Author Archives: Tim Hall

Freaking the Mundanes!

Since so many people love taking the piss out of us rail enthusiasts (not trainspotters!), sometimes it’s fun to have a laugh at the expense of those who don’t share my hobby – take a look at this post on Dreamlyrics.

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50 worst guitar solos?

Thanks to mediageeklife for this link: The 50 worst guitar solos of all time This list is highly suspect – what on earth is Dave Gilmour’s sublime ‘Comfortably Numb’ solo doing on there? And where is Jeff Beck’s truly bad solo from ‘Hi Ho Silver Lining? Nice to see the grossly-overrated Eric Clapped-out at #1, though :)

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The Book of the Short Sun

While on holiday I finally finished the reading “Return to the Whorl”, the final volume of Gene Wolfe’s “The Book of the Short Sun” science-fiction trilogy. A deep, complex and literary work, it’s one of those books I know I shall have to read a second (and possibly third) time to fully understand.

The “Short Sun” trilogy is a direct sequel to Wolfe’s earlier “Book of the Long Sun” tetralogy. The Book of the Long Sun is set in a vast generation starship, The Whorl, three hundred years into it’s vogage, and concerns the adventures of a novice priest, Silk. The story becomes more complex as Silk discovers more of the true nature of The Whorl, it’s ‘gods’, and his own destiny.

The the first volume of the Book of the Short Sun, “On Blue’s Waters” starts as the story of Horn, the supposed author of Book of the Long Sun, now living on the colony world of Blue. Civilisation on Blue is degenerating into anarchy, and what passes for the rulers of the city of New Viron see Silk as the only person that can save it from collapse. Horn’s mission to return to The Whorl to find Silk.

As expected in a Gene Wolfe novel, nothing is as simple as it seems, and it grows more complex and adds layers as the story progresses. In the first volume, we learn that the narrator is now ruler of another town on the colony world, Gaon, and the story of Horn’s journey towards The Whorl took place many years earlier, a device used in Wolfe’s earlier “Book of the New Sun”. But by the second volume, “In Greens Jungles”, the ‘present-day’ story of the ruler of Gaon takes over the bulk of the narrative. And the indentity of the narrator becomes more uncertain.

I won’t give away any more of the plot; you’ll have to read it yourself. I love the way Wolfe uses so many generic SF tropes, such as robots, psionics, virtual reality, space travel and blood-drinking alien shapeshifters, but in a totally original way. There is also a very strong moral and religious theme right through all his books.

It’s a pity Gene Wolfe is not better known; the Short Sun trilogy doesn’t even have a British publisher! Perhaps it’s the combination of his mannered, literary style that doesn’t appeal to many SF fans used to a more straightforward type of storytelling, and his use of so many SF tropes (with the assumption that the reader will recognise them) limits the accessiblity to a ‘literary’ audience.

Of course, there are a lot of web sites about his work. After a few web searches, I found Ultan’s Library – an e-journal for studies of the SF of Gene Wolfe, and The URTH mailing list: Discussion of the works of Gene Wolfe. I also found an essay by Gene Wolfe on Tolkein. Gene Wolfe strongly approves of Tolkein’s world view, perhaps not surprising in the light that Wolfe, like Tolkein, is a conservative Catholic.

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Closterkeller

I’ve finally managed to find (thanks to my brother) some information on the Polish goth-metal band, Closterkeller. While my brother was working as an ESL teacher in Poland he bought me back a couple of their albums as Christmas and birthday presents. The music is a strange mixture of goth, new wave and metal influences, sung entirely in Polish. The band, as far as I know, are virtually unknown outside of their native Poland, making those albums some of the more interesting things in my record collection.

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Dawlish

Just got back from a week in the glorious Devon sun.

I spent the days photographing trains along the sea wall, getting through ten rolls of film, and the evenings propping up the bar of the Marine Tavern, which just happens to be the local of well-known railway photographer Colin Marsden. I’ll put up some of the photos I took once I’ve had them developed.

The main attraction, of course, is the finale of Virgin Trains’ loco-hauled workings. Unlike the end of the “Westerns”, “Deltics” or class 50s, there’s a feel not unlike the end of steam about this. Once these trains are gone, there will be nothing more than HSTs, multiple units, and the occasional freight.

Naturally the photographers turned out in droves; two or three on just about every bridge. I heard from a reliable source that there were no less than forty at Cockwood harbour on the Saturday evening. Over the week I met quite a few of the SWRG crowd on the way, as well as the webmaster of the Pet Unit site.

To celebrate all this, Virgin trains have painted six of the surviving class 47s in special liveries to mark their final months in service, five of the six in liveries the class have carried over their long lives.

  • 47826 is painted up like a police car to promote the British Transport Police. I’m not convinced by this one myself. Who remembers the class 37 they did in an inter-city advert years ago?
  • 47829 “Springburn” is in the Inter-City “Swallow” livery the locomotives carried immediately before privatisation.
  • 47840 “North Star” carries the standard BR blue carried from the mid-60s onwards, the longest-lived colour scheme BR ever had.
  • 47847 is painted in the large-logo blue scheme that started to appear in the mid-1980s
  • 47851 carries 1960s two-tone green. They’ve done this with the full yellow ends as carried in the late 60s, and it really takes me back to my pre-teen trainspotting years.
  • 47853 is painted in the 1964 “XP64″ experimental blue – this was a forerunner of the BR blue, but a slightly lighter shade. Unlike the others, it’s not a livery I ever remember seeing in the flesh back in the 60s.

I managed to see five out of the six; the only one missing was “Springburn”, which was unwell, restricted to empty stock workings in and out of Paddington, and travelled to and from Devon behind two of them; I had Police 47826 on the Glasgow-Penzance on the way down, and XP64 47853 on the Penzance-Manchester on the way back up.

Of course, not all the photos were of Virgin Trains 47s; First Great Western have a couple of loco-hauled workings as well. There were some class 67-hauled mail trains, now apparently doomed, and a few evening freights. I even took quite a few photos of South West Trains’ class 159s; for some reason I find the livery quite photogenic, and a six-car set looks like a proper train! And First Great Western’s (old) livery HSTs are quite photogenic against the backdrop of sea and red cliffs.

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Off on holiday!

I’m taking a break for a few days, down to (hopefully) sunny Dawlish in south Devon. Being a rail enthusiast I’m going to pay my last respects to Virgin Trains elderly class 47 locomotives making their final stand in the south-west of England against the incoming tide of Virgin Voyagers.

Realistically, I have to recognise that the class 47s, now nearly 40 years old, are life-expired and in need of replacement. They’d been getting increasingly unreliable and expensive to maintain in their old age, and a gentle retirement in preservation puttering up and down a short tourist line is what they deserve. But for the next few weeks at least, they’re still in front-line service, working intensive diagrams taking them from one end of the country to the other.

I have my doubts about their replacements, officially named “Voyagers” and unofficially called “Cola Cans”. I find the interiors cramped, there’s a severe lack of luggage space caused by the fact the overhead luggage racks won’t take anything larger than a briefcase. Someone forgot that these are not commuter units, they’re long-distance trains used largely by the holiday and visiting-friends-and-relatives market, most of whom come equipped with large volumes of luggage. Then you’ve got the vibrations from the underfloor engines to remind you you’re really travelling in a glorified sprinter with a pointy nose at the front. A significant number of the seats don’t line up with the windows so you can’t actually see out. And the less said about the unreliable high-tech toilets the better. Altogether they’re less comfortable than the 25-year old Mk2 stock they’re replacing. Perhaps Virgin should have refurbished their existing coaches and simply bought some new locomotives to haul them.

No doubt the some problems will be solved in time; the teething troubles with the toilets will be fixed eventually, and sooner or later they’ll take some seats out to make room for more luggage racks. But I’m sure the idea of 4-car trains replacing the existing 7-car sets is a bad idea, even if the plan is to increase the service frequency. The trains travelling at popular times, such as morning long-haul departures are going to get badly overcrowded. Are we heading towards airline-style travel, where it’s necessary to book several days in advance if you want to travel at the time of your choice?

I’m going to be travelling down on the Glasgow-Penzance between Manchester and Exeter; this will be 47-hauled all the way, a five-hour trip behind loco-haulage. In less than a month, this will be history.

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Selling England by the Pound

“Will you tell me where my country lies”
Says the unifaun to his true love’s eyes
“It lies with me” says the Queen of Maybe
for her merchandise he traded in his prize

They don’t write them like that any more!

It is, as any self-respecting fan of prog-rock should know, the opening lines of ‘Dancing with the Moonlit Knight’ from Genesis’ classic 1973 album ‘Selling England by the Pound’. After seeing The Musical Box a couple of months ago, I’ve finally got round to getting the album on CD (My old vinyl copy is gathering dust at my parents’ place back in Slough). I’d forgotten just how good it was.

The cloth-eared music journalists who inanely claim that ‘Punk was created to save us from music like this’ just don’t know what they’re talking about. Forget the banal stadium-rock that Genesis churned out for the people who don’t really like music much in the 1980s, it was during the Peter Gabriel years in the early 1970s the they produced some of the most creative and sublime music ever to emerge from the British rock scene.

With roots that owed far more to English classical and folk music than American blues, and complex songs with running times running to ten minutes or more, it’s never going appeal to the sorts of people that prefer three-minute songs you can dance to. But it has other pleasures; just listen to Steve Hackett’s emotive and quite un-blues like guitar solo on ‘Firth of Fifth’, and Peter Gabriel’s distinctive (if surreal) lyrics and melodies throughout the entire album, and Tony Banks dramatic keyboard workout of ‘Cinema Show’. The only low spot is Phil Collins’ maudlin ballad ‘More Fool Me’, a grim foretaste of the dire drivel he would inflict upon the world in the 1980s and beyond. With a running time of 53 minutes it’s a very long album for 1973, when 35-40 minute albums were the norm.

New on Kalyr.com

A page on my current N-gauge project, Wominsee. Currently just a trackplan and some notes; I will add some photos as construction progresses.

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Ugly Footballers

Somebody who shall be nameless, but works at SX3, has complained that there’s nothing about football on this blog, and doesn’t accept the fact that I hate football to be a valid excuse.

Just to keep him happy, I’ll include this link to www.uglyfootballers.com. Just don’t click on the streakers link. It’s not pretty. Don’t say I didn’t warn you! Actually, Mullets is almost as bad. Of course, footballer’s bad hairstyles go right back to Bobby Charlton.

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Still Recruiting!

Do you want to visit the wondrous land of Kalyr, and experience it’s wonders first hand, as opposed to just reading this tourist brochure? Experience adventure and mystery, meet members of strange alien races, play with arcane technology and mystic powers of the mind? Well, now is the time!

Both the Play-by-Web game at Dreamlyrics and the Play-by-Email game at The Phoenyx now have openings for new players. The two games both have roots (and some player characters) dating back to the game I started on the late lamented RPGAMES forum on Compuserve more than 6 years ago.

Character generation rules can be found here.

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Cornish Speedlinks

All you ever wanted to know about Cornish wagonload freight trains. Some train formations from 1986 to 1991, mostly taken from my photographic archive and notes, and some purely from memory. (While some people can remember obscure third division football scores, I can remember train formations) It’s not fully complete, because I haven’t been able to dig up all the notes, but it will be updated eventually. Did you know Yeoman-liveried PGAs were used on calcified seaweed traffic in 1990?

The banner ad is meant to be ironic. And it is a really good album…

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