Music Blog

All the music-related posts gathered together in one place.

Odin Dragonfly – Offerings

I’ve finally got to listen to the long-awaited album by Odin Dragonfly, the acoustic side project of Mostly Autumn’s lead vocalist Heather Findlay and flautist/keyboard player Angela Gordon.

Back in February, I saw Odin Dragonfly live at Fibbers in York. I went knowing Heather and Angie from Mostly Autumn, but without having heard a note of their music as Odin Dragonfly, and not knowing quite what to expect. They won me over within the space of a couple of songs. I saw them again at the Mostly Autumn convention in March, after which I had several of their songs stuck in my head for weeks, notably “Magpie” and “Given Time”. There was something magical about their live performances.

Now they’ve successfully captured that magical sound in the recording studio.

This isn’t the sort of music I normally listen to. Definitely not ‘prog’, and not even rock, there’s not a Fender Stratocaster or Mellotron in sight. It’s 100% acoustic, with just guitar, piano, flute, penny whistle and two voices. But the result is something of stunning beauty. The signature sound is one of sublime vocal harmonies, with plenty of Angela Gordon’s flute, something which has been thin on the ground on recent Mostly Autumn releases. The piano and guitar accompaniment is understated but effective.

Eight of the twelve songs are originals, with the album rounded out with a couple of reworked Mostly Autumn tunes, and a pair of well-chosen covers, including their version of Jethro Tull’s “Witches Promise” with which they normally end their live shows.

Early favourites of mine are Angela Gordon’s piano-led “Given Time”, and Heather’s “Magpie” and “How I feel today”, both featuring wonderful interplay between Heather’s voice and Angela’s flute. Then there’s “Magnolia Half Moon”, a achingly sad breakup song that wouldn’t have sounded out of place on “Heart Full of Sky”, since it has quite a bit in common with “Half a World” both musically and lyrically. But this is one of those rare albums without any real filler, consistant from beginning to end.

You can order the album online from Odindragonfly.com

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A Fellini Moment?

I’m listening to Odin Dragonfly’s album Offerings, which arrived in the post this morning. Yes, the music is as stunningly beautiful on record as it is live; I’ll post a full review when I’ve had the chance to give it a few more spins.

When it reached the final song, a cover of Stevie Nicks’ Forsaken Love, this email arrives in my inbox.

I suppose He Who Shall Not Be Named would call this a ‘Fellini Moment’.

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High Ticket Prices – Blame File-Sharing

A post in Harry’s Place suggests that concert ticket prices are being bumped up to recoup the money being lost because of falling CD sales due to downloading and filesharing.

It seems hard to imagine now that when the Rolling Stones demanded £25 a ticket for a Wembley concert in 1990, it caused eyebrows to be raised. If they did that now it could be considered practically a giveaway. Today with the Stones on stage you can expect to pay £150 for a seat at the back – and if you want to get right up close, you’ll need £350. £90 buys a ticket to see the Police, the best seats in Wembley went for £160 when Madonna performed, and £180 would get you into Robbie Williams’ Hong Kong concert. Elton John broke records in Las Vegas by charging $690 (£345).

I’m not convinced by this argument. I don’t think it’s meaningful for those of us that grew up going to gigs in the 70s and 80s to compare the prices we paid two or three decades ago with the prices we pay for the same acts now. What we’re seeing is 70s and 80s bands that now appeal to affluent fortysomethings rather than skint teenagers; the prices they’re charging reflect the target audience’s ability to pay. And these affluent fortysomethings with 2.4 kids probably don’t to more than a couple of gigs a year.

Newer acts or people in the cottage industry side of the business outside the commercial mainstream aren’t charging anything like those sorts of prices. I want to see more evidence that internet filesharing is responsible for high ticket prices; until I do I’ll be sceptical.

I’ve been to an awful lot of gigs this year; a few have been major established acts, like Deep Purple in June, and Journey back in March, and (cough) Bryan Adams last month, who did charge 30-40 quid for a ticket. But the majority have been lesser known bands, the likes of Porcupine Tree, Mostly Autumn, The Reasoning and Karnataka, charging far less, in some cases less than a tenner.

