Author Archives: Tim Hall

Fish’s Return to Childhood, Manchester

I had mixed feelings when I heard Fish was going to celebrate the twentieth anniversary of Marillion’s 1985 concept album “Misplaced Childhood” by playing album live in it’s entirety. Although many fans consider it to be their masterpiece, it’s never been one of my favourite Marillion albums; I have always preferred the underrated “Clutching at Straws” and “Fugazi”. And in the 17 years since Fish and Marillion went their separate ways, Fish has built up a solid back catalogue of his own solo work. Would Manchester Academy 2 see a triumphal revisit of past glories for old time’s sake? Or would Fish’s diminished voice fail to do the old material justice, and result in a pale shadow of what had once been?

Support was a female-fronted local band, The Haights, who played 70s-style hard rock with a funky edge. If they’d been Scottish, they might have been an early version of the band Frozen Gold from Iain Banks’ novel “Espediair Street”. They played a short but entertaining set, making up in enthusiasm what they lacked in experience.

The hall was packed by the time Fish took to the stage, launching straight into the highly-critical-of-America anthem ‘Big Wedge’. This managed to pack a punch even without the horn section from the original recording. His version on the second line, with “I’d just cleared immigration JFK-K-K” isn’t going to win him any friends in the Red States! This tour the band consisted of a returned Frank Usher on guitar, Steve Vantsis on bass, Tony Turrell on keys, John Tonks on drums, and a second guitarist and backing singer whose names I didn’t catch. Not quite as tight as the last time I saw Fish, back in 1999, but good enough.

The first half of the set was a greatest hits of his solo material, with most of the favourites, including ‘Credo’, ‘Brother 52′, ‘Goldfish and Clowns’ and ‘Family Business’. Fish’s voice held up most of the time, but did go ragged on one or two occasions, which made me wonder whether it would hold out for the whole show.

There was supposed to have been a ten-minute interval, but since things were running a few minutes late, the band remained on stage while Fish engaged in some banter with members of the audience. He told us how much he both loves and hates the film “Still Crazy” (about a 70s band on a comeback tour), because so much seems true to his own career. He keeps seeing “signs”, he told us. Behind the venue is a small park, and he saw a magpie that afternoon. This was A Sign, he told us! Of what?

The second half of the show was what many of the punters had really come for, the complete “Misplaced Childhood”. This was the point when the crowd really erupted. Large sections of the audience were singing along to Fish’s impenetrable and deeply personal lyrics. (My brother likened them to obsessive Morrisey fans; Ouch!) If Fish’s voice had been slightly shaky earlier on, he recovered his strength now, from the eerie ‘Pseudo Silk Kimono’, through the hit singles ‘Kayleigh’ and ‘Lavender’, the dark and twisted ‘Bitter Suite’ and the anthemic ‘Heart of Lothian’. The band made a good job of reproducing Marillion’s complex music, with Frank Usher making a credible stab at Steve Rothery’s guitar parts.

Call be a heretic, but I’ve always felt the first side of the original LP contained all the best moments, and the second side dragged a little. So it was tonight; although it still has it’s moments I think I’d rather have heard Fish’s later epic, ‘Plague of Ghosts’.

Having already overrun the official curfew, there was time for just one encore. I was expecting Fish’s traditional encore, ‘The Company’, but the big man decided to go right back to the dawn of time and treat the audience to a rousing version of Marillion’s very first single, ‘Market Square Heroes’. Are you following me?

Overall, a good show, if not quite a great one. Fish’s voice will never be what it was twenty years ago, but it was far from the disaster I feared it might be. The band continue on tour in England (but surprisingly not London, or Scotland), then to south America before returning for some more European dates in the summer.

Official Fish Website www.the-company.com

Posted in Live Reviews, Music | Tagged | 30 Comments

No new trains!

Today was the first time for a long while I’ve been to a major train show (Derby) without buying any new stock at all.

Considered (but decided against) a square headlight Hobbytrain/Kato Re6/6 (a fourth one would be overkill), a Fleischmann DB BR185 (Not confident I can renumber it, so I’ll wait for Fleischmann to bring one out with a different running number from the one I already have), a Kato Re460 (Like I really need anotherRe460? I’ve already got ten of the things in assorted liveries!) a Dapol 73 (Since my British outline interests centre on Cornwall, which isn’t somewhere 73s tended to visit), and a Kato Japanese Class 9600 2-8-0 (Really don’t want to start buying Japanese stuff; who knows where it might end!)

