Author Archives: Tim Hall

OSR Thoughts

Here’s something I never thought I’d find myself asking, especially when I recall the backlash against Ryan Dancey’s “One System To Rule Them All” at the time of the 3rd edition of D&D, when Hasbro’s stated aim was to drive all other systems but d20 out of the marketplace.

Would my as-yet-unnamed RPG, currently written using a customised version of FATE, work as an OSR-style game?

For those who aren’t familiar with the term, OSR stands for “Old School Renaissance”, and refers primarily to an extended family of games derived from pre-AD&D iterations of Dungeons and Dragons, their publication made possible through the Open Game Licence. Some of these games are simply streamlined versions of early D&D, while others put their own spin on things. Swords and Wizardry and Lamentations of the Flame Princess are good examples.

On the surface it doesn’t look like an optimal match, but there are games out there that suggest the old D&D rules can be quite flexible. Will the default class-and-level system support characters who are defined as much by their allegiance to guild and clan as by their abilities? Can you create something that feels like science-fantasy psionics by re-skinning Vancean magic?

Or perhaps when it comes to old-school rules, Classic Traveller is a better fit for what’s essentially a Vancean sword-and-planet setting?

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Maschine – Megacyma

A track from Maschine’s second “Naturalis” album, due out on November 18th.

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Touchstone announce Lights From The Sky EP

touchstone-lights-from-the-skyTouchstone announce their new EP “Lights From The Sky”, released on November 28, and available for pre-order now from The Merch Desk.

Starting a new chapter in the band’s story, this will be their first release to feature new vocalist Aggie Figurska and keyboard player Liam Holmes, and its four tracks include both English and Polish language versions of the title track.

And here”s a very brief teaser for the EP

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Mk5 Coach Construction Starts

mk5-metal-cuttingmk5-interior

It begins. CAF have begun cutting metal for Trans-Pennine’s new rolling stock at their factory at Beasain in Spain.

CAF are building a total of 66 coaches, 13 five-car push-pull sets plus one spare driving trailer. They will be used on the North Trans-Pennine corridor between Manchester and Leeds, running from Liverpool in the west to Newcastle and Scarborough in the east,. Hauled by class 68 locomotives, they should enter service from 2018.

They’re the first daytime locomotive-hauled carriages to be delivered since the Mk4 stock on the East Cost Main Line at the end of the 1980s.

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Opeth – The Wilde Flowers

Anyone else think this has the verse of “Gangsters” by The Specials and the chorus of “Unoriginal Sin” by Mostly Autumn?

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Heather Findlay postpones tour, but announces new album

i-am-snow

Two pieces of news from Heather Findlay, one very exciting, the other a ittle disappointng.

To get the bad news out of the way first, the next run of full-band gigs, including the show at Maltby and the four gigs next month in The Netherlands are postponed until next year due to illness. The acoustic shows in support of Touchstone in December and the Christmas gig in York are still going ahead.

To quote Heather herself

Unfortunately, due to doctor’s orders because of illness, I have been advised not to travel and to rest for the next couple of months which means we have to postpone all current plans for the shows beginning this weekend and throughout November. I can only express my sincere apologies to those that will be let down as a result.

All of these shows will be moved to 2017 and all tickets will be either honoured at the rescheduled shows, or fully refunded. This has been a very tough decision to make at this time and although fortunately it is not a hugely drastic or threatening health concern, it is one I have to take seriously to ensure I can continue to reach you in tip top condition!

In far more positive news, Heather has a new album coming out. “I Am Snow” is due for release in late November. It’s a mixture of re-worked songs from across her back catalogue and brand new material, and celebrates the folky, proggy side of her music. It features a cover by Richard Nagy, who did the artwork for Mostly Autumn’s “Glass Shadows”.

Heather describes the album as a “candle-lit, baroque-tinged companion for the winter month’s ahead“. It includes a cover of Fotheringay’s “Winter Winds”, and a “chamber-esque, harp-spangled” version of one song from Ayreon’s prog-opera “The Human Equation”.

Full details will be revealed on Heather’s website over the weekend, and The Merch Desk will be taking pre-orders from November 1st

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Some thoughts on Gene Wolfe

There’s a thread on Mad Genius Club about the worst books you’ve read. I’ve suggested God-Emperor of Dune, probably the dullest book I’ve slogged though to the end, referred to as “God-Awful of Dune” for a reason.

A couple of other commenters suggested Gene Wolfe’s “Book of the Long Sun”.