What I think is happening is there’s too much media hype directed at a relatively small number of bands; as a result everyone that takes their cues from the mainstream media all want to see the same overexposed bands, and the laws of supply and demand force the prices up.

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Michael Schenker

Back when I was a lad, the blond German axeman Michael Schenker was one of my heroes. His fantastic playing on albums like UFO’s “Strangers in the Night” and MSG’s “Live at the Budokan” made him one of the greats. I only got to see him live once, as the headline act of the 1982 Reading Festival, but that was a pretty amazing show.

Sadly his career has suffered an awful lot of ups and downs. When on form, he can still show flashes of brilliance. But all too often his personal demons and well-documented drink problems get the better of him.

Now he appears to have hit rock bottom. This short clip from Rock and Blues Festival shows him totally out of it, a parody of his former self.

This was apparently posted to the official Scorpions forum by the mother of Michael’s children. I don’t have a direct link, but saw the post on another forum.

Michael is under a battle, wish more fans would pray . He gets like that when he can not cope. things on that tour are messed up and no proper management. Very sad.

More need to wish well and think positive GOD has a plan for Michael and will deliver him.

He will be back!, His gifts given to him are too great for GOD to let him go to waste. Michael’s testimony will be beyond what you and I will be able to give as we have not suffered in the ways Michael is suffering.

I am learning things are not what they seem to be.
Trust in GOD we Must.
0x
Mother of Essenz & Chinua Schenker .

Bad news for The Reasoning. They were booked as support tonight on their home turf in Cardiff, a major gig for them. But it was not to be. As posted by Matt Cohen on The Reasoning’s Forum, the tour came to a sorry end two nights before.

Hi everyone. Well…it seems like this really is the week for it!. We have just been informed that whilst playing at Stourbridge last night, Michael Schenker managed to fall off the stage and injure himself. As a result, he has apparently been flown back to Germany – and the rest of the tour has been cancelled. Obviously we have tried to retrieve this gig with the help of the promoter, but unfortunately with such little time to get things into place, we are sorry to say that the gig at The Point in Cardiff has now been pulled.

Let’s hope and pray that Michael gets the help he needs, and manages to bounce back yet again. His performance at the Rock and Blues festival has been compared with that of Tommy Bolin at Liverpool in 1976. Within a year of that, Bolin was dead. We don’t want that to happen to Schenker.

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Switzerland!

It says something about the priorities in my life this year in that I waited until Odin Dragonfly announced their tour dates before booking my holiday. In the end, with OD playing in London on the bank holiday weekend, and The Reasoning playing at The Borderline two weeks later, it’s worked out rather well, with one gig on the way out, and the other on the way back.

I’m going to Switzerland again, for the third year running, but this time I’m going the whole way by train rather than flying, breaking the journey in each direction (Luxembourg on the way out, Köln on the way back, with the return journey over old main line down the Rhine gorge). In Switzerland I’m splitting the 8 nights between Brig and Luzern, both places I’ve visited but never stayed. Should see plenty of action on the Gotthard and what’s left on the Lötchberg, and quite a bit of metre-gauge this time round on the Matterhorn Gotthard Bahn out of Brig, and probably the Centovalli as well.

Hopefully I’ll get the chance to ride the steam railway over the Furka pass this time. This is the section of the old Furka Oberalp line bypassed by a new base tunnel built a few years back, restored and reopened as a steam railway, one of the very few preserved lines in the country. This line passes within sight of the Rhone glacier, and gave the famous “Glacier Express” it’s name.

Posted in Music, Railways | 2 Comments

Bryan Adams fans on MA

One topic on conversation on the Mostly Autumn Forums is how well the band went down with Bryan Adams fans. While nobody is realistically expecting an overnight doubling of MA’s fanbase, it’s hoped that a few people were sufficiently impressed by what they heard to want to investigate further.

With the rain putting such a dampener on things, we can’t really expect to read a great many glowing reviews, but I did find this mostly positive one from from Lynsay Shepherd’s blog:

The next support act were a band called “Mostly Autumn”, a Celtic rock band. They were really good but apparently the lead singer forgot to finish getting dressed before she came on stage. She could sing and the band were good but they seemed to go on forever. It kept raining and everyone’s spirits were really row. Many people considered leaving, purely because they were so cold and wet.