Should I be worried, or am I doing the right thing by saving my money for the things I really *do* want? Such as the Wessex 158 and the forthcoming ATM Silver Bullets.

On the other hand, I have recently ordered a Freightliner 66 from CJM, maybe that’s my modelling budget accounted for for a while…

Some good layouts on display, though. I liked the minimum-space (5′x2’6″) Swiss layout who’s name I can’t remember. The 4mm urban “Farkham”, and the N gauge East German “Colditz Ost Brucke” were excellent; the latter is simple but effective, centering on a bridge carrying a double track main line over a broad river; no stations or yards, and the only structures apart from the centrepiece bridge were a couple of small cottages.

Posted in Railways | 4 Comments

Make you own Tory poster!

If you live in Britain, especially in a marginal seat, you’ll have seen the posters warning us how hordes of illegal immigrants let out of prison will infect your daughter with the hospital superbug unless you vote Tory. With lots of white space, they’re very tempting for ‘unofficial additions’. Such as this one (Click on the picture for a larger version that’s easier to read)

Click for a larger version

Now this site lets you create you own parody versions of these awful posters. Such as:

How would you feel if a Welsh vampire got in?

Or this:

What will the Tories screw up next?

Or what about:

The crap wasn't just Duran Duran and Phil Collins!

And finally, for any Cthulhu fans reading this:

Ia!  Ia!  Michael Howard fhtagn!

Link from Harry’s Place

Posted in Uncategorized | Comments Off

Review: China Miéville: Iron Council

I loved the first two of Miéville’s baroque steampunk fantasies, “Perdito Street Station” and “The Scar“. Set in a phantasmagorical mix of steam-age technology, D&D magic and cyberpunk attitude, they managed to breath new life into some old cliches, and produce something that was far more than the sum of the parts.

The third novel in this setting, “Iron Council” tells the story of the construction of a transcontinental railway, who’s striking construction crew rebelled and struck out on their own across the wilderness, laying down rails in front of the construction train and taking them up again behind. But despite some nice touches, such as the golem magic, I found this book something of a disappointment compared to it’s predecessors.

With the action switching between the city of New Crozubon and the rebels in the wilderness, and between present-day and flashback, the whole thing seemed to lack the focus of his two earlier works. This time, Miéville’s politics is far more heavy-handed and comes over very preachy. Being shown what’s wrong with unrestrained robber-baron capitalism is one thing, but sometimes it felt like being beaten over the head with a hammer-and-sickle. The biggest flaw of all was the weak characterisation, so bad that I found I didn’t care what happened to several of the leading characters by the end of the book.

While the book isn’t a total failure, Miéville is capable of far better than this.

Posted in Science Fiction | Comments Off

Land of the Free, My Ass: Part II

I have decided (following advice) to remove this post and the associated comments – people had been posting potentially libellous things concerning a situation I know little or nothing about. 

Move along, there’s nothing to see…

Posted in Music | 6 Comments

Too Much Information

No, Mr Nose, I did not want to know that. No more Locomotive Porn for you! Those provocatively painted SD70MACs will make you go blind!

Posted in Railways | 1 Comment

Why indeed?

Silkenray wonders aloud:

Apparently, most spousal visas for US citizens moving to the UK take one day to process.

Conversely, most spousal visas for UK citizens moving to the US take more than one year to process.

Add to this that the landing card for non UK citizens entering the UK is half the length of the landing card for US citizens entering the US.

Why is our system so f—ed up?

But our visa waiver form (do we even have one?) wouldn’t sound nearly as funny set to music.

Of course, if the British electorate makes the mistake of electing the Welsh vampire on May 5th, then we might end up with something as Kafkaesque and inhuman as America’s INS.

Posted in Miscellaneous | Comments Off

Bye-Bye Meetup.com

Meetup.com have just become a pay site, charging 18 US dollars per month to the organiser of each group.

I formed the Manchester Roleplayers group a few of months ago, which had all of three members, too few to actually meet. (Although there was one aborted attempt) I was also a member of the Marillion and Webloggers groups, which didn’t even have group organizers. I didn’t feel like volunteering while I’d failed to get my own group off the ground.

Even with the half-price discount for existing groups, paying $9 a month for a group that doesn’t actually meet sounds like a stupid waste of money. I have therefore resigned as organiser of the group. I expect 99% of other group organisers will do the same.

