Author Archives: Tim Hall

Wishbone Ash – Bald men fighting over a comb?

There still seems to be no love lost between Andy Powell and Martyn Turner over the Wishbone Ash name. The court has ruled in favour of Andy Powell’s exclusive ownership of the name, but Martyn Turner is appealing, so this is going to run on for a while yet.

While Powell appears to have the letter of the law on his side at the moment, you’re still left with the impression that he’s shafted his former bandmates.

But I can’t help feeling that it’s long past time for the two of them to bury the hatchet, but there’s so much bad blood I can’t see that ever happening. Since the band’s glory days are long in the past, and both Turner and Powell are trogging round the nostalgia circuit, the whole thing does feel like two bald men fighting over a comb.

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Also Eden’s [Redacted] now on sale

[Redacted]Progressive rock band (They’ve described themselves as “Neo prog my arse”) Also Eden are now taking orders for their fourth full-length studio album [Redacted] from Melody Collective.

It’s available both as a CD and Download (MP3 or FLAC), and orders for the CD also include the download.

The band will be playing a number of live dates to launch the album:

  • Wed 6th November – The Garage, Swansea
  • Thu 7th November – The Railway, Bolton
  • Sat 9th November – Neo Deals @ South Street Arts, Reading, supporting Crimson Sky (Neo Deals is Rich Harding and Simon Rogers as an acoustic duo)
  • Sun 10th November – The Musician, Leicester

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The day Twitter.com died

Twitter have done what they’ve been threatening to do for a while, and started displaying “rich content” (i.e. pictures and videos) in timelines. It means Twitter now looks like this:

The Day That Twitter Died

It is just as bad if not worse than I feared it would be, with what had been a clean text-focussed User Experience utterly clogged-up with low-value images that dramatically lowered the signal-to-noise ratio.

The grinning backpfeifengesicht above is from one of the dreaded “Promoted Tweets”, and probably gives away the real reason for the change; it’s a backdoor implementation of huge intrusive banner ads.

The Twitter blog makes this claim:

So many of the great moments you share on Twitter are made even better with photos or with videos from Vine. These rich Tweets can bring your followers closer to what’s happening, and make them feel like they are right there with you.

We want to make it easier for everyone to experience those moments on Twitter. That’s why starting today, timelines on Twitter will be more visual and more engaging: previews of Twitter photos and videos from Vine will be front and center in Tweets. To see more of the photo or play the video, just tap.

I’ve left with the impression that Twitter’s intended audience for this is semi-literate teens and annoying marketing types who want the ability to shout louder than everyone else. As others have said, Twitter now resembles what many of us don’t like about Facebook.

Fortunately the iOS and Android Twitter clients give the ability to switch this new feature off, but no such setting exists in Twitter.com. For us grownups who want to use Twitter to express ourselves in words, it’s time to stick a fork in Twitter.com and use alternative web-based or desktop clients.

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So farewell, Lou Reed. I was never one of his greatest fans; he represented the opposing pole in rock to much of the music I love. But there’s no denying he’s a hugely iconic figure in rock history who has cast a very long shadow across a great many genres. I do hope radio stations have been commemorating him by playing Metal Machine Music in its entirety.

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The Daily Mail on Lou Reed

The Daily Mail and their ilk were the first to go apoplectic when anyone said a word against Margaret Thatcher in the wake of her death.

Daily Mail Lou Reed

Yet they don’t have a problem dancing on Lou Reed’s grave. And they don’t see any hypocrisy in it; they don’t think in terms of “right” and “wrong”, they think of “us” and “them”. Thatcher was one of their people about whom nothing bad can ever be said. Lou Reed, on the other hand, represents “the other” about whom nothing good may be said.

They can’t even spell the word “Glamour” properly…

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Don’t Disengage, Vote Smarter

Russell Brand is wrong. We’ve got a terrible crisis of democratic legitimacy in Britain at the moment, but the solution isn’t to disengage with electoral politics altogether. Instead we need to re-engage and take back democracy from the elites who have subverted and captured it.

What we desperately need is a forward-looking, self-confident and strongly non-sectarian left in Britain. I don’t believe we need another new party; all that would achieve would be to split the vote and benefit the right. But we do need noisy and influential factions in both the Labour and Liberal Democrat parties to drag them away from being part of the beige dictatorship. Yes, both parties are badly compromised by past and present alliances, Labour with Tony Blair’s complicity in George W Bush’s war crimes, and the Liberals for enabling the worst of the Tories war on the poor, the disabled, the young and the old. But both parties need to be taken back from the faceless technocrats who have sold their parties to the Devil, and some of the present leadership needs to be put to the sword.

One thing we need to ask all candidates from all parties is this. “Would you ever vote against your own party on a point of principle, and if so, what principle do you hold that are inviolable”. If they answer “No” to that question, they do not deserve anybody’s vote, especially yours. We do not want or need machine politicians who make obedient lobby-fodder; backbench revolts are the stuff from which democracy is made. Vote for someone who will be the party whip’s worst nightmare.

