Music News Blog

What’s happening in the world of prog and other related scenes. News about gigs, record releases, new videos and band changes.

RIP Jon Lord

Jon Lord, best-known as the keyboard player for Deep Purple, has passed away at the age of 71.

Deep Purple have always been a major part of my musical life – One of the first albums I ever bought was the live double “Made in Japan”, and I loved the way he incorporated classical motifs into heavy rock and turned the organ into a lead instrument. He had a healthy respect for classical, jazz and rock’n'roll and frequently managed to fuse all of them into something that could often be more than the sum of the parts. I still like his “Concerto for Group and Orchestra”, composed in 1969, all-too-often condemned as a pretentious folly, as well as other rock and orchestral crossovers such as 1976′s excellent “Sarabande”.

After retiring from touring with Deep Purple a decade ago, he spent his final years as a classical composer, with works such as the acclaimed Durham Concerto.

I saw Jon Lord live three times, once with Whitesnake at the 1980 Reading Festival, and twice with Deep Purple; the infamous 1985 Knebworth mudbath, and again and most memorably at Manchester Apollo in 2002, on his very last tour with Deep Purple.

At that Reading Festival, when he started his lengthy classically-derived keyboard solo, I remember a guy next to me saying “Oh no, twenty minutes of boredom”. Even as a teenager I remember thinking “That guy just does not get it”.

Here he is towards the end of his time with Deep Purple, in Moscow in 1996, when Steve Morse had replaced Ritchie Blackmore on guitar.

RIP Jon. You were one of the greats.

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Marillion – Power

A new song “Power”, a taster for the forthcoming album “Sounds That Cannot Be Made”. I think it’s an impressive-sounding song, but listen for yourself and see what you think.

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Mr So & So launch album fundraising scheme

From the Prog Magazine blog:

Mr So & So, have just launched an ambitious fundraising campaign on the Pledge Music platform. The band are seeking to raise £20,000 to fund their fifth studio album Truths, Lies & Half Lies, as well as a live DVD and a short European tour.

The band have already written nine tracks for the successor to 2009’s self-released Sugarstealer album, including Apophis and You’re Coming Home, both of which have been aired at recent live shows. “This will be a much darker album and a lot weightier than Sugarstealer. The reason that we are trying to raise so much money is so we can at last have a production that really shows off what we can do,” explained guitarist and band co-founder Dave Foster.

Interesting that they’re going down this road rather than the pre-order model that’s now well-established in the progressive rock scene ever since Marillion’s fan-funded “Anoraknophobia” a decade ago (And whenever a more fashionable band does the same thing, always remind them Marillion did it first!). Although it’s a variation on an established theme, it probably goes to show that there’s no longer a one-size-fits all business model for all bands any more.

The amount of money they’re aiming for says far more about the economics of the music business than the frequently inflated numbers you’ll hear from the major labels. I think we can guarantee none of that twenty grand is going to be spent on “flowers and chocolates”.

As for the album title, it’s a very appropriate one for those corporate sock-puppets who are still trying to insist that you can’t record a decent-sounding record without a six-figure advance from a major label, despite overwhelming evidence to the contrary.

As for Mr So & So, they’ll be playing at the Cambridge Rock Festival at the beginning of August, sharing the Sunday bill with Mostly Autumn, Touchstone and Don Airey, on a weekend that also includes Heather Findlay, Panic Room, Chantel McGregor, Halo Blind, Stolen Earth, Caravan, It Bites and Kyrbgrinder. If you love real music played by real musicians rather than over-hyped corporate music, you really ought to be there.

Mr So & So’s Pledge Music page can be found here.

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Panic Room’s “S K I N” now available for pre-order

Panic Room’s new album S K I N is now available for pre-order. As stated on Panic Room’s website:

We are taking pre-orders through our official website SHOP, and in the coming weeks the album will also be available directly from Esoteric Antenna at the Cherry Red Records website.

The first 2000 orders placed will receive the stunning ‘digipak’ version of ‘S K I N’ – an exclusive special edition with extended artwork and a beautiful fold-out design. A true collectors’ item.