While I understand that any website needs a revenue stream to survive, the amount they’re trying to charge is completely ridiculous for what you get in return, and I would be surprised if even a tiny fraction of existing groups ever pay up. I think Meetup.com are now heading for the electronic graveyard.

Posted in Games | 1 Comment

Porcupine Tree, Deadwing

There are two camps in the British progressive rock scene. In one corner are those unashamedly retro bands that seek to recreate the sounds of the halcyon days of the early 70s before the dark ages of punk. In the other corner stand those bands who combine the spirit of that era with a more streamlined, modern sound. Steve Wilson’s Porcupine Tree are definitely in the latter camp.

I read a review of Deadwing in The Times that described Porcupine Tree as ‘now sounding like a regular indie band’, which made me fear the worst, as the last thing Britain needs is yet another generic indie band. But my fears proved unfounded; this album is far more metal than indie. Deadwing’s predecessor, “In Absentia” was notably heavier than earlier PT albums, and this one takes things still further in that direction. Wilson’s work with Scandinavian death-metallers Opeth has rubbed off; indeed, Opeth’s Mikael Akerfeldt contributes some guitar, as does King Crimson’s Adrian Belew. But it’s not all thrashing guitar riffs; there are also some decidedly non-metal ballads and plenty of Floydian textures to offset the heavier parts.

The nine-minute opening title track starts as the band mean to go on, with it’s powerful guitar riff and driving bass line, and the instrumental breaks contrast Wilson’s liquid guitar solo with guest player Adrian Belew’s distinctive angular style. The production is clean and crisp, as you’d expect from Steven Wilson. High spot of the album is the kaleidoscopic twelve-minute epic ‘Arriving Somewhere (but not here)’, which manages to go through all the musical styles of the album in a single track; spacey atmospheric intro, gentle ballad building to the fluid guitar solo, then a thrashing death-metal segment, before it all drops away for an acoustic flamenco solo. Heaviest track is the US single, ‘Shallow’, with it’s Zeppelin-style riff. The most indie-sounding songs are probably the excellent bass-driven ‘Halo’, the UK single, the piano-led ballad ‘Lazarus’, which doesn’t do a lot for me, although Coldplay fans will probably love it, and “Start of Something Beautiful”, with the beautiful piano solo towards the end.

Overall, this album reminds me very much of the last couple of Marillion albums; if you liked “Anoraknophobia” and “Marbles”, or indeed, Porcupine Tree’s own “In Absentia”, I can definitely recommend “Deadwing”.

(This review also appears on Blogcritics)

Posted in Music, Record Reviews | Tagged | 4 Comments

Mage Thoughts

The Gline is uncomfortable with Mage:The Ascention.

One of the reasons I sort of stopped playing White Wolf’s Mage is because a lot of what was being bandied about in the context of the game sounded uncomfortably close to a lot of the trash I’ve been forced to listen to from people who work very hard to undermine rational thought and a reality-based worldview.

Disclaimer: I know “it’s just a game.” I have no trouble telling the difference between reality and fiction. The reason for my discomfiture has nothing to do with that. It’s akin to — if this makes any sense — a black man playing a member of the KKK in an RPG. And not just playing him, but PLAYING him — having the character engage in lynchings, manhunts, spewing racist epithets, etc. I can’t think of a single person of sober mind who wouldn’t find that dismaying after a while, especially when you yourself embody a big part of the target of such hatred.

I don’t think the Mage situation is anywhere nearly as bad, but that’s what it feels like. If I’m RPing for fun, the last thing I want to do is subject myself to something that makes me squirm for very deep-rooted reasons.

I recognise there are many religious gamers who get squicked out by games that fold, spindle and mutilate the founding myths of major world religions. I’m uncomfortable with the one or two games that protray Christianity in a very negative light, and I know people who won’t play any games that include real-world religions at all. But it surprises me to see an athiest rationalist get the same feelings.

Saying that I can see where the The Gline is coming from. He goes on to mention how he keeps running into the sort of irrationalist claptrap pilloried in Francis Wheen’s How Mumbo Jumbo Conquered The World, and a lot of that does sound suspiciously like the in-game worldview of Mage:The Ascention. Sometimes I wonder if the libertoids who are in denial about environmental phenomena such as global warming have played too much Mage.

I haven’t actually read or played the original WW version of Mage; I have the less pretentiously-written GURPS version, and have played the Renaissance-era ‘prequel’ Sorceror’s Crusade a couple of times. So I don’t know how much the worldview inside the game reflects the real-life beliefs of the designers.

Posted in Games | 3 Comments