Author Archives: Tim Hall

Mostly Autumn Changes

Mostly Autumn at The Komedia in Bath, September 2012

Announcement from Bryan Josh of Mostly Autumn.

As you will have noticed if you came to any of the gigs, there was a different drummer – in order for Mostly Autumn to progress and move forward freely I have had to take the decision to choose the line-up on a tour by tour basis, as members sometimes, quite rightly, have their own commitments. For the rest of the year, barring 3 concerts, Alex Cromerty from the Heather Findlay Band, will be drumming with us in place of Gavin. Hannah Hird (most recently seen harmonising with Ellie Golding on her recent tour) will be fulfilling the rest of the year on harmony vocals and keys in place of Anne-Marie.

We sincerely wish Anne- Marie and Gavin the best of luck with anything they do and look forward to embracing the many talents of Hannah and Alex. The rest of the band will be as normal.

After many years of a constantly changing band Mostly Autumn had finally had achieved some stability by keeping a lineup together for three years, and this has been reflected in some increasingly powerful live performances. So it’s sad to see the 2010-2013 incarnation of the band coming to an end.

Anne-Marie’s stage presence and flute playing will be greatly missed from Mostly Autumn’s live shows, and the apparent dropping of the flute from the band’s sound severs the last ties with the celtic-folk sound of their early albums. Admittedly there has been very little flute on recent albums, but I can’t imagine older songs like “The Last Climb” appearing in the set for the rest of this year at least.

As for Anne-Marie, her own music must come first, and this year might see a lot more opportunities both for Panic Room and her solo work. It was amazing hearing her voice fill the mighty Hammersmith Apollo on Friday night opening for Steve Hackett. Her solo acoustic appearances have been few and far between over the past few years given her commitments with both Mostly Autumn and Panic Room, and I’m hoping we see a few more of these this year.

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Mostly Autumn – The Brook, Southampton

Mostly Autumn at The Brook in Southampton

Mostly Autumn played their first headline appearances of 2013 with four shows over the May bank holiday weekend. On the Sunday night they came to The Brook in Southampton for the last of those four dates.

The seven-piece band kicked off the two hour show with couple of oldies, beginning with the electric folk-rock tinged “Winter Mountain”, then rocking out with a very high-energy version of “Never the Rainbow”. “Unquiet Tears”, the first song from their most recent album “Ghost Moon Orchestra” was extremely powerful, building from a quiet but ominous beginning to an epic that recalls the symphonic metal of Nightwish. The moment where the full band come in and Olivia pulls out all the stops vocally is simply jaw-dropping.

Mostly Autumn at The Brook in Southampton

Four dates in and they’ve had more than enough time to blow away any cobwebs, and the performance was both tight and powerful. They’ve made quite a few changes since the previous tour at the end of last year, bringing back a few other old favourites such as “Simple Ways” and “Nowhere to Hide” that hadn’t been played live for a while alongside the usual standards and highlights from “Ghost Moon Orchestra”. An interesting change of pace was “Rain Song”, a song Olivia Sparnenn wrote long before joining Mostly Autumn, later to be recorded on Breathing Space’s “Coming Up For Air”. Here it took a stripped-down form accompanied by just piano and flute.

Though the set was a good mix of old and new, since “The Ghost Moon Orchestra” is less than a year old, I can’t help feeling that they could have included more than three songs from the retail edition of the album. But my biggest quibble was the inclusion of two songs from Bryan Josh’s solo album “Through These Eyes”. That album had a very different style and feel, and the songs don’t quite work in the context of a Mostly Autumn set. “Appian Way” in particular came over crude and over-simplistic compared with the more sophisticated material from Mostly Autumn (or Breathing Space) albums.

Mostly Autumn at The Brook in Southampton

The main set ended with an intense version of the epic “Questioning Eyes”, another number that first appeared on a Breathing Space album, but which has always worked as a Mostly Autumn song. After the obligatory first encore of “Heroes Never Die”, they finished with one more spectacular Olivia Sparnenn vocal showcase, “Tonight”.

Olivia Sparnenn’s and Anne-Marie Helder’s voices work extremely well together. While Olivia has always been able to do the older material justice, she’s really come into her own since the release of “Ghost Moon Orchestra” and a setlist containing a higher proportion of songs written to take full advantage of the remarkable range and power of her voice. Anne-Marie harmonises superbly, singing counter-melodies to Olivia’s vocal lines, particularly effective on “Passengers” and “Wild Eyed Skies”, enhancing the songs while never trying to steal Olivia’s spotlight.

It’s hats off to Alex Cromarty, standing in for the unavailable Gavin Griffiths. Despite a very limited time to learn the songs, on only his fourth gig with the band he managed to completely nail the material, and played with a tremendous amount of energy. Best known as the drummer for The Heather Findlay Band and Riversea, he will be playing live with Mostly Autumn for the rest of the year.

Mostly Autumn at The Brook in Southampton

Great as the gig was, it’s an event tinged with sadness, because, as Bryan said at the end of the gig, it looks like this will be Anne-Marie Helder’s last appearance in the band for quite a while. Anne-Marie has been a part of the band for more than five years, and her contributions as multi-instrumentalist and backing vocalist will be greatly missed. I suppose it was always on the cards that as her own band Panic Room grew in profile and status that it would get harder to continue combining her roles in both. Mostly Autumn have been fortunate in being able to retain the services of such a talented musician and singer in a supporting role for so long.

