Author Archives: Tim Hall

What was your first ever gig?

The Guardian’s Michael Hann writes about first gigs. His was pre-hairspray Whitesnake, in the days where every member of the band played extended solos including the bassist. Though somehow I doubt that each solo was realy ren minutes long, even if they might have seemed that long to the 13-year old Michael Hann.

What my first gig actually was depends on what you count as a gig. Was it new-wave one-hit-wonders The Jags, who played a student gig at Bridges Hall?

I can’t remember now if it was a student-only thing or whether tickets were available to the general public. What I do remember is they were truly awful, a drunken shambles who stumbled their way through a barely-recognisable version of their one hit and a dozen other numbers that sounded exactly the same. The guitarist was so blotto he didn’t even notice he’d broken two strings. It’s not surprising they faded away soon after.

Or was it the 1980 Reading Festival, then as now a teenage right-of-passage?

The headliners that year were Rory Gallagher, UFO and Whitesnake, and the bill also included Gillan, Iron Maiden, Def Leppard, Slade, and many, many New Wave of British Heavy Metal bands (You name them, they were probably on the bill). I remember the huge cheer when Ian Gillan came on stage for his special guest spot on Friday night, and the whole field full of people singing along to Smoke on the Water. Then there was Iron Maiden on Saturday, again in the special guest spot. It was right at the beginning of their career, still with original singer Paul DiAnno. They’d just released their début album, and the energy on stage made it clear they were hungry and going places. Then there was Slade, late substitutes for Ozzy Osborne who’d pulled out at short notice. Nobody expected much from them at the start, and a low-key beginning with a couple of new songs gathered polite applause, but little more. Then they started playing the hits, one after another, and everything changed. By the end they’d completely stolen the show. When they came back for an encore, the crowd wanted that Christmas song. “Ye daft buggers”, said Noddy, “You’ll have to sing that yourselves”. So we did. Then they left us with “Born to be Wild”. Def Leppard found that very hard to follow.

Or the first “regular gig” in an indoor venue? That would have been Hawkwind at the now-demolished Top Rank Club in Reading.

The support was power-trio Vardis who sounded like a 30 second excerpt of Love Sculpture’s “Sabre Dance” repeated in a loop for 40 minutes with occasional vocals. As for Hawkwind themselves, this was one of the more metal incarnations of the band, with the late Huw Lloyd Langton on lead guitar and Dave Brock sticking to rhythm. They also had, of all people, Ginger Baker on drums, a legendary musician but quite the wrong sort of drummer for a band like Hawkwind. In retrospect it was probably not the greatest gig ever, soon eclipsed by far better gigs by Gillan, Budgie, Iron Maiden, UFO and Thin Lizzy. If anything, Hawkwind were actually better when I saw them thirty years later at St David’s Hall in Cardiff, but the superior acoustics of a symphony hall probably helped.

So, what was your first gig? Was it somebody legendary, or someone as awful as The Jags?

Posted in Music Opinion | Tagged , , , , , , | 28 Comments

Batman vs. Superman is being panned by the critics, who make it sound like it’s the tipping point where big-budget superhero films fall out of critical and public favour. What’s its rock equivalent? Yes’ “Tales from Topographic Oceans” (Self-indulgent creative overreach), ELP’s “Love Beach” (Dying gasp of a spent creative force) or Metallica and Lou Reed’s “Lulu” (Ill-conceived collaboration done for largely cynical reasons)?  Over to you…

Posted on by Tim Hall | 4 Comments

Much of what I said in response to the Paris attacks in November here and here are as relevent now as they were four months ago. There is little more I can add.

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Or you can love….

Because Marillion put my thoughts on the atrocity in Brussels far better than I can in the song “A Few Words For The Dead

Can you make it on your own
Can you take it by the throat
Make your own luck – learn the skills
Get in early
For the kill

It carries on

Pick up the weapon
Marry it. Give it your name
Define yourself by it
Take it down the disco

It carries on

Trigger happy
Pulling power
LadyKiller
Take em out

It carries on

See the weirdos
On the hill
Come to get you
If you stand still

Somewhere in history
You were wronged
Raise your children
To bang the drum

It carries on
Tell all the family
Tell all your friends
Teach your brothers
To avenge

It carries on

Or you could LOVE…
You could LOVE

Lie down in the flowers
In the blue of the air
Open your eyes. Why use up your life for anything else?
No need to fight for what everyone has
What do you need?
It’s already there
It’s already there

You could LOVE

So he carried the stars in his pocket
He drank the sunrise till was drunk
He embraced the angels
They swam like little minnows in his blood
Ghosts in his eyes
Out walking beside him
Laughing like children in his mind

They chanted his mantra together
“You could love”

They were happy.

Steve Hogarth, 1998

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There’s one in the spotlight, he don’t look right to me

This mashup is chilling stuff. Donald Trump is the sort of man Roger Waters warned us about 36 years ago.

Posted in Religion and Politics | Tagged , | 2 Comments

Iain Duncan Smith

Iain Duncan-Smith, photo Brian Minkoff - London PixelsSo the architect of the Tories War on the Disabled, a vile little man responsible for many deaths and imposed uncountable levels of misery on some of the weakest and most vulnerable members of society has resigned.

And in doing so has stuck the knife into the equally sociopathic Chancellor George Osborne and twisted it.

Both Tim Farron and Jeremy Corbyn are calling for Osborne’s resignation.

Iain Duncan-Smith is not trying to do an Albert Speer at Nuremberg, trying to shift the blame after it’s all gone down in flames. His action is a totally cynical move that has nothing to do with any new-found concern for the disabled. It’s all about the Europe referendum, and his ambitions for a high rank in the cabinet of the equally cynical Boris Johnson following a British exit from Europe.

The phoney war is over, and now, despite being in government, the Tories are in full-blown civil war, the consequence of David Cameron’s ill-judged and opportunistic decision to hold his referendum.

We live in interesting times. It’s a shame we don’t have an effective and electable opposition…

Posted in Religion and Politics | Tagged | 6 Comments

Does this year’s Glastonbury main stage headliners of Muse, Coldplay and Adele represent the most corporate and beige lineup imaginable? I know Muse are a great live band, but they’re a very “safe” choice and have played Glastonbury many times. Nothing remotely out of Glastonbury’s comfort zone like Metallica or Kanye West this year.

Posted on by Tim Hall | 2 Comments

Iain Duncan-Smith trying to stick the knife into George Osborne is a bit like Albert Speer at Nuremberg. It won’t wash; Speer still got sent down for 20 years.

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Theoretical Physics Status Envy?

A PhD thesis on the writer’s hobby of letterboxing, which leads to profound observations about actor network theory.

This study focuses on actor network theory which deals with any entities equivalently and therefore which serves to elucidate touristic phenomena in society being composed of diverse entities. Through the activity of letterboxing, this study aims at advancing actor network theory in regard to (1) networkscapes, (2) linking acts and (3) artefacts’ meanings. Through the qualitative methods of autoethnography, interview and participant-produced drawing, it turns out (1) that the configuration of the letterboxing network has many non-absolute leaders respecting each other and a non-resolute boundary and a non-definite participant composition because of such mutual respect, and (2) that linking acts in the letterboxing network are carried out not only through rationality based tactics and objectivity-based technology but also through corporeality and subjectivity, and (3) that artefacts in the letterboxing network have not only a general meaning and a network-specific meaning but also individual-specific meanings. Basing on these results, this study recommends actor network theory (1) to extend in regard to networkscapes from a presupposed fixative configuration with a single or a few absolute leader(s) and with a resolute boundary and a definite participant composition to a non-fixative configuration with many non-absolute leaders and with a non-resolute boundary and a non-definite participant composition, and (2) to extend in regard to linking acts from a rationality-based tactical and objectivity-based technological linking act to a corporeal and subjective linking act, and (3) to extend in regard to artefacts’ meanings from general and networkspecific meanings to individual-specific meanings.

If there are profound observations in there, the arcane and obfuscatory language doesn’t help make them clear. The density of jargon turns it into word-salad that to the ininitiated might as well be machine-generated gibberish.

Why do academics in the humanities write like this?

I wonder if there’s an element of status envy from subjects like theoretical physics. The concepts behind theoretical physics are hard for non-specialists to understand. So much so that a caste of writers have evolved whose job is to explain those concepts in terms that can be understood by wider audiences, lest people start to question whether things like Large Hadron Colliders represent value for money. The humanities do not have shiny toys like Large Hadron Colliders to play with, but they still feel the need to write in a suitably arcane manner.

I must stop posting these things.

Posted in Religion and Politics | Tagged | 4 Comments

Testing Blog Links

I haven’t blogged that much about testing of late, so here are a couple of recent links from the testing blogosphere that are well worth a read.

First, in response to some rather heated discussion on Twitter, a post from last year by Adam Knight in defence of the principle of hiring for cultural fit. It’s a concept that comes in for a lot of justified criticism, going from rejection of well-qualified candidates for superficial reasons that have nothing to do with their ability to do the job, to the much more serious concern over bias in terms of gender and ethnicity. Adam Knight recognises those concerns, but stresses that cultural fit should be about soft skills and style of working, not stereotypes.

Second, the always excellent  Mike Talks writes about blogging itself and asks “Are you your own Mary Sue?“. He users the example from the world of music; the famous Köln concert by jazz pianist Keith Jarrett, and imagines the story of the circumstances leading up to the performance from the different perspectives of Jarrett humself, and concert organiser Vera Brandes.

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