Author Archives: Tim Hall

RIP Allen Lanier

Allen Lanier, keyboard player and guitarist for Blue Öyster Cult has passed away at the age of 66. As reported on the Blue Oyster Cult Official Web Site.

We have extremely sad news to report. We’ve lost our friend and bandmate Allen Lanier.

Allen succumbed to complications from C.O.P.D. He is survived by his wife Dory, sister Mary Anne and mother Martha.

Although he retired from touring in 2006 Allen returned to the stage for what turned out to be his final appearance, reuniting with BÖC at the 40th Anniversary show in New York this past November.

DFTR sweet man. We love you and miss you.

Allen Lanier was one of those unsung heroes of rock; not the charismatic frontman or the flashy lead guitarist but the skilled multi-instrumentalist who made a significant contribution to the band’s sound, swapping back and forth between keyboards and guitar. His playing was understated but effective, adding a lot of colour to their sound. On keys he wasn’t a lead player in the style of Jon Lord or Ken Hensley, but he came up with some impressive playing when the need arose, with spooky organ sounds and some great jazz-inflected piano runs. That spectacular classically-flavoured into to “Joan Crawford” from Fire of Unknown Origin is something that stands out.

While never as prolific a songwriter as Buck Dharma or Albert Bouchard, he nevertheless contributed some interesting songs over the years, including the single “In Thee” from Mirrors, and the excellent “Tenderloin” from Agents of Fortune. The one time he sang lead for the band was aother of his own songs, “True Confession”, the song immediately preceding “Don’t Fear The Reaper” on Agents of Fortune.

Allen had been in poor health for some time. Indeed the last time I saw Blue Öyster Cult while he was an official touring member of the band they played the gig as a four-piece because he was too unwell to perform.

Even though I never got to see the original lineup of the band, I did get to see Allen on stage with them on a number of occasions, the first being at Hammersmith Odeon in 1989, the last being at the Live Café in Manchester in 2003, both superb gigs with Allen on good form.

Rest in peace. Allen

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We already know that Orson Scott Card is a loathsome homophobic bigot. Now it seems he’s also into white supremacist conspiracy theories. Who could possibly have guessed that he’s also a racist?

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The Science Fiction and Fantasy Writers of America have finally done the right thing and expelled the sexist, racist asshat Theodore Beale (Also known under the pseudonym “Vox Day”) after he used the SFWA authors’ Twitter feed to post a link to his blog post containing an extremely racist personal attack on the author N.K.Jemisin. One wonders how the 12 Rabid Weasels will respond…

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So, another year, another 4.1% fare rise. Britain’s privatised railway is now the most expensive railway in Europe, with operating costs per mile significantly greater than on equivalent continental European networks. Privatisation added whole new layers of overheads, and the efficiency gains from “market disclipline” turned out not to exist outside the imaginations of ivory-tower ideologues. And the Tories want to do the same to the NHS?

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Cloud Atlas

Cloud Atlas is the new band featuring former Stolen Earth vocalist Heidi Widdop.

Something entirely new and it’s been a long time coming! Working closely alongside Martin Ledger and with a host of excellent musicians, our debut album will be available this year. The website will be launched soon and details of how to pre-order will follow shortly.

The lineup features one or two names that may be familiar to a few people; Martin Ledger and Dave Randall were in the final lineup of Stolen Earth, and Stu Carver was an early member of Mostly Autumn.

Heidi WiddopVocals & Acoustic
Martin LedgerGuitars
Stu CarverBass
Neil ScottDrums
Dave RandallKeyboards

It will be very interesting to hear how they sound and see how they develop.

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That Racist Van

Now that that infamous “Racist Van” with its crude “Immigrants go home” slogan has been reported to the Advertising Standards Authority, it’s left me wondering about the purpose behind the extraordinary behaviour from the Home Office over the past couple of weeks.

That racist van, the Gestapo-like “Your papers please” intimidation of non-white commuters at tube stations, and the stream of threatening messages in the Home Office Twitter feed all appeared to reflect a Tory party running scared of UKIP and desperately trying to woo back racist white voters.

But I don’t think it’s a coincidence that this all happened the week David Cameron was away and left Deputy PM Nick Clegg minding the shop. The whole think reeks of an ambush by the Tory right to stitch up him and his party, and put him in a position where he couldn’t win whatever he said or did.

It reminds me of the time the odious Michael Howard left his deputy Ann Widdecombe to defend a prisoner having to give birth in chains. She would have her revenge with her “Something of the night” comment that torpedoed his leadership bid.

Will the Liberal Democrats have their own “Something of the Night” moment, perhaps during the next election campaign? We can but hope, even though we may be hoping in vain.

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Permission to Vomit

Do you have more money that taste, know nothing about trains, and want the perfect gift for someone you don’t really like?  Then the ‘Spirit of England’ Express from The Bradford Exchange is perfect for you!

The sense of romance evoked by locomotive travel surpasses any other form of transport – particularly when travelling through the tranquil British countryside. The combination is pure delight: a feast for the senses, as unspoilt vistas unfold with every passing moment, revealing centuries of history and mystery. Now you can revisit the time-honoured tales of battles won, trophies raised and British icons born, with the ‘Spirit of England’ Express – exclusively available from The Bradford Exchange and limited to just 999 editions worldwide.

You do wonder exactly who buys this tat. Presumably their target market are people who neither know the difference between England and Britain, nor know the first thing about trains. Although, as has been pointed out, it is a cheap way of obtaining an On3 model of an American narrow gauge train of a type that bears no resemblance to anything that ever ran in Britain. Or England.

