industry pundit who told David Bowie he needed to be more like Mumford and Sons. He’s got to become a good music pundit litmus test, in that anyone who takes him seriously cannot themselves be taken seriously.

His blustering patronising style and detemindedly anti-hipster stance leads him to praise the most vacuous examples of corporate rock as works of artistic genius; he’e even claimed that anyone who doesn’t think Nickelback are the world’s greatest rock band is a pathetic loser. Some of his more ridiculous rants remind me of those often-quoted monologues about Huey Lewis and Phil Collins from Brett Easton Ellis’ “American Psycho”.

But this piece about One Direction goes beyond patronising and descends into the disturbingly creepy.

It was incomprehensible.

Furthermore, if you weren’t there you probably didn’t know it happened, despite the act selling out two dates and nearly a third, on a Thursday, a school night.

And that was who were there. Students. Girls. Wanna get laid? Go to a 1D show. You won’t see odds this good at the prison of “Orange Is The New Black.” An endless sea of barely pubescent girls, screaming their heads off. You’d think it was the new Beatles.

Only it wasn’t.

Maybe these kids know the Beatles. But they’ve got no idea who U2 is, never mind want to hear their music. And U2 didn’t sell as many tickets in Pasadena. Because the generations have changed and those in charge don’t want to admit it.

You’re done. History. Kaput. Your children have replaced you. Because they’ve got one thing you do not, PASSION!

What’s scary is that if you read those first few paragraphs side-by-side with Patrick Bateman’s infamous Phil Collins monologue , his One Direction piece is actually creepier.

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