After these first 2000 copies, the album will be available in standard jewel-case format. All pre-orders will be despatched first in line, when the albums are ready to send.

If you like great music with a real singer and real musicians, go and order this now. You won’t regret it.

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Warners Kill Roadrunner Records

A few weeks ago, I blogged about the troubles Delain were having with corporate interference affecting the release date of their album “We Are The Others”. That story appeared to have a happy ending, but sadly it was just an ill omen for far worse things to come. Now Warner Music Group, who had taken over Delain’s label Roadrunner have closed all Roadrunner’s non-US offices, and fired all the staff. That’s everyone in Europe and Canada who understood prog and metal, known and trusted by the bands. Gone.

This for me sums up everything that’s wrong with the music business. It’s why the majors must die.

The cloth-eared bean-counters at WMG will of course blame “piracy”. Never their own short-sightedness, stupidity and greed.

If you want to know why this matters, look at the artists on Roadrunner’s roster: Opeth, Porcupine Tree, Within Temptation, Dream Theater and Mastodon, and that’s just the start. It’s like a who’s who of the bigger prog and metal bands who are producing original and challenging music. And WMG have just fired everyone who knew and understood that music. The cloth-eared bean-counters of course all keep their jobs, and if you’re a fan of any of the above bands, you have every reason to fear the worst.

The great thing about Roadrunner is it allowed artists space to develop, and saw bands like Opeth and Porcupine Tree achieve significant success on their own terms, in complete contrast to the cookie-cutter approach that has typified the major labels in recent years. Almost all the music I’ve bought in the past 2-3 years that hasn’t been on small indies has been on Roadrunner. And most of that has been by European artists who all now face an uncertain future. As Earache owner Digsby said on Twitter

Some corporate twonk at Warners thinks promoting Machine Head & Opeth can be done just like Linkin Park & Green Day?

I hope as many bands as possible manage to extricate themselves from this – Most of them would be better off now with smaller independent labels who understand their music rather than have their career in the hands of some idiot in a suit on another continent who wants them to sound like Nickelback.

Time for Storm Corrosion to redo the shadow puppet video for “Drag Ropes” with a WMG executive replacing the priest.

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Storm Corrosion – Drag Ropes

First taste of Mikael Åkerfeldt and Steve Wilson’s new project Storm Corrosion, accompanied by a dark and tragic puppet show which fundamentalists are probably not going to like.

As for the brooding, sinister and cinematic music, for which the imagery is a perfect match, there are the occasional echoes of both Porcupine Tree and Opeth, but it’s got a sound all of it’s own.

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Riversea – Out of the Ancient World on pre-order

The long awaited début album by Riversea, the collaboration of Marc Atkinson and Brendan Ayre is now available for pre-order.

OUT OF AN ANCIENT WORLD is the debut album from Riversea, the band is the nucleus of Marc Atkinson (vocals/acoustic guitar) and Brendan Eyre (piano/synths), however Marc & Brendan are joined on the album by Alex Cromarty (The Heather Findlay Band) on drums,with guitar duties spread between Bryan Josh, Liam Davison (Mostly Autumn), Paul Cusick, Adrian Jones (Nine Stones Close), Mark Rowen (ex Breathing Space), Adam Dawson (Stolen Earth), and Ashley Mulford (Sad Cafe,Mandalaband). Bass duties are performed by Dave Clements, and backing vocals provided by Olivia Sparnenn (Mostly Autumn), Janine Benn and Louise Dawson, last but not least,Tony Patterson (Regenesis/So Gabriel) adds flute.

The album had been so long in the making I almost wonder if the title is an allusion to how long ago Marc and Brendan started out! The list of guest musicians reads like a who’s who of the rather incestuous York prog scene, including no less than four different people who had played lead guitar for Breathing Space.

Anyway, here’s a taster from the album, the song “Eden”:

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Cambridge Rock Festival Springfest Cancelled

Sad news today that the spring edition of the Cambridge Rock Festival, which was to have featured Chantel McGregor, Karnataka, Winter in Eden and Ebony Tower, among many others, has been cancelled because the site is waterlogged after the recent heavy rain.