You’ll love the wealth of authentic detail devoted to every inch of this heirloom-quality express train and its boldly decorated 2-6-0 steam engine. Each carriage features a solid metal chassis and steel alloy wheels, highlighting unparalleled levels of craftsmanship. At night the drama increases incrementally as the express rolls along the tracks with its engine headlight illuminating the way, and all the car windows aglow with warm, inviting light. Soon, you can look forward to adding coordinating ‘Spirit of England’ passenger cars and free nickel-silver tracks-and-power pack.

You know, I feel sorry for the poor sap whose day job is writing this bollocks. I suppose people have to eat, but…

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The Damned, Reading Sub89

Punk veterans The Damned have long had a reputation as an entertaining live band, and have been on my “to see live” list for a long time. After missing previous tours because of clashes with other gigs, their appearance at Reading’s Sub89 seemed to good an opportunity to miss.

Even for a Wednesday evening they still managed to pull a good-sized crowd for a school night, albeit notably older and more male than many a prog-rock gig I’ve attended in recent years.

 The support band was Exeter’s The Computers. Ever had a band’s name and looks sets up expectations of how they will sound, then see them proceed to nuke those expectations? The Computers did precisely that. They came on stage in suits and skinny ties, leading you to think they’d be some kind of 80s new-wave revivalists. But from the moment they struck up the opening notes of “Bring Me The Head Of A Hipster” it became clear they were something very different.

The Computers have one foot in 1958 and one foot in 2013. While there are a whole load of other influences in there, the overall feel is very old school rock’n'roll with a contemporary rock makeover, with Hammond organ in the mix setting them apart from being purely retro rockabilly revivalists. They played with amounts of energy as well as being awesomely tight, with frontman Alex Kershaw adopting the style of revivalist preacher in much the same way as Hayseed Dixie’s Barley Scotch. They have to be one of the best “unknown” support acts I’ve seen for a long while.

After that excitement, there was some doubt over whether or not we’d actually get to see The Damned. As they took the stage, a knobhead in the front row took it upon himself to throw a full pint at Captain Sensible, who stormed off stage, followed by the rest of the band. After a worryingly long delay, with a stern warning from a roadie not to throw things at the band, they did eventually reappear and proceeded to deliver a storming set.

Like many acts of their vintage, The Damned are down to a couple of original members in the shape of lead singer Dave Vanian and guitarist Captain Sensible, supporting by three much newer and younger-looking recruits. Their greatest hits set featured numbers right across their career. They played oldies from the punk years like “New Rose” and “Smash it Up” alongside the later goth-psychdelia of “Grimly Fiendish” and an excellent cover of Love’s “Alone Again Or”, even though they avoided their 17-minute prog-rock epic “Curtain Call” (Bah!). Despite Dave Vanian being the only constant factor in the band’s lineup over the years, Captain Sensible seems take have taken on the role of band leader and effective frontman. It was The Captain who did most of the song introductions, and it was his guitar playing that dominated the sound, with more than enough soloing to please any classic rock fan, even on the punkier songs.

Rock’s historians have always looked down their noses at The Damned, a band who never took themselves too seriously, rejecting them in favour of the po-faced posturing from the likes of The Clash. But despite never having been one of the fashionable of the 70s punk movement, their enduring sense of fun makes for a great live band, even thirty-plus years on. The Damned have still got it.

(Photos from Steve Cotton/Art of the State, used with kind permission)

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Dawkins, Islam, Bigotry and Racism

It’s depressing to watch Richard Dawkins’ fanboys trying to defend his recent words about Islam on the grounds what he’s saying isn’t technically racism. Surely if the same words were to come out of the mouths of established bigots like Nick Griffin, Geert Wilders or Pamela Gellar they’d rightly be condemned as hate speech. It makes you wonder how many of them share his bigotry, or whether there’s some cognitive dissonance in play here.

When somebody singles out and demonises a religion that just happens, in the UK at least, to be practiced largely by non-white immigrant communities it’s splitting hairs to argue whether it’s racism or not. Whatever it is or isn’t, the one thing it is doing is furthering the agenda of the far right, and this is precisely the point many mainstream commentators I’ve read have been making.

It’s disappointing that so many people who are not by any stretch of the imagination fellow travellers of the far right fail to see this.

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Does The Internet Turn People Into Dicks?

Martin Robbins asks what is it about the internet that turns people into massive dicks?, and highlights one of the issues with Twitter I’ve mentioned in an earlier post.

Think of playground bullying, for example – there’s a massive difference between a child calling another child a dick and a hundred children standing around one child shouting, “You’re a dick!”

To be blunt, Twitter doesn’t scale. It wasn’t designed for people to make tens of thousands of connections, and I’m not entirely convinced that the humans using it were either – not without some strategy to cope with it all.

There isn’t an easy solution, and I hope that Twitter will find away to prevent harassment of individuals without removing the ability of ordinary people to speak truth to power. We should not allow trolls to be used as a stalking horse for much broader restrictions on political dissent. This is especially pertinent once David Cameron and the UK tabloid press jump on the bandwagon. That’s the point where we need to be extra vigilant about the direction in which the bandwagon starts heading.

There are wider social issues as well.

It also runs afoul of the completely ****ed up relationship our society has with celebrity. I’ve lost count of the number of times I’ve seen it argued that people with a decent follower account should be expected to “take it”, as a sort of penalty for being popular.

Which also make me wonder how much reality TV such as The Apprentice or X-Factor, or the cruelty-based nature of some so-called “comedy” (I’m thinking of that Russell Brand prank phone call incident a while ago) feeds the idea that it’s acceptable to be abusive to complete strangers.

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