Music Opinion Blog

Opinions and occasional rants about the state of the music scene. The views expressed are entirely my own, and do not represent those of any artists or publications with whom I may be connected.

Please pull the flush now, for the sake of music!

Next time you hear some record company marketing suit spouting canards about filesharing destroying the music industy and claiming that major labels companies are on the same side as the artists, point them at this post about Hollie Smith being screwed over by EMI.

So a couple of months after signing, they came through and said ‘hey we think you’ve got a lot of potential, we want someone to write you a radio single and start doing the whole radio-friendly single thing’.

“I said ‘well, give me a month and I’ll write you a couple and you can say if they’re adequate or not. And if that’s the case, then sweet and if not, let’s talk about the idea of someone else writing my stuff because I don’t want a cheesy pop song that’s totally irrelevant to the rest of the album’.

They were like, ‘cool, cool, cool’. I sent them over some stuff and I hadn’t heard back from them and I rung them again and said ‘what’s happening?’ And they’re like ‘oh we’ve decided not to release your album at all internationally’.

Read the whole thing.  The sooner EMI are flushed down the toilet history, the better.

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Alan McGee – My part in his Downfall

I sometimes wonder why I bother with The Guardian Music Blog.  While Readers Recommend is always fun, and there is the occasional good article, they also publish an awful lot of complete drivel.  And in response to this drivel, the comment section all-too-often turns into Usenet on a bad day; the fact that far too many ‘articles’ are little more than trolls doesn’t exactly help.

Alan McGee’s weekly column is one of the worst offenders.  Very occasionally he’ll come up with a meaningful re-evaluation of a neglected artist from the 60s or 70s, but all too often he spoils what might have been an interesting article with provocative hyperbole – “ELO were better than The Beatles” was an infamous one. Far more often he’d go on about some mediocre landfill indie band with hype turned up to 11. His lastest is a ridiculous puff piece bigging up Oasis (yet again), which naturally gets shredded by the commentators.

Of course, he will never respond to any comments, failing to recognise the essential two-way nature of blogging.  Instead, he comes up with pearls of wisdom like this twitter,

i mean you work in the fields i live in the mansion that’s the way it rolls guardian blog readers.xoxoxoo

Oh yes, that really epitomises The Guardian’s left-of-centre ethos, doesn’t it.

Four pages into the comment thread, a commenter calling himself “Kingspark” comes up with this:

On “Twitter” you invite people to apply to clean the toilets in your mansion. Is that the best you can come up with? Look through the comments. Apart from Paul Brownell’s myriad of aliases – avatthecat, heavytrash, marycigarettes, DoubleDeuceDalton – you’ve only got one fan, Elaine S. She seems like a nice lady. And at least Paul Brownell will always back you up, he’s your employee, isn’t he? He helps you write the blogs and tells you about groups you’ve never heard of and tries his best to make it seem like you’re not completely out of touch.

And I ought to mention that several of those sock puppets have made repeated often unprovoked ad-hominem attacks on myself and others, often in completely unrelated threads (which to The Guardian’s credit have always been removed by the moderators for violating the rule against personal abuse).  I consider sending an employee to post under multiple aliases to make it look as if he’s got some supporters isn’t exactly professional behaviour. Using those sock puppets for personal abuse is simply beyond the pale.

Assuming “Kingspark” is correct about those usernames he mentions (and the similarity in writing styles for those aliases  he mentions gives me no reason to doubt him), then I don’t think McGee has an awful lot of credibility left.  If I was the Guardian Online editor, I would definitely think twice about continuing to employ this man as a contributor.

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They can’t even write their own lazy cliches

Spot the difference between this review:

Prog rock is hip again, apparently, although “hip” is not how you would describe the masses of white, middle-aged men gathered here tonight. But who’s to say they aren’t? Balding pates and comfort-fit jeans could have become the very pinnacle of fashion and then fallen from favour in the time it took for this concert to run its course, and we would have been none the wiser. Rush play for a very, very long time. This is due in no small part to the fact that the ageing Canadian trio are essentially their own support act. They play two full concert-length sets, with an intermission, presumably to give you the chance to phone relatives and loved ones worried about your extended absence

And this one:

The progressive rock genre is gradually becoming hip again, although “hip” is not how you would describe the hordes of white, middle-aged men gathered here tonight. But who’s to say they aren’t hip? Balding pates, comfort-fit jeans and beer bellies could become the very pinnacle of fashion in 2008.

Aylesbury’s finest prog-rockers, Marillion play for a very long time. This is due in no small part to the fact that the group are essentially their own support act. They play two sets, with an intermission, presumably to give you the chance to phone relatives and loved ones worried about your extended absence.

Yep, two completely different gigs by two completely different bands, same word-for-word hack clichés. And you still wonder why I hold music journalists in contempt?

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