Author Archives: Tim Hall

Interesting that taking a break from Twitter (I will be back) results in some very different usage patterns on this blog.

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Shirtstorm

That Infamous Shirt

The Internet is throwing one of its childish tantrums again.

The rocket scientist Matt Taylor, who had just made the remarkable achievement of landing a spacecraft on a comet, did a TV interview while wearing a Hawaiian shirt decorated by 1950s-style pinups that a female friend had made for him as birthday present.

Yes, the shirt could be seen as sexist in a workplace context, though I’d doubt most people would have batted an eyelid had he worn it to a rockabilly gig. But the outrage that followed blew things up out of all proportion, and showed the internet at its worst. It started with a nasty mean-spirited article on a clickbait website I won’t link to, and it was followed with the usual pattern of a Twitter mob gathering up torches and pitchforks. It resulted in the man making a tearful apology on TV. But the resulting backlash shows no signs of dying down.

Sorry, but I’m not seeing this as a successful calling out of sexism and misogyny in science. I’m seeing a brilliant but socially awkward man set upon by a pack of bullies over a social faux-pas. And from what I can tell, that’s how a lot of people outside the social-justice bubble see things as well. You are left with the impression they’ve gone for him because he makes an easy soft target who won’t fight back, and forcing a humiliating apology gives them a nice glow of moral righteousness. But there are far worse things than an inappropriate shirt, and cheap victories are often hollow ones.

There are real problems with structural sexism in the worlds of science and technology, but they’re not going to be solved by this sort of knee-jerk public shaming. Remarkable scientific achievements are often the work of people who don’t spend precious brain cycles on things like fashion sense. A scientific world that has no room for socially awkward people with a few rough edges who have difficulty navigating complex and constantly-changing rules of etiquette is a scientific world that will be less able to do things like land spacecraft on comets.

By all means call out blatant sexism. But always retain a sense of proportion, and never forget that there are real human beings at the other end of the invective. As I said about the Requires Hate saga, we must always put empathy before ideology.

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When Fleetwood Mac are charging £125 for floor-level tickets, you can assume their audience is predominantly 50-somethings who go to one gig a year, and haven’t listened to much new music since they got married and had kids. You could see many newer, better bands for a fraction of that money.

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Now Playing: Pink Floyd’s Endless River. There may be a full review along later, but for now I’ll say that the late Richard Wright was to Pink Floyd what Malcolm Young was to AC/DC. Unassuming and understated, but absolutely central to their sound.

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The Social Media Outrage Cycle

It goes like this:

  • Somebody does or says something that somebody else thinks is tacky, tasteless or offensive.
  • Somebody else throws together a hastily-written and completely overblown 600 word thinkpiece on why that thing is an existential threat to civilisation, and it’s published on a clckbait website.
  • The link to the thinkpiece gets shared on social media by people outraged at the target of the thinkpiece
  • The link gets shared by an opposing group of people who are outraged at the thinkpiece itself.
  • The whole thing gets picked up by trolls who just enjoy watching the internet burn
  • Innocent bystanders end up being hurt.

There is no point linking to the current outrage-of-the day. There will be another one along tomorrow. And the day after. And the day after that….

I wish there was some way of breaking the cycle.

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Mantra Vega Update

Mantra VegaIn a blogpost entitled “Beyond the realms of summer wine“, Heather Findlay gives an update on the progress with Mantra Vega:

I’m finding the creative themes behind the album are really mirroring a lot of my own personal journey this year, which in itself has had one or two rather unexpected twists and turns, leaving me with a lot of gratitude for the freedom I have within this project to have been able to explore this musically. Dave has had a very intuitive approach to working with me which has allowed for what will be I think a very authentic, heartfelt piece of life art. (If that’s even a thing!) The amount of times that just the right piece of music has been mysteriously supplied by Dave at just the right time is a work of art in itself! I hope you will agree and very soon you will be given the chance to decide for yourself.

Moving forward, the Mantra Vega shape of things is likely to take form via single being released in the very early part of 2015, closely followed by the album itself when we’ll explore the prospect of doing some live shows with the possibility of appearances on both sides of the Atlantic being discussed.

You can keep in touch with what’s going on by either liking the our MV Facebook page, or by joining my mailing list here

As well as that, Heather will be making a guest appearance of John Mitchell’s forthcoming solo album “Lonely Robot”.

2015 is looking like getting off to an exciting start with the long awaited albums from Karnataka and Chantel McGregor also expected early in the new year.

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Wingnuts to the right of me, wingnuts to the left of me

A thought brought on by the Requires Hate saga.

Years ago, the most unpleasant and intolerant Internet wingnuts tended to come from the hard right of the political spectrum, typically motivated by Ayn Rand’s Objectivism, reactionary forms of religion, or old-fashioned racism. But in recent years more and more of the worst wingnuts seem to come from the authoritarian left, using the rhetoric of social justice to demand censorship of art and media, and ostracism of people that they don’t like.

Is this is a consequence of positive social change, in that things like gay rights and feminism have become increasingly mainstream, and have attracted the sorts of people who, had they been born a generation earlier, would have gravitated towards cultural conservatism?

Or is it just an illusion, a consequence of social media filter bubbles? Does the shift from subject-specific forums to people-specific social media platforms means that there are just as many conservative wingnuts out there, but they are no longer as visible on an impossible-to-ignore basis? Have the leftist wingnuts always been as common, but just never had much of a presence in online spaces I used to inhabit a decade ago?

Or am I just getting more conservative with age?

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Requires Hate: Hostile exploits of cultural vulnerabilties

The lid has now well and truly blown off in the Requires Hate affair.

This blog post from Laura Mixon, wife of SFWA president Steven Gould lays out all the gory details, and the comments are very illuminating.

A critical mass of SF professionals are now concluding that the rainbows and kittens “Benjanun Sriduangkaew” persona was a fake construct, her apologies cannot be taken at face value, and the SF community has been dealing with a malevolent manipulative sociopath and serial abuser. More and more of her victims are coming forward.

One thing needs to be made clear. Requires Hate was not a critic. A critic is an important part in the cultural ecosystem who forms part of a feedback loop that serves to make art better. She did not do that; her aim looks as though it to make room for her own writing by destroying the careers of potential rivals. She was allowed to get away with it for so long because she appropriated the language of social justice.

Her abuse didn’t take place in a vacuum. To use a software analogy, her behaviour is a hostile exploit of a critical vulnerability in the subculture. In particular, the rules of etiquette surrounding privilege-checking and tone arguments that have become commonplace in social justice spaces. Yes, they developed for perfectly good reasons to give voice to the marginalised, but they’d calcified and become open to abuse.

Some conservatives had actually been pointing this out for years, but they’d been ignored, largely because they were conservatives.

In recent years the SFF world has been forced to deal with problems of old-fashioned racism and male sexual predators. A lot of measures such as stricter convention harassment policies have been developed as a result. The virulently racist Vox Day was expelled from SFWA (Science Fiction Writers of America) for breaching their rules once too often. But the next predator doesn’t necessarily look like the last, and Requires Hate came from the opposite direction from the way everyone was looking. Too many people appear to have been blindsided.

Requires Hate has been described as being as bad as Vox Day. But she is actually a whole order of magnitude worse than Vox Day. It’s true that Vox Day is a vile bigot. But at the end of the day he’s just an internet blowhard. I haven’t seen any accusations the VD has directly stalked or engaged in sustained campaigns of harassment against anyone. RH is everything VD is, including the bigotry, but she’s guilty of far, far more than that.

It’s not hard to imagine some people wanting to use this as an opportunity to settle old scores. But I hope that the SFF community as a whole can move on. It cannot become the inclusive community it aspires to be if it continues to tolerate witch-hunts, bullying and the sort of abuse we’ve been seeing. Those who were willing to tolerate RH as long as it looked as though she was in their tent pissing out are part of the problem and I hope that they’ll recognise this and make amends.

The community needs to reject the more extreme forms of identity politics that see entire demographics that historically made up a big part of SF’s core community as an enemy. There must be far greater emphasis on human empathy.

It’s hard not to draw parallels with ongoing trainwreck of GamerGate at this point. It’s all part of the same wider culture war after all, and people who should have known better helped to enable Requires Hate because she pretended to be one of their side. The parallels with both sides of GamerGate are left an an exercise for the reader.

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Nick Clegg does not like class 142s

Northern Rail 142s at MiddlesboroughAs reported in BBC News, Nick Clegg does not like Pacers

“There are thousands boarding these so-called ‘pacer’ trains. There is nothing pacy about them at all. They are cattle trucks on wheels”.

Known by some as “Nodding Donkeys” due to their pitching motion when travelling at any speed, these trains have passed their original 20-year design life by many years, and have been in service for longer than the worn-out Modernisation Plan DMUs they were built to replace.

Clegg claims southern commuters would never have stood for the things. Well, not in the south-east anyway. A few years back First Great Western needed extra rolling stock to ease overcrowding, and a handful of hand-me-down Pacers were the only trains available. They spent a couple of years in south Devon before FGW managed to get hold of some class 150 and 153 sprinters displaced from the West Midlands, and the Pacers were sent back to Northern Rail where they’re still running today.

Had First Great Western allocated them to the London end of their network and put them to work on the Thames branches, what on earth would the blue rinse types of Henley made of them?

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Punk Warriors Strike Again

No, I don’t have particularly high hopes for the new Pink Floyd album “The Endless River”. When the two remaining members of the band have more or less made it clear that it’s warmed-up leftovers from twenty years ago, I think it’s unrealistic to expect something to rival “Meddle”. Of course there’s always the chance it will be a pleasant surprise; few people expected three-quarters of the original Black Sabbath to come up with something as strong as last year’s “13″.

But when I see a national newspaper review the thing, and the opening line is the hoary old cliché “This is why punk had to happen”, my hackles start to rise. I guess the reviewer deserves some credit for laying his prejudices on the line so openly, but with an opening line like that you know there is absolutely no point in wasting any time reading the rest of the review.

Now punk delivered some great back-to-basics rock’n'roll records that stood the test of time, and that ought to be its legacy. But the whole “Year Zero” thing was always total hogwash, and it’s still galling to see generations of music writers who were too young to be around at the time swallowing the narrative whole.

There are old punks for whom two minutes of adrenaline-changed stripped-down rock’n'roll is the peak of musical perfection, and more power to them. But I’ve always suspected that for some of them, it was all about the excitement of being part of a “scene” and they didn’t really like the actual music at all. Unfortunately far to many of the latter group ended up in influential positions in the media, and music has been the worse for it ever since.

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