Author Archives: Tim Hall

I’m currently listening to all this year’s music purchases and review promos to try and put together the oblogatory end-of-year list, and struck by just how much great music has come out this year. But I bet there will still be those who insist that 2013 has been a bad year…

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Do the people who always use “lol” in place of full stops on the Internet also end every sentence in real-life conversations with an intensely annoying high-pitched laugh? Because that’s what I hear in my head when I read their posts…

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Clique Politics

Good quote from Damien Walter on Twitter

There’s always a perfectly reasonable inner logic to clique politics. Which allows members to feel like victims when their victims speak out

When you observe any political clique from the outside, regