Author Archives: Tim Hall

(If you’re new here, read my earlier post on the subject for some context)

The Hugo Awards fight just gets uglier and uglier. It’s true that in the eyes of many Worldcon veterans, putting forward a slate is against the whole spirit of the rules even if it falls within the letter of them, but this level of ugliness is about far more than that.

Last year the stated goal of Larry Correia’s Sad Puppies slate was to shake things up, and he made the highly questionably decision to include a novella by the infamous Vox Day purely “to make heads explode”. It got on the ballot, but eventually came last, below “No Award”, partly because Vox Day is widely hated, and partly because the work was, to be put it diplomatically, decidedly sub-standard.

This year Brad Torgersen had a different stated agenda, which was to showcase quality work of the sort that Correia and Torgersen claimed gets overlooked. While the list predictably skewed towards rightwing authors, it also included left-leaning writers such as Annie Bellet, and wasn’t exclusively white or male.

Then Vox Day considerably muddied the waters by putting up his own Rabid Puppies slate. Most of it simply copied Brad Torgersen’s Sad Puppies slate despite some authors having agreed to take part on the condition that Vox Day had nothing to do with it. The only differences were some of the short fiction categories, where he added a number of works from his own small press, and the two editor categories, where he entered himself.

Now Vox Day is an outspoken far-right extremist who isn’t even subtle about his white-supremacist views, and his action has made it far easier to paint Brad Torgersen’s slate as part of a racist plot, despite the lack of evidence for Torgersen himself being a racist.

So it’s hardly surprising that the atmosphere has been getting increasingly ugly, up to the point where people wanted out.

Annie Bellet withdrew her short story “Goodnight Stars” from the nominations

I want to make it clear I am not doing this lightly. I am not doing it because I am ashamed. I am not doing it because I was pressured by anyone either way or on any “side”, though many friends have made cogent arguments for both keeping my nomination and sticking it out, as well as for retracting it and letting things proceed without me in the middle.

I am withdrawing because this has become about something very different than great science fiction. I find my story, and by extension myself, stuck in a game of political dodge ball, where I’m both a conscripted player and also a ball. (Wrap your head around that analogy, if you can, ha!) All joy that might have come from this nomination has been co-opted, ruined, or sapped away. This is not about celebrating good writing anymore, and I don’t want to be a part of what it has become.

And Marko Kloos withdrew his novel “Lines of Departure”, with this statement from Facebook quoted from Larry Correia’s blog.

My withdrawal has nothing to do with Larry Correia or Brad Torgersen. I don’t know Brad personally, but Larry is a long-time online acquaintance and friend. We’ve known each other since before our writing days. I have no issue with Larry or the Sad Puppies. I’m pulling out of the Hugo process solely because Vox Day also included me on his “Rabid Puppies” slate, and his RP crowd provided the necessary weight to the ballot to put me on the shortlist. I think Vox Day is a shitbag of the first order, and I don’t want any association with him, especially not a Hugo nomination made possible by his followers being the deciding factor. That stench don’t wash off.

I had previously stated on this blog that Requires Hate was orders of magnitude worse than Vox Day. I was wrong. In terms of the destruction and havoc he’s been able to wreak to the community, he’s every bit as bad. Just like Requires Hate ultimately ended up eating her own, he’s stabbed the relative moderates of his own side in the back by using his ideological opponents as a weapon, in the full knowledge that he’s considered radioactive and they’re heavily into guilt-by-association. Quite what his ultimate agenda might be is hard to guess, but his short-term goal appears to be destroy the Hugos entirely rather than win any awards. And people are playing into his hands.

At this point, the Hugo Awards of 2015 are as good as dead, and everyone is now fighting over a corpse. Whether The Hugos can be salvaged in future years is another matter, and it does need a consensus on what the awards actually represent, and who they belong to. At the moment it’s degenerated into a fight to the death which will only destroy the object being fought over. Science Fiction itself is the loser.

Maybe cooler heads will prevail in 2016. A few people have tried to build bridges and find some common ground, but they’re still being drowned out by the louder and angrier voices.

There do need to be changes, and there is still the chance that some long-term good can come out of this mess.

Slate voting has demonstrated how a tiny minority voting the same way can sweep entire categories. But it didn’t start with the Sad and Rabid Puppies. It was broken before, and it didn’t need an organised conspiracy to do it. With a small voting pool all it took was a critical mass of people with heavily-overlapping tastes to crowd everything else off the ballot. That fuelled the perceptions, true or not, that second-rate work was ending up on the ballot simply because the author was friends with the right people, and even that the whole thing was being fixed behind the scenes by an imaginary cabal.

The organisers of the Hugos need to do two things. First, they need to massively expand the pool of voters in the nomination round, and there are signs of this already happening. Second, they need to overhaul the voting system so that voting blocs, whether formal, informal or accidental, cannot dominate the nominations in the way they have been doing. If The Hugos are genuinely meant to represent the best of the year in SF&F, the finalists do need to be the choices of a representative cross section across all of fandom. At the moment, there is little evidence that they are.

I’m still glad my chosen fandom is music. I don’t remember even the Punk Wars ever getting this bad.