I suspect the ‘seemed to go on forever’ is more to do with the rain than the quality of MA’s music.

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Tempus Fugit

Two conversations from Edinburgh on Saturday illustrate the passage of time.

First one was on the footbridge over the railway line in Princes Street Gardens in the morning before the rains started. A father and son were watching the trains. “Here’s a really old one, a Sprinter”, said the father as a First Scotrail 158 rumbled out of the Mound tunnel.

Last time I was at that location, those trains weren’t even built, and the 47/7 push-pull sets still operated the internal Scotrail expresses.

Second was a conversation with Jerry Bloom just after Mostly Autumn’s set at Murrayfield. I remarked that I hadn’t got that wet at an outdoor gig since Deep Purple at Knebworth.

That was in 1985. 22 years ago!

Where did all those years go?

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Mostly Autumn/Bryan Adams, Murrayfield Stadium

This was the big one; the biggest ever gig by the band I’ve been I’ve been following around the country playing to audiences in the low hundreds. Playing as special guests to Bryan Adams at Murrayfield Stadium is a huge step for a band used to playing clubs and small provincial theatres. Because Chris Johnson and Gavin Griffiths were committed to playing in Fish’s band at a gig in Calw in Germany, Mostly Autumn resorted to a one-off reunion of the 2005 lineup with Iain Jennings on keys, Liam Davidson on second guitar, and Andy Jennings on drums.

Unfortunately the weather forecast for Saturday afternoon and evening wasn’t good, with a lot of rain.

I arrived in Edinburgh on a bright and sunny Friday afternoon, which turned into a beautiful evening. Saturday dawned grey and overcast, but still dry. But at about 1pm the rain started, and didn’t stop.

On the band’s web forum we’d arranged a pre-gig meetup at the Roseburn bar, quite close to the stadium, where a lot of the usual suspects gathered, including Paul Hodgson, Paul Turner, Paul Quinton (Sometimes it seems that 50% of all Mostly Autumn fans are named Paul!), Steve and Maria, Doogle Fae Berwick, and several others. News filtered through that the start would be delayed, and there were even rumours that the gig might even be cancelled due to not having a fire certificate! But nearly an hour after the gates were supposed to have opened, we got word that whatever problems there were had been resolved, and they were finally letting people in.

Naturally the Bryan Adams hardcore had been queuing in the rain for hours while we were all in the pub, so they got to the front first. I was about 10-15 rows back, the furthest back I’ve been at a Mostly Autumn gig for a long time (the very first time I saw them, three years ago, there were only five rows!)

First support were a ska band called Cueball-8, complete with a brass section. Ska really isn’t my thing, but they weren’t actually that bad, and played with a lot of enthusiasm. I didn’t realise ska was allowed to have so many guitar solos! Their biggest weakness was that all their songs sounded the same.

Still it rained. We got colder and wetter.

The delayed start meant Mostly Autumn’s set had to be cut back to an hour, from the planned 75 minutes. Iain Jennings appeared on stage first, and appeared to be in the middle of checking his keyboards were working when they rolled the into tape and the rest of the band strode on stage and launched into “Fading Colours”.

Heather, Bryan and Andy Smith
(Photo by Chris Walkden)

It took a couple of songs into the set before they got the mix right, something that’s sadly to be expected for a support band at this sort of gig. So “Fading Colours” and “Caught in a Fold” lost a bit of their impact, with the former losing most of the guitar. By the third or fourth song, the mix was pretty good, with “Dark Before the Dawn” pretty much perfect. It wasn’t anything like loud enough, something which would become very obvious when Bryan Adams hit the stage, but it was extremely clear with very good separation, especially the vocals.

The band didn’t seem intimidated by the size of the venue, and gave a pretty good account of themselves. The performance was tight and energetic, and they seemed in good spirits, especially Bryan. It’s difficult to tell how well they went down with Bryan Adams fans with the incessant rain putting such a dampener on things.

Heather’s singing has been getting better and better the last few months, and she was absolutely fantastic at this gig, even by the high standards of the recently ended tour. Her outfit certainly raised a few eyebrows though! I find that her more risqué stage costumes aren’t really to my taste, and detract from the music a little.

