Author Archives: Tim Hall

Tim Bowness – You Wanted To Be Seen

Tim Bowness has released a lyric video for “You Wanted To Be Seen” from the forthcoming album “Lost in the Ghost Light”.

In true prog fashion, it’s a concept album  revolving around the onstage and backstage reflections of a fictional classic rock musician in the twilight of his career, and addresses how the era of streaming and ageing audiences affects creativity, how a life devoted to music impacts on family life, and how idealistic beginnings can become compromised by complacency and the fear of being replaced by younger, more vital artists.

Tin Bowness has a lengthy blog post covering the making of the record and eleborating the ideas behind it.

The album is released on 17th February.

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Future Publishing buys Team Rock Titles

Amidst all the doom and gloom, one piece of good news. The Guardian is reporting that Future Publishing is buying Metal Hammer, Classic Rock and Prog magazine from Team Rock’s administrators, securing their immediate future.

Thirty-year-old Metal Hammer magazine and stablemates Classic Rock and Prog have been given a new lease of life after being saved from closure by Future Publishing, owner of titles including Guitarist, Total Film and T3.

The titles, along with the Golden Gods Awards and the Classic Rock Awards, suspended publication and faced closure after owner TeamRock, which fashioned itself as the self-styled “home of rock and metal”, went into administration in December.

No word yet on how many former staff are likely to be rehired, but let’s hope for the best. These are good people who are passionate about music.

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Farish 2017 Announcements

Bachmann have made their 2017 announcment of  forthcoming models. You can read the full list on RMWeb.

The new models are

  • Retooled Stanier 8F 2-8-0
  • Wainwright SECR C-class 0-6-0 shrunk down from 00
  • Refurbished 31 diesel, initially available in original Railfreight and Railfreight Petroleum liveries
  • LNER Thompson coaches, range includes first, third, composite and brake third, initially in LNER teak and BR blood and custard
  • Retooled TEA tanker This is the same 1960s prototype as had previously been in their range rather than the modern tanker produced by Revolution.

Well, I guessed one right.

There are plenty of reliveries, including a couple of sector-era 47s. There are some intestesting coaching stock choices beyond the obvious Inter-City RMB, and the Stanier 50′ BG in BR blue; Mk2a FKs in maroon and SR Green (are they prototypical?), and Mk1s in the short-lived Sealink livery.

From my multi-era Western Region perspective it’s quite a thin list. Neither of the new kettles got anywhere near the south-west, and when it comes refurbished 31s it’s the 31/4s that used to turn up in the south-west on Summer Saturdays. The Inter-City buffet car goes with the previously-annouced Mk2 aircons whenever they finally appear. The long-overdue Stanier 50′ BG in BR blue is also very welcome; there were very common on the heterogenious parcels trains in the south-west.

But still no maroon Hawksworths….

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Angela Nagle on what the Alt-Right is really all about

Angela Nagle has written an interesting post on the “alt-right” in The Irish Times in which she makes a distinction between true-believer white supremacists like Richard Spencer and provocative trolls like Milo Yiannopolous who formerly identified as “cultural libertarians”.

She suggests that it’s hard to makes sense of things without recognising that there are a lot of people who enjoy being transgressive just to “freak the normies” and don’t necessarily believe the nonsense theiy spout. Classic trolls, in other words.

And finally, she notes that the alt-right did not appear in a vacuum, but as a reaction against the excesses of some parts of the moralistic left.

A new generation of liberal left-identitarians display chilling levels of pack pleasure when conducting career-ending, life-destroying hate campaigns against people for minor infringements against the liberal moral code such as off-colour jokes.

But like the US socialist writer Shuja Haider recently argued: “It should go without saying that left-liberal identity politics and Alt-right white nationalism are not comparable. The problem is that they are compatible.” Tumblr needs 4chan just as neo-masculinist misogynists need a perpetual supply of listicles about man-splaining, and the Alt-right needs finger wagging “Dear white people” liberal commentary to denigrate ordinary white people at every opportunity. None of them would make sense without the other. While Spencer’s plans are unlikely to catch on any time soon, the emergence of the Alt-right should warn us of a now imminent nightmare vision of what the coming years might hold – a public arena emptied of any civility, universalist ideas or openly competing political visions beyond a zero-sum tribal antagonism of identity groups, in which the boundaries of acceptable thought will shrink further while the purged will amass in the fetid forums of the Alt-right.

One of my fears for 2017 is that the culture wars that have devastated the worlds of science-fiction fandom and tabletop roleplaying games will come to the world of music. We’ll have performatively woke identity warriors “interrogating” the “whiteness” of metal and progressive rock, racist idiots crawling out from under their rocks to champion prog-rock in response, and it will all spiral down into Gamergate-levels of toxicity. It will become next to impossible to write with any passion about the music itself without getting caught up in politics.