Mostly Autumn next appear live at the end of the month in Maryport, followed by extensive touring the following months, including several shows in the second half of the year with Chantel McGregor as special guest. Full details on their website at www.mostly-autumn.com.

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Seriously, a Wagner opera in Third Reich dress? This has got to be one of the worst “What were they thinking” episodes in the entire history of music.

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Bank Holiday Weekend

A few assorted photos from the bank holiday weekend.

Brockenhurst, 6th May 2013

Marillion have a song called “This Train Is My Life”. Well, this train was my bank holiday weekend, in which I spent many hours on board assorted Arriva Cross Country Voyagers.

Mostly Autumn at The Brook in Southampton

The reason for all this travel was Mostly Autumn playing The Robin 2 in Biston and The Brook in Southampton. This photo of Olivia Sparnenn’s spectacular hair comes from the show at The Brook on the Sunday night.

Brokenhurst in the heart of the New Forest

And just to prove I don’t take photographs solely of trains or prog-rock musicians, this one’s of the Lymington river just outside Brockenhurst on the Bank Holiday Monday.

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Free Single from When Empires Fall.

Announcement from When Empires Fall, the new band from York featuring former Breathing Space and Stolen Earth bassist Paul Teasdale.

Hi all, hope you are loving the weather and had a good holiday weekend!

We have great news from the ‘When Empires Fall’ camp – our first “single”, Call To The Night’s Watch, is to be released on Thursday evening!

To receive your FREE copy of the track, simply send a blank email to when.empiresfall@yahoo.co.uk – You will be then receive your own copy of the single (in high quality MP3 format) and a free HD backdrop wallpaper, on Thursday evening

A free single for the price of getting on their mailing list? Sounds good to me.

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Shadow of the Sun – I’m Coming Home

Welsh rockers Shadow of the Sun, the band formed by Dylan Thompson, formerly of The Reasoning, have released their first video, featuring the song “I’m Coming Home” from their debut album “Monument”.

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Stolen Earth seek new keyboard player

Announced today on the Stolen Earth Facebook Page.

So, all is good in the Stolen Earth camp, writing for the second album is really chugging along :) , our demo and video are almost ready and we are all buzzing, however, due to the fact nothing in the music world is straightforward and it’s hard to juggle family and work commitments along with band stuff, an opening has developed and we will be holding auditions for a keyboard person over the next few weeks! This is an exciting opportunity for the right person as your input on the forthcoming album will be vital!

If you’re able to gig with a band based in York, and have what it takes to be the keyboard player for this superb atmospheric rock band, this might just be the gig for you!

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This may be a controversial thought. To what extent do the endemic misogyny in tech and fan culture, and the increasingly disruptive behaviour of Social Justice Warriors form opposite sides of the same coin? Not so much that one is a reaction against the other, but that both stem from a critical mass of people on both sides with very poorly-developed social skills and/or a serious lack of empathy?

Posted on by Tim Hall | 4 Comments

Gibbo leaves Morpheus Rising

Morpheus Rising at the Cambridge Rock Festival

Announcement today from Morpheus Rising.

Sadly, we have to announce that Gibbo and Morpheus Rising have agreed to part company and he will no longer be part of MR..

Gibbo has been with us from the start, and his drumming has been an intrinsic part of Morpheus Rising from the very beginning, both live and recorded. Behind the scenes, Gibbo has contributed a huge amount of time and hard work to the band and we are sorry to see him go. We will miss him and wish him all the best in the future.

We will be joined for the summer tour dates by Henry Rogers, who many will know as sticksman with DeeExpus, Touchstone and Nerve Toy Trio. We’re very grateful to Henry for stepping in to fill the vacancy, and look forward to rehearsals for the tour with Panic Room.

It’s always sad when a founder member leaves a band. I’ve had the priviledge of meeting Gibbo many times, and he’s a great bloke, and isn’t nearly as scary as he looks! As for Henry Rogers, having seen him with Touchstone and DeeExpus, Morpheus Rising’s drumming will be in safe hands.

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The perils of relying too much on Facebook

A post on Hypebot about the perils of fake Facebook likes highlights some of the problems with Facebook as a means of bands promoting their music.

This situation reinforces the fact that musicians need to build their own home on the web and need to build their own mailing lists.

It’s also a reminder to me that, despite the fact that such points are raised in somewhat of a repetitive manner on sites like Hypebot, a lot of musicians just aren’t tuning in and just don’t get it. On a positive note, that means musicians that are in the know have an extra leg up in the game.

Ultimately a shift away from Facebook needs to occur. I see more and more people both in and outside of music discussing alternatives.

As Zuckerville has grown in popularity, more and more bands began using it as their main means of interacting with fans. With a larger potential audience there was some logic in the way a few bands I know of closed down their increasingly inactive forums in favour of interacting on Facebook. But I’ve seen too many bands neglecting their web presence altogether, to the extent that some bands didn’t bother with a web site at all, having Facebook as their sole net presence. I think this is dangerously short sighted.

The moment Facebook introduced pay-to-promote for posts ought to have been a wake-up call. Not only was it a classic bait-and-switch move, but it was the sort of thing a monopolist does once predatory pricing has put the competition out of business. Investing too heavily in one platform you don’t have any control over is a big risk.

It’s true that bands still can’t afford to ignore Facebook as long as it continues to remain as popular as it is. But there’s no excuse for any band not to have it’s own website and an old-fashioned mailing list. Yes, it might seem a bit old-school, but that way neither Mark Zuckerberg nor anyone else can then hold them to ransom by holding their only connection with fans hostage.

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