Author Archives: Tim Hall

The Chocolate Tube Challenge

The new game proposed by Going Underground. I think I’ll stick to Mornington Crescent.

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The N Gauge Show

Spent yesterday at the N Gauge show held at a place called The Warwickshire Exibition Centre, near Leamington Spa. This venue turned out to be a converted cowshed in the middle of nowhere! Fortunately the organisers did organise a bus shuttle to and from the nearest railway station (without which I would not have attended). While you might not think a converted cowshed might make an ideal exhibition venue, the quality of the hall inside was a lot better than the impression you got from the outside.

The said cowshed contained a wide variety of layouts, British, German, American and Japanese. And of course, loads of traders, ranging from RtR box shifters to suppliers of specialised kits and bits.

Most people were drawn to the Bachmann stand near the front entrance with it’s display cabinet of preproduction samples of long-awaited new models. For fans of the post-privatisation scene there was 170 DMU in three liveries (SWT, Midland Mainline and Central Trains), for kettle fans there was the LNER V2. And for all diesel era modellers there was the HAA coal hopper, a much needed model; the long discontinued Minitrix model has been fetching silly prices on eBay for several years now. As well as the all-new models they had some reliveries on display too; most significant were the blue and grey Mk2s.

New entrant in British N, Dapol, didn’t have a stand. But Maurice of Osborns models did have some samples of the Great Western Autocoach, and very nice it looked. A bit early for my chosen period for British modelling, though.

Two layouts that impressed me the most were two of the smallest; Hedges Hill Cutting, just over five feet long representing a short length of third rail electrified line somewhere in South London, through which passed a variety of southern region EMUs and diesel-hauled freight trains. The focus was on high detail urban modelling.

Hedges Hill Cutting

The other small layout was a total contrast; Woodhead. Also electrified, it was an accurate model of the western Portal of the now closed Woodhead tunnel, set around 1970 just before passenger trains ceased on the route. Almost the entire locomotive fleet was made up from class 76 electrics.

76 emerges from Woodhead Tunnel

There were plenty of other good post-kettle layouts; Drem, Stapleforth Mainline, Princes Street Gardens, Elgin, Hartshill Bank, and the massive six track Kings Park.

Of course, the traders did grevious harm to my credit card; there’s an Arnold Re4/4 in EBT (Emmental Burgdorf Thun) livery, plus a pair of the more modern Re460s in “SF” advertising livery. And, for a different country in a different era, a couple of Dapol BR gunpowder vans. All it needs is a decent class 24 and I can see a Cambrian Coast layout coming on.

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Swedish train crash

Nasty level crossing accident in Sweden. BBC news are reporting two deaths; but it doesn’t say if those deaths were passengers or traincrew, or from the lorry.

The accident happened when a passenger train collided with a lorry on a railway crossing near the south-eastern coastal town of Kristianstad.

As is usual for this kind of accident, the cause seems to the recklessness of the road user.

Swedish radio quoted witnesses as saying the lorry appeared to make a late run for the crossing as the barrier descended.

If the lorry driver isn’t one of the two fatalities, then he needs the book thrown at him. Just like they threw the book at Gary Hart.

This Swedish news site (in Swedish) has quite a few pictures. It looks like the train was a 3-car DMU of the type used on many Scandinavian express services (I think the design originated in Denmark). The leading car appears to have spun though 180 degrees and is facing the way it came. There’s a lot of damage to the front end.

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Rhapsody – The Dark Secret

When an album begins with the spoken words of none other than Christopher Lee reciting words like these, it can mean only one thing:

It was a good time for all creatures of the earth. But fate decreed that the Dark Prophecy of a Demonknight could bring a tragic end to this peace, scarring their lives forever. Only one person could cross the darklands surrounding Hargor and venture deep into the caves of Dar-Kunor

His is a name the world will never forget.

He is Dargor

Yes, it’s Rhapsody! Luca Turlulli’s prolific Italian five piece have the market cornered in Operatic Dungeons and Dragons Pomp Metal. “The Dark Secret” is another slab of the trademark sound, a hybrid of power metal and Hollywood film score, the shredding guitars accompanied with choirs and orchestras to make a huge epic wall of sound. It’s way over the top, and totally beyond parody; the sort of stuff which makes The Darkness look po-faced and serious. The sound alternates between speed metal, big operatic choruses, and atmospheric cinematic soundscapes. I guarantee you will either love this, or run screaming from the room in terror.

With just five tracks and a total running time of 29 minutes, this is a really a taster for their forthcoming full-length album.

Interesting The last track, “Non Ho Sonno” (sung in Italian) isn’t actually performed by Rhapsody themselves, but by a band called Goblin (of whom I know little), but with additional production by Rhapsody’s Luca Turilli and Alex Staropoli.

The Dark Secret is fully compatible with the d20 licence, but you could probably convert it to GURPS if you really wanted to :)

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Paying for Quality

CJM class 67

If you want real quality in British N, you have to be prepared to pay a premium price of it. This CJM model of EWS’s class 67 is a case in point. A hand finished model with a lot of fine etched detail parts, it more than five times as much as the Farish class 47 on the track behind it. Although it is, as Electric Nose would say, “The Dog’s Danglies”, at that price I had to reluctantly concede that I cannot justify more than one of these magnificent models.

The biggest problem is that is shows up most of the Farish stock it will be hauling as hopelessly crude and toy-like. The super-BG behind it is a conversion of a Farish BG with etched sides, made for my by Ian Stoate of Ian Stoate Models. At the moment I don’t have a whole train of the things, though; the rest of the set is the toylike and shiny Farish TPO vans.