Let’s hope that doesn’t happen.

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Gleb Kolyadin announces crowdfunded solo album

glebPianist Gleb Kolyadin, the instrumental half of Iamthemorning, has announced a solo albun crowdfunded on Indiegogo.

As he says on the crowdfunding page:

An incredible luck and honour, it gave me hope that I might spark your interest with something different – an instrumental album. With several years in the making, this project became the essence of everything I enjoy as a musician. Classical piano, ethnic influences, electronic oddness, minimalism, art-rock and fusion – all blend together.

I put together a group of amazingly talented musicians to help bring this all to life, and I am sure the names will get you excited. To keep things interesting, I asked them all to unleash their creative freedom, so be prepared for unique and wild. Also, for all you audiophiles out there, I’m preparing a special high resolution treat.

The project is well on its way, and the piano recording is already scheduled at the same amazing Moscow studio that brought you piano of the Lighthouse.

And on Twitter Gleb is promising it will be epic,

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Farish Frothing for 2017?

This weekend, Bachmann will announce their 2017/18 programme for the N-gauge Graham Farish range. With so many models announced two or three years ago still to appear in the shops, or in some cases even shown as works in progress at exhibitions, we can probably expect another year of consolidation, with no lengthy list of proposed models many of which would take years to be delivered.

So here’s my predictions:

  • LNER Thompson coaches, as a follow-on from the Thompson BG commissioned by The N Gauge Society.
  • GWR Large Prairie. It’s the one “old” Farish model (going right back to the early days) that hasn’t been redone as a next-generation model.
  • LMS/BR wood-bodied “Highfit” open wagon. This is probably the most significant remaining gap in the transition era/blue diesel era wagon fleet.

After that, it’s probably just going to be reliveries. Some of the obvious ones have to be:

  • WR Hawksworth coaches in BR maroon. I was expecting these last year but suspect they’re waiting for the stocks of blood and custard ones to clear first
  • More class 47 liveries. The obvious ones yet to be done are Railfreight Distribution, InterCity Swallow, Rail Express Systems, and Virgin Trains.

On Sunday we’ll find out how much I was way off the mark…

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How Good It Is

After the Coro94 Chsistmas concert in December, I remarked that my next concert, Black Sabbath at the 02 Arena, was just about about the complete opposite.

But the world of music has other ideas.

Black Sabbath lead guitarist Tony Iommi worked with his friend Catherine Ogle, the Dean of Birmingham, on this five-minute arrangement, which celebrates peace, harmony and the Cathedral’s role in the heart of the city. The Birmingham rock legend said he wanted to ‘give something back’ to his home city. The words are inspired by Psalm 133, and it’s sung by the boys and men of Birmingham Cathedral Choir.

It’s as if the musical universe is trying to mess with my mind.

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A Depressing Quote

This quote from Radio One’s Clara Anfo, taken from a Guardian feature in which various pundits and tastemakers were asked their predictions for 2017, is profoundly depressing.

In pop music, you can have guys and girls who all look amazing and they might have brilliant songs, but if they can’t bring it to life, if they haven’t got the spunk to bring what they’re supposedly trying to sell to interviews, or on the radio or online, I’m not going to be interested.

In her world, there is apparently no room for anyone for whom the most interesting thing about them is the music they make, even if those are the very people who ultimately make the best music. No, it’s all about being the right sort of media celebrity. It doesn’t matter how good your songs are if you don’t have the right back story.

I could say “I must be getting old” at this point, except that this nonsense is nothing new. In 2017, just like every other year, the best music will fly completely under the radar of the media tastemakers and gatekeepers. The “mainstream” has always been clogged up with ephemeral celebrity fluff.

The job of the rest of us is to signal-boost the good stuff so that it can find an audience.

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On D&D Skills.

PolyhedralsThere’s an interesting post by Zak Smith on the skill list for 5th Edition D&D, the reasoning behind the skills, and how OSR games handle similar situations. Zak was a consultant on the 5e project, but even then there’s one skill he hates.

He raises some interesting points about skill checks versus attribute checks, noting that some skills only really exist because of game maths and could have been handled by attribute checks if the mechanics had been different. Expanding on that, Deceit and Persuade are different skills because a thief’s charisma is very different from a cleric’s. And finally, Perception is far more elegant than the mishmash of thief skills and racial abilities of AD&D.

DnD5e skill’s are a great example of a concise list that covers all the things needed for the genre the game is supposed to emulate, while avoiding the skill bloat that sank games like 4th edition GURPS, for me at least.

The whole thing is a useful read for anyone trying to build a coherent skill list for any game system.

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Happy 2017 to all our readers. Let’s hope it’s not quite as dark as 2016 was.

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