Author Archives: Tim Hall

More thoughts in the aftermath of Paris

Like many others I’m still struggling to make sense of what happened in Paris. It’s wrong to pretend this act of terrorism has nothing to do with the Islamic world, but it’s just as wrong to try to demonise Islam itself. Most of those killed by ISIS are Muslims. I’ve tried to make sense of things by looking a parallels in Christian history; the Thirty Years War is an obvious one, and you could see parallels between Wahhabism and Calvinism if you squint hard enough.

But unlike some people I’m not going to pretend I actually know what I’m talking about.

ISIS, ISIL, Daesh, call them what you want. They’re an apocalyptic cult masquerading as a throwback to a earlier, purer version of Islam. There are many similar cults and sects in the Christian world, particularly parts of the US, who hold broadly similar beliefs, with a warped and selective interpretation of The Bible.

The only difference is those sects are not committing large-scale non-state violence at an international level. But it’s not impossible to imagine an alternative history where the American Civil War turned out differently and parts of the Old South are a patchwork of unstable failed states and oil-rich theocracies, subject to proxy wars and ham-fisted interventions by rival European powers. Such a world could easily spawn something looking very much like ISIS except for the religious symbols they display.

There are a lot of responses that would be completely wrong from a xenophobic backlash against Muslims to pretending nothing is wrong or blaming everything on the west. As someone once said on Twitter, it’s better to be a zero than a minus one, and one way to avoid being a minus one is to read up a bit more widely than blogs and op-eds that simply tell you what you want to hear. We may all need to absorb some uncomfortable truths and make some difficult collective decisions in the coming months and years.

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Secrets and Lies

Luna Rossa have released a video of the title track of “Secrets and Lies” ahead of their mini-tour in December.

The band will be played The Gate in Cardiff on Friday December 4th, The Chattery in Swansea on Saturday December 5th, and The Robin 2 in Bilston the following weekend on Sunday 13th.

The band will again be a four-piece lineup with the core duo of Anne-Marie Helder and Jon Edwards joined by Sarah Dean on Celtic harp and Andy Coughlan on double bass.

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Cloud Atlas – The Post Office Social Club

People always travel considerable distances to Mostly Autumn’s York gigs, and Cloud Atlas took advantage of many fans making a weekend of it to put on a gig of their own the following night at The Post Office Social Club, and they succeeded in pulling a respectable sized crowd containing a lot of familiar faces.

Sadly the advertised support, one-time Seahorse Chris Helme, had to pull out as short notice, but former Stolen Earth guitarist Adam Dawson was able to step into the breach as a late replacement. He played a mixture of originals and covers, ending with Stolen Earth’s “Mirror, Mirror” and “Silver Skies”, and finally the never recorded “Harlequin” recorded as a duet with Heidi Widdop.

Stolen Earth themselves began with an extended drone of keys, whistles and E-bowed guitar before launching into the distinctive riff of “Searchlight”. The proceeded to deliver one of the best performances I’ve seen them do, helped by an excellent sound mix. Dave Randall on keys was particularly impressive with swirling colours and textures, as was bassist Stu Carver; the band have a very tight rhythm section.

Set-wise it was much the same as at Bilston in August, drawn from the album “Beyond the Vale” plus Heidi’s solo acoustic cover of Michael Jackson’s “Billie Jean” and the Stolen Earth oldie “Soul in a Jar”. One change was a rearrangement of the middle section of “Let the Blood Flow” with an electronica element that worked far better than the original. This time the band remembered to save one song for the encore, ending the evening with the epic “Stars”.

Cloud Atlas have one more gig scheduled this year, supporting Lifesigns at York’s Fibbers, after which they will be working on their second album.

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Mantra Vega announce January album release

Mantra Vega & Dave Kerzner Poster

Mantra Vega have announced that their long-awaited album “The Illusion’s Reckoning” will be will be released on 25th January, with pre-orders taken from 7th December from the Mantra Vega website.

The album is a collaboration between Heather Findlay and Dave Kerzner, with a band featuring Dave Kilminster, Chris Johnson, Alex Cromarty and Stuart Fletcher, with guest appearances from Angela Gordon and Arjen Lucassen amongst others.

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Goldsmiths student union implodes

The saga of Bahar Mustafa takes another turn with  apparent implosion of the entire executive of the student’s union. President Adrihani Rashid has resigned citing bullying and a hostile work environment. Bahar Mustafa, the controversial Welfare and Diversity officer has also resigned stating her desire to clear her name of accusations of bullying.

Given previous controversies including refusing to commemorate the holocaust because it was “Eurocentric” and refusing to ban ISIS propaganda because that would be “Islamophobic” makes me wonder if the fallout from the terrible events in Paris was the final straw for some people.

And, presuming there’s some truth in the bullying accusations, it’s yet another example of social justice identity politics enabling a sociopath. It’s almost certainly the law on unintended consequences in play, but it’s almost as if some of the rhetoric and ettiquette was designed by and for people like her, bullies who dish it out but can’t take it.

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Gigspanner – Reading South Street Arts Centre

I first saw former Steeleye Span violinist Peter Knight back in 2007 guesting with Mostly Autumn at the memorable launch gig for the album Heart Full of Sky at the late-lamented Astoria, playing violin on several numbers where he’d guested on the album. So when his current folk outfit Gigspanner came to South Street Arts Centre in Reading it seemed like a good opportunity to expand my musical horizons a little.

Gigspanner are a very different beast from Steeleye Span, an acoustic trio with Knight’s violin accompanied by guitar and percussion, playing a mixture of traditional-style folk songs and evocative instrumentals with influences from many different parts of the world. Once or twice Peter Knight dispensed with the bow and played his instrument like a ukelele, much of the time his emotive and lyrical playing was the heart of the sound. He is an undoubted virtuoso, going from folk jigs and reels to evocative classical melodies.

Roger Flack’s guitar played more of a supporting role, though the occasional Mark Knopfler-style lead runs were impressive. Vincent Salzfaas on Congas, Djembe and other more exotic percussion added a world music touch, and the uncluttered and crystal clear sound meant you could hear everything perfectly, which is more than can be said for a lot of noisier rock gigs.

Not a rock band of any kind, not quite a traditional folk act either, but for something well outside my usual comfort zone it was an excellent gig.

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BBC News asks “Where are all the climate change songs?” They have presumably never heard of Marillion’s “Season’s End”.

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Good on Mostly Autumn, confirming that this coming weekend’s gigs in Verviers and Zoetermeer are still going ahead despite the attacks in Paris.

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Paris

First they came for the cartoonists. And some people wrote ugly victim-blaming thinkpieces in response, preferring to denounce the victims than criticise the ideology of the murderers.

Then they came for the rock fans.

Like so many others on Friday night, I was at a gig. At the time the terrible events in Paris were happening, Mostly Autumn were playing at The Grand Opera House in York. In a dark coincidence they were performing the album “Dressed in Voices” in full, a concept album told from the point of view of a victim of a senseless massacre.

After the gig I spent an enjoyable couple of hours in a pub with several members of the band. Someone did mention that there had been some kind of terrorist attack at a gig in France, but details were still sketchy. It was only when I got back to my B&B and checked the news websites that the full scale of the tragic events in Paris became apparent. As someone who goes a great many gigs, that struck very close to home.

In a sense it was like an attack on a place of worship. It’s what you expect from a cult who regularly attacks mosques that belong to Islamic traditions other than their own during Friday morning prayers.

Terrible events like this bring out the worse in some people and the best in others. The usual attention-seeking blowhards are spouting predictably offensive things; I really do not want to hear what racists, Christian fundamentalists, militant atheists or the US gun lobby have to say and wish others would stop signal-boosting their garbage. The same goes for anyone who’s first instinct is to pin all of the blame on anyone else but the terrorists and their direct supporters. There’s plenty of other blame to go around from the neocons’ ill-conceived and incompetently executed wars to the postmodern left’s unholy alliance with radical Islamism. But it was neither neocons nor postmodernist academics who pulled the triggers on Friday night.

Life has to go on. If Europe becomes a meaner, more xenophobic and more authoritarian place, it will let terror have what it wants. There is great danger that bad actors such as the far right and the security-industrial complex will try to exploit this tragedy, but we should resist them. We must not give in to fear. But we also need to be able to ask ourselves some uncomfortable questions about what sort of society we want to be, and exactly what we are prepared to do in order to protect it.

I haven’t enabled comments on this post, because I don’t have the emotional energy to deal with the drive-by trolls any post on this subject is likely to attract.

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If your awards ceremony has a “Best Re-Issue” award, it does rather suggest that you are living in the past. Especially if you give the “Inspiration” award to someone who’s been dead for 45 years.

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