Not voting isn’t the answer. If you are one of the 25% who live in a marginal constituency where you vote actually has a chance of affecting the makeup of Parliament, then regardless of whether it’s Labour/Tory, Tory/LibDem or LibDem/Labour, one of the two is always going to be the lesser of two evils.

If you live in a “safe seat”, any vote is a wasted vote as far as deciding who you sent to Westminster goes. But that’s not the only value of voting; local and national shares of votes have a longer term impact beyond the current election. And this is where voting for an “unelectable” smaller party isn’t any more wasted than voting for one of the three main parties. If you get significant percentages of the vote going to smaller fringe parties, it sends a strong message to any machine-politics technocrats in the other parties that the electorate wants “None of the above”.

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Healthcare.gov and Death Marches

Healthcare.govThe problems with the American Healthcare.gov website is making the whole thing look like one of the highest profile software project management failures in history. As a contractor working for a UK software house supplying IT solutions for the public sector, it’s impossible not to take a professional interest in what went wrong, and what lessons should can be learned.

When it went live, Ben Simo was live-tweeting his experiences trying to set up an account, and highlighted some severe security issues with the website, and Bob Martin blogged about some of the problems. It’s clear that the system went live with wholly inadequate testing.

And then it occurred to me. The programmer did not write the questions! Some bureaucrat wrote the questions. The programmer never talked to that bureaucrat. The programmer never read the questions that the bureaucrat wrote. The programmer was simply told to display a set of questions from a database table, and to store the responses in the user’s account. The programmer had no idea that this particular question was asking for a date! So the programmer was not trying to match a date! The programmer was just accepting any string.

Well, not any string. After all, I had been typing strings for the last ten minutes. No, someone had told the programmer (or the programmer simply decided on his own) that certain characters would not be appropriate in the answers to the questions. One of those inappropriate characters was probably: "/". I think numbers must also have been considered to be inappropriate since I had tried: 17 July, 1973. Or perhaps it was the comma. Who knows? Who cares? (Apparently not the bureaucrat, the programmers, or the people who tested this system.)

I don’t think it’s fair to blame this solely on the testers failing to do their job properly. It sounds more like the time given to test the project thoroughly got severely truncated as the development overran, a scenario I’ve seen play out time and time again.

I’m sure we’ll be hearing inside stories detailing precisely what went wrong in the coming weeks and months. The whole thing sounds like a perfect storm of failure, in particular a fixed end date dictated by politics and legislation, with those same politics delaying the finalisation of requirements. Not to mention trying to save the failing project by throwing more warm bodies at the problem, despite the fact we’ve all known for thirty years that such an approach just doesn’t work. In other words, a classic software death march, a problem endemic in the IT industry.

This paragraph from the linked piece jumped out at me.

But when politics becomes the dominant “driving force” in a large, complex project, the project is likely to degenerate into a death march. Remember my definition of a death march project: It’s one where the schedule, budget, staff, or resources are 50–100 percent less than what they should be. Why are these constraints being placed on the project? There are many possible explanations, as we’ll see in the discussion below; but in many cases, the answer is simply, “Politics.” It may be a power struggle between two ambitious vice presidents in your organization, or the project may have been set up to fail as a form of revenge upon some manager who stepped on the wrong toes at the wrong time. The possibilities are endless.

I’ve worked on failed projects like that…

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Cheap and Nasty Cars for Cheap and Nasty People?

From the department of “What the Hell were they thinking” comes this awful newspaper ad from Skoda Ireland.

This is the gender-reversed version. The original print ad was identical except it featured the bridegroom rather than the bride. But when an advertisement is equally demeaning to both genders, it’s splitting hairs on tecnicalites to argue whether it’s sexist or not.

What sort of picture or their customer base does this paint? Shallow, self-obsessed people who treat other human beings as objects or possessions?

Yes I know car adverts tend to be awful, selling a “lifestyle” with the implied subtext that you too will get the beautiful girlfriend if only you drove the right car. And they all come with magical traffic-free roads, because nobody would buy a car based on a truthful picture of the M25 on a wet Friday night.

But still, Skoda, do you think it’s still 1973?

Some of us remember the Skodas of years past, when the brand was the butt of every bad joke. They were the cars with heated rear windows to keep your hands warm while you were pushing them, and all that. The social attitudes behind this ad belong back in those days.

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Hey lighting guys. If the venue’s rule is “three songs in the pit”, and they’re strict about it, it helps if one of those three songs isn’t entirely backlit with no spots on the band….

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Deborah Bonham, The Railway Winchester

Deborah Bonham and her band at The Raillway in Winchester

A few photos of Deborah Bonham at The Railway in Winchester. Deborah Bonham played a great two-hour set, puttimg her heard and soul into the performance. She and her band play rootsy blues-rock with the occasional touch of Americana, finishing with a cover of Led Zeppelin’s “Rock and Roll”, another reminder of the way Led Zep numbers just work with female vocals.

Deborah Bonham and her band at The Raillway in Winchester

The Railway is great intimate little venue, and the very low stage makes it great for gig photography; you don’t end up with loads of photos of everyone’s chins. It’s also one of the few venues where you can actually see what they keyboard player is playing.

Deborah Bonham and her band at The Raillway in Winchester

There are more photos from this show on my photo gallery site.

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