You’ve gut a malfunctioning generation ship ruled by AI personalities that have set themselves up as gods, war, rebellion, sentient robots, mutants with psionic powers and the ability to possess people, an invading society of Amazons that come off like a female Taliban, and vampiric shapeshifters who want the humans in the ship to escape to their planet rather than a safe planet so that the humans can be preyed upon. How can all that possibly be boring???

But it is.

A bit harsh But…

I find Wolfe can be infuriatingly frustrating at times; when he’s good his books are so immersive and compelling than it’s worth persevering when another of his books seems heavy going. Wolfe always takes “show, don’t tell” to extremes, and always shows you his worlds through the eyes of his characters, and if they don’t understand what’s going on, neither should you. There were parts of Book of the Long Sun that seemed exceptionally slow-moving on the first reading, such as the interminable section in the tunnels beneath the city where very little seemed to happen. But this was a book that made more sense on a second reading.

Even then, it does lack the accessibility and magic of the earlier “Book of the New Sun” and the direct sequel “Book of the Short Sun”, even though both of those are as every bit as complex and enigmatic. Is the central character, Patera Silk less compelling that Severain of Book of the New Sun or Horn of Book of the Short Sun? Or is it something else?

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Heathrow and Richmond

What’s the difference between HS2 and Heathrow expansion? One is an expensive and environmentally disastrous project that contributes little towards Britain’s transport needs, and the other is a railway line.

I have nothing more to say about Heathrow; I’ve blogged about it before, and my views haven’t changed.

The Richmond by-election, through, is something else. On the surface, it looks bizarre. The sitting Tory MP Zac Goldsmith resigns his seat to fight it as an independent in protest to the Heathrow decision, but the Tory party aren’t putting up a candidate to oppose him, giving him a clear run against the Liberal Democrat challenger. What is going on here?

My best guess is that Theresa May fears a Liberal Democrat revival far more than she fears disloyalty and division within her own party. Richmond is a Liberal Democrat target seat; they held the seat up to the 2010 general election, and will win on the sort of swing we saw in Witney. Richmond is on the doorstep of the London-based media, and a LibDem victory will put the parry and their policies centre stage.

It’s true that a Tory challenger to the disloyal former MP will split the vote and hand the LibDems almost certain victory, so there is a certain tactical logic here. It’s not a safe seat like Clacton. But it does send the message that defying the party won’t be punished that severely. Will that be a decision Theresa May will end up regretting?

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I Must Set Fire To Your Portrait

A song from “Bottled Out Of Eden”, filmed at Bush Hall earlier this year.

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Riverside – Eye of the Soundscape

riverside-eye-of-the-soundscape Riverside are not only one of the best bands to come out of Poland, but they’re in the vanguard of the modern progressive rock scene, picking up the torch from Porcupine Tree when Steven Wilson put his band on hold and took off in a different direction. The tragic and sudden death of guitarist Piotr GrudziÅ„ski in February put the future of the band in doubt, but band leader Mariusz Duda has since stated their intention to continue as a trio.

Released as a tribute to Piotr GrudziÅ„ski, “Eye of the Soundscape” is something of a departure from the song-focussed rock of Riverside’s recent albums, taking the form of 100 minutes of ambient electronica. It’s actually a compilation, combining material previously released as bonus tracks on earlier albums with a couple of remixes of older songs, and some completely new tracks that were works in progress at the time of Piotr’s untimely death.

It’s not completely instrumental, as there’s an occasional ghostly vocal. Nor is it completely electronic; though not as prominent as on earlier albums there’s still room for some of the late Piotr GrudzieÅ„ distinctive fluid guitar on a few tracks.

The album begins with the icy minimalism of “Sleepwalkers”, the sort of thing that might have caused a lot of excitement had it been made by a fashionable DJ rather than by a bunch of Polish prog-rockers. “Shine”, another new track, has more of a Riverside feel even though loops take prominence over guitars.

The shimmering arpeggios of “Where The River Flows” and the electronic pulse of “Night Sessions part 1″ with its lead synth line and spooky background guitars recall mid-70s Tangerine Dream. “Night Sessions part 2″ even features some evocative mournful sax, and the album ends with eleven minutes of ghostly ambient soundscape of the title track.

It all amounts to very different record from “Shrine of the New Generation Slaves” and “Love. Fear and The Time Machine”, at times referencing Tangerine Dream in the same way as some of their earlier work recalled Porcupine Tree. But it’s always their own take on things, never a derivative pastiche, and there are plenty of reminders that there always was an electronica side to their music. It will be very interesting to see where they go next.

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