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The Flying Fag Packet

Graham Farish FGW Mk2 BSO

The new Farish Mk2 Brake Second has arrived. I have mixed feelings about this one; on one side they’re to be commended in managing to reproduce the complex livery at all (I spoke to one of the major transfer (decal) manufacturers a couple of years back asking if they were going to make transfers for the lower bodysides; they replied that it wasn’t possible with the printing technology they had). The quality of the printing is good; they haven’t been able to reproduce the ‘fade’ of the prototype perfectly, but the way they’ve done it falls into the realm of acceptable compromise, at least in my opinion.

The down side that the model is still quite crude, and shows how far British outline modelling is behind the models available for continental European prototypes. All details, including the windows, are simply printed on to a clear plastic bodyshell. Since they’ve used a ‘one size fits all’ body, this one’s lacking the footsteps for the centre doors, which are just printed on. It would probably be possible to improve this by adding some microstrip for footsteps and handrails. The clear bodyshell also means there’s no relief in the windows at all; which can look wrong in certain lightings. It also lacks any kind of interior.

On the other hand, the price is a lot lower than you’d pay for recent products from Minitrix of Fleischmann.

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A Rival to Plan 9?

The Gline reviews a “Sci-Fi Musical” called The Apple

The Apple had me laughing hysterically all the way through. It’s a love letter to the stylistic excess of that time, only it’s been penned by illiterates with terrible handwriting. It’s an awful movie, to be sure, but it’s never boring, if only because they find something absolutely stupefying to point the camera at in every second of film. And as bad as the movie is, it actually manages to point its satire in the right direction and even feels weirdly timely—that is, when it’s not burning your eyes out with some of the most horrific production design since the Star Wars Holiday Special. Shock Cinema described it as “Can’t Stop the Music meets Logan’s Run”, two other Seventies artifacts guaranteed to clear the room in seconds.

Sounds like it has all the makings of a cult classic.

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Spot the Difference

Neil, guest blogger at Going Underground has discovered someone who should be working for Bachmann. Are there, I wonder, people who couldn’t tell a 2CV from a Morris Marina?

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Alternative online RPG formats

Most of the online RPGs I play are versions of the traditional tabletop RPG were you play one character. But there are other ways to do things, especially online

The Phoenyx is running a Lexicon Game, where the ‘characters’ are a bunch of (possibly revisionist) history scholars, and the actual gameplay revolves around their historical writings; it’s essentially a collaborative worldbuilding exercise.

Meanwhile, on DreamLyrics, Just John has a much stranger idea:

Would anybody here be into a game where your player characters hold jobs in a corporation-like organization, and where power is exercised in the traditional bureaucratic ways of deliberate obstructionism, backside-covering, slander and empire building?

And if you’re into that, would you be into having your PCs build an actual website? As players, the fun could include embellishing your corner(s) of the site with opaque jargon, badly-implemented forms, ridiculous HTML, irrelevant help screens, irritating slogans and all the other things that make corporate web sites such memorable experiences.

To top it off, the gag would be that to an innocent outsider surfing the web, this would look like a real site! My vague notion is that we’d run a standard game section here on DreamLyrics to coordinate stuff and roleplay staff meetings, but nothing on the site we’d build would link back to the game section.

A lot of scope for evil fun with this idea. I can imagine an incomprehensible (and impossible to comply with) policy on linking, and players should be responsible for sending equally incomprehensible cease-and-desist letters to any blogger than dares to link to the site.

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Dapol’s Forthcoming 73

Class 73s at Victoria, 1990)

Dapol have revealed that their new N-gauge D&E model is to be a class 73 electro-diesel. I’m not sure how popular a prototype it will turn out to be; on the plus side, the prototype carried an awful lot of different liveries. On the minus side, they were very much restricted to a narrow geographical area, which cannot be modelled effectively without an awful lot of accompanying models, none of which are commercially available.

From a pure sales criteria, I don’t know how much that matters. I’ve long suspected that prototype modellers are a minority; there are many people that mix and match all sorts of stock from different eras and regions with no regard to prototypical verisimilitude. And then there are the dreaded collectors, who aren’t even bothered with layouts at all. And even hardcore prototype modellers get tempted by the odd model that runs nowhere near their chosen prototype, be it a Danish GM Nohab or a New Haven freight motor.

Unfortunately, the specification for this class 73 appears to be 15 years behind the times. According to Dapol:

  • It will have a 3 pole motor, and won’t have a flywheel.
  • No low-friction mechanism.
  • It will have directional headlights, but no tail lights
  • No provision for DCC
  • No NEM coupling mounts.

Unfortunately for Dapol, for everyone who compares it with 20 year old Farish products, there will be someone else who will insist on comparing it with the latest release by any one of the major continental or American manufacturers. And the latter group are likely to find it wanting.

There’s an attitude amongst British modellers that we should be grateful for anything a manufacturer produces, and we shouldn’t complain when something’s not up to scratch; just in case the manufacturer decides to take their ball and go home. I firmly believe that attitudes like that, and the sycophantic ‘Don’t upset the advertisers’ attitude by magazine reviewers (“It looks OK at normal viewing distances and will improve with running in TM) is holding British railway modelling back. That and the extreme price sensitive nature of the British outline market; if I ever state on a mailing list that I’d willingly pay Fleischmann prices for Fleischmann quality British outline models, I always get a chorus of complaints from people complaining that I want to price them out of the hobby.

I won’t be buying a Dapol class 73, no matter how wonderful it may or may not be. My British modelling is focussed firmly on the south-west of the country, an area the 73s never visited. Perhaps if Dapol were to learn lessons from the 73, and later releases include things like a 150 DMU or 122 “Bubble Car”?

Update: It appears the initial reports were inaccurate in at least one respect; it will have a flywheel after all.

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