And then there was Andy “The Crow” Smith equipped for the first time with a radio pickup on his bass, and let loose to roam the massive stage without risking tangling his guitar lead round the rest of the band. Time and time again I’d lose sight of him, and find he’d appeared right at the far side of the stage somewhere near Arbroath. It was also the first time I’ve seen this band projected forty feet tall on video screens beside the stage.

The setlist concentrated on the shorter punchier numbers rather than the longer atmospheric epics. Much as I love the magnificent “Carpe Diem“, it just wouldn’t have worked for an audience that had come to see Bryan Adams. High spots were a superb”Heart Life“, a song not played on the tour, a powerful version of “Broken Glass” and the perennial favourite “Evergreen“. They ended with a shortened version of “Heroes Never Die“. Sadly with the delays there wasn’t time for an encore.

Still it rained.

I’m not a Bryan Adams fan, but I’ve got to admit that he rocked hard. While a few dozen of us had travelled to see Mostly Autumn, 99% of the people here had come to see him, and he certainly delivered a strong set that rocked the crowd despite the weather. I was particularly impressed with his guitar player, He started the show playing a few numbers in the pouring rain on a small stage in the middle of the arena, to which he returned a second time for the encores. Presumably they have better circuit breakers these days so he didn’t risk electrocuting himself. For the record, I did go the beer tent during “Everything I Do“. Some things just have to be done.

The rain hadn’t stopped by the end of the gig two hours later, where a few of us met up again, cold and tired, at the Roseburn bar.

Update: There are a lot of Chris Walkden’s photos of the gig on the official site.

Posted in Live Reviews, Music | Tagged , , | 3 Comments

Mercury Music Prize Nomitations: Completely Pants

As reported by the Guardian Arts Blog, the shortlist for the Mercury Music Prize is entirely predictable. It contains all the usual suspects (like the Arctic bloody Monkeys) along with far too much third-rate indie. As is entirely predictable all rock genres outside the post-punk orthodoxy are completely overlooked.  And there aren’t even any singing milkmen this time.

OK, so I didn’t seriously expect anything like Porcupine Tree’s superlative “Fear of a Blank Planet” to get a nomination.  While it would justifiably be one of the sixteen best albums of the year, it’s well-known that the Mercury judges won’t stray from the confines of the NME/Radio 1 groupthink when it comes to guitar music. Anything with elements of metal, or worse still, prog is either cast into the outer darkness, or isn’t even on their radar screens.

Why does the media insist on giving so much weight to an award which only considers one narrow subgenre of music?

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Upcoming live music

Not satisfied with 17 gigs in the first six months of the year, this is what my diary is currently looking like for the second half of the year:

  • 21st Jul – Mostly Autumn/Bryan Adams, Murrayfield, Edinburgh (Tickets bought, and accommodation sorted)
  • 24th Aug – Odin Dragonfly, Fibbers, York
  • 25th Aug – Odin Dragonfly, The Fly, London
  • 7th Sep – The Reasoning, The Borderline, London
  • 15th Sep – Fish, Academy 2, Manchester (Tickets bought, but not sure if I’m actually going to go)
  • 14th Oct – Rush, MEN Arena, Manchester (Tickets bought)
  • 9th Nov – Mostly Autumn, Grand Opera House, York
  • 29th Nov – Within Temptation, Academy 1, Manchester (Tickets bought)
  • 16th Dec – Mostly Autumn, The Astoria, London (Still only a possible at this stage)
  • 19th Dec – Mostly Autumn, The Limelight, Crewe

At the moment this list is only tentative; there are some other possibilities, Heaven and Hell being one of them. I’m also really unsure about Fish; I’m sure he will put on an excellent show, but I’m not sure how much I can separate the art from the artist.

All but one are artists I’ve seen before; is this a sign I’m getting conservative in my old age? No doubt there will be other gigs that either haven’t been announced, or I haven’t heard about yet.

Update: Marillion have just announced a Manchester date on 30th Nov, the day after Within Temptation (doesn’t state the venue, I’m guessing it’s the refurbished Academy 1 again)

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