As stated on the CRF website:

It is with deep regret that The Cambridge Rock Festival has had to cancel it’s Spring Edition Festival, which should have taken place 27-28-29 April (this coming weekend). Due to adverse weather conditions preventing the infrastructure being installed.

However The Cambridge Rock Festival 2-3-4-5 August will still take place.

Very disappointing news, although holding a festival on an outdoor site this early in the season was always going to be a bit of a risk. The August festival is shaping up to be a good one, though, with a very strongly prog-orientated lineup this year, with Caravan, Focus, It Bites, Touchstone and Flanborough Head along with virtually the whole Mostly Autumn extended family of bands.

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Mostly Autumn 2012 Tour Dates

It’s unusual for Mostly Autumn not to tour in May; this year they’ve concentrating their efforts on recording their new album “The Ghost Moon Orchestra” rather than gigging at weekends and recording during the week as they did a couple of years ago. The band had previously announced they’d be touring in September. Now they’ve announced the dates for the second part of the year, in two legs, one in September, the second in December.

  • Sunday 5 August 2012 – Cambridge Rock Festival
  • Saturday 1 September 2012 – O2 Academy Islington, London
  • Sunday 2 September 2012 – Robin 2, Bilston
  • Friday 7 September 2012 – The Sage, Gateshead
  • Saturday 8 September 2012 – The Met, Bury
  • Sunday 9 September 2012 – Cathouse, Glasgow
  • Friday 14 September 2012 – Spirit of 66, Verviers, Belgium
  • Saturday 15 September 2012 – de Boerderij, Zoetermeer, The Netherlands
  • Friday 28 September 2012 – The Wharf, Tavistock
  • Saturday 29 September 2012 – The Gate, Cardiff
  • Sunday 30 September 2012 – Bath Komedia
  • Wednesday 5 December 2012 – The Stables, Milton Keynes
  • Thursday 6 December 2012 – The Grand Opera House, York
  • Friday 7 December 2012 – Arts Centre, Norwich
  • Saturday 8 December 2012 – CRS, Montgomery Hall, Wath
  • Sunday 9 December 2012 – Robin 2, Bilston
  • Monday 10 December 2012 – The Brook, Southampton

A few interesting points. First, the long-announced Cambridge Rock Festival appearance looks like it’s going to be the first live airing of the new material, much like the band débuted much of “Go Well Diamond Heart” at the Progbury festival in 2010. Second, we see the first London headline appearance in more than three years; their last two London shows have been a support slot for Wishbone Ash (They blew them off stage!) and a co-headliner with It Bites (Honours a bit more even on that one).

Finally, the traditional end-of-year York gig is midweek; not sure how that will go down with the fans who traditionally make a weekend in York for that gig. At the moment I have no idea what anyone else in the “scene” has planned for that time; it may be there will be a Stolen Earth or Heather Findlay Band gig scheduled for the Friday. We shall have to see…

Update: Not on the MA website yes, but Holmfirth Picturedrome are advertising an additional show on Friday 31st August. No idea if there are any others still to be confirmed.

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Mermaid Kiss – Circles of Fire

It’s been a long time since there’s been any activity from the Mermaid Kiss camp, but they’ve just released a new download single, “Circles of Fire”. It’s taken from their forthcoming album “Another Country”, the culmination of their “American Images” project.

Those of you who saw the semi-acoustic version of the band supporting Panic Room, Breathing Space or The Reasoning back in 2008 may well remember this song, as it featured in the live set. It’s a great showcase for Evelyn Downing’s very distinctive vocal style, Although acoustic instruments still feature heavily with Jamie Field’s guitar and Wendy Marks’ beautiful flute playing, here it’s expanded into a full band version culminating in a great solo from lead guitarist Pete West. As a slightly harder-edged Mermaid Kiss with more emphasis on guitar compared with the keyboard-led atmospherics of their last full-length album “Etarlis”, it’s in interesting taster for the forthcoming album.

It’s available for download from CD Baby.

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