Author Archives: Tim Hall

A Bit of a Makeover

I’m part way through giving this blog a bit of a style makeover, as you have probably noticed. I’ve introduced “asides”, which are those short one-paragraph posts that don’t have any headers and categories displayed on the blog pages.

The changes aren’t complete yet. One thing that still needs doing is to sort out the headers of the category pages – They’re really subject-specific sub-blogs, and I’m considering giving each one a different colour scheme to differentiate them further.

I’m also changing the front page so it’s no longer an all-category firehose but something more cut down and intended to lead people to the individual category sub blogs. Another thing in the pipeline might be to completely restyle some of the individual category pages, especially the record review and live review pages.

What does anyone think?

Posted in Miscellaneous | Tagged | 8 Comments

Even though Excel is Microsoft and therefore supposed to be stable, there were serious bugs” – Actual quote from a meeting in which we decided to defenestrate a notoriously squamous and rugose spreadsheet.

Posted on by Tim Hall | Comments Off

Twelfth Night – Live and Let Live

Twelfth Night Live and Let Live - Album CoverI’ve written a review of Twelfth Night’s “Live and Let Live” for Trebuchet Magazine. This album always was one of the high points of their all-too-brief original career, and the former single LP is now expanded to double CD containing the full two-hour set. It now includes the epic “The Collector” as well as some rare songs never released as studio versions.

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A question for those of you who listen to music while you work. Are you more productive if you listen to music on random shuffle rather than listening to individual albums all the way thought as Steve Wilson intended? Does it actually make any difference?

Posted on by Tim Hall | 1 Comment

N Gauge Society to do a Hawksworth BG

Photo by Les Gregory

As anounced on RMWeb, the N Gauge society’s next ready-to-run model will be a GWR designed Hawksworth BG, to be manufactured for them by Dapol. It’s a very useful model for Western Region modellers either for the steam or diesel hydraulic eras, since these vehicles saw use for parcels traffic throughout the 1970s, long outliving the Hawksworth design passenger coaches which had all gone by the late 1960s.

No confirmation on liveries, but I expect to see both BR maroon and BR blue versions. This model will be sold exclusively through the N Gauge Society for members only, but I can imagine that Dapol, having tooled for one 64′ Hawksworth vehicle, will go on to add other Hawksworth vehicles to their own range. Let’s hope so.

Posted in Modelling News | Tagged | 1 Comment

Disintermediation

In yet another post on the state of the music industry, Steve Lawson muses on the oft-repeated statistic that file-sharers spend more on music.

Are we part of the ongoing viability of their music practice, or not? There are lots of ways of being that, far beyond blunt figures about where we get hold of particular recordings from (and a whole lot of material on BitTorrent isn’t available to buy anywhere anyway), but are we part of the healthy future for disintermediated music, or are we just trying to see how much we can get away with? Cos I’ve got no interest in the people in the latter group… Music has given me far too much in my life not to want to give back…

What we don’t know (and there may not be any way of telling) is the extent to filesharing changes not just how people will spend on music, but what sort of music they will buy. There is a lot of anecdotal evidence to suggest that they’re spending less on heavily-promoted “mainstream” music much of which doesn’t live up to the hype. But instead they’re spending more on artists not signed to the major labels and their subsidiaries who don’t benefit from huge promotional budgets. Quite a bit of this is direct sales from artists, which frequently don’t show up in official statistics; the disintermediation of which Steve Lawson speaks.

If this is true, it would explain why so many of those who shout the loudest against the evils of filesharing are not artists, but marketing types and execs who have the most to lose from disintermediation. These people always claim to speak on behalf of artists, even though independent artists can speak for themselves. Is this just because nobody really cares if the likes or record pluggers have to seek alternative employment?

No that I condone people who download huge amounts of music without any intention of paying for a note of it. But I’ve never bought into the argument that the sky is falling, and the only way the “creative industries” can be saved is to give the big labels and studios unchecked power to shut down any parts of the internet they don’t like. As Bloom.fm’s Oleg Formenko said on Twitter, piracy is what happens when there are no legal alternatives at prices the market is willing to pay.

Posted in Music, Music Opinion | Tagged | 1 Comment

Exploratory Testing

Great blog post by Anne-Marie Charrett on Courage in Exploratory Testing.

Exploratory Testing is tester centric, meaning the tester is central to the testing taking place. The tester has the autonomy and the responsibility to make decisions about what to test, how to test, how much to test and when to stop. This may seem blatantly obvious to some, but its surprising the number of test teams where this is not the case.

The downside is that management love their spreadsheets with their percentages and red yellow and green colour coding, which is where that courage thing comes in.

In scripted testing, testers have artifacts which they measure and count giving an illusion of of certainty but really this is smoke and mirror reporting and generally offers little genuine information. “We have reached 78% test coverage, with a DDR of 85%”

I used to work in a testing team where we had spreadsheet-based test scripts that calculated “percentage complete” and “percent confidence” by counting the number of boxes ticked off. The figures those formulae calculated were far less meaningful than estimates based on gut feeling.

For my current project I create test spreadsheets as I test, with “Test performed”, “Test Result” and “Pass/Fail” columns (There are other columns, but that’s the guts of it).  This provides the auditability that managment needs. There is no “Expected result” column, and that’s deliberate. Unfortunately there is no guarantee that management won’t see the thing as a test script and expect the whole lot to be re-run for regression testing…

Posted in Testing & Software | Tagged | 1 Comment

The Rolling Stones – Corporate Rock at it’s Worst?

So The Rolling Stones are apparently charging £406 (including fees) for floor-level seats at their recently-announced O2 Arena shows. The Felix Baumgartner level seats are admittedly a bit cheaper, but this is still completely taking the piss.

Surely no band is worth that sort of money.

They appear to be targeting the corporate hospitality market now, pricing ordinary music fans out of the market. Yes, I’m sure some people with far more money than sense will be willing to fork out stupid amounts to try and relive their youth, without thinking of how far that £406 will go supporting the grass roots music scene instead. But I bet the audience will be full of celebrities and people there purely to flaunt their wealth and be seen.

Is this what rock and roll is supposed to be about?

Posted in Music Opinion | Tagged , | 5 Comments

Stabbing a Dead Horse

A tour featuring three bands from the more avant-garde end of the progressive rock spectrum, Knifeworld, The Fierce and The Dead, and Trojan Horse. There are allegedly bassoons involved, although as for which of the three bands might feature such instruments, that would be telling.

This progtastically bonkers extravaganza can be seen at the following venues:

  • 27th October – The Stag & Hounds, Bristol.
  • 28th October – Clwb Ifor Bach, Cardiff
  • 29th October – The Ruby Lounge, Manchester.
  • 30th October – The Brudenell Social Club, Leeds.
  • 31st October – The 13th Note, Glasgow
  • 1st November – B2, Norwich
  • 2nd November – The Lexington, London

Full details including ticket info can be found at http://www.stabbingadeadhorse.com/

Posted in Music News | Tagged , , | 1 Comment

Do musical genre labels (Rock, pop, metal, prog, folk, symphonic or whatever) make far more sense if you think of them more as ingredients than as pigeonholes?

What do you think?

Posted on by Tim Hall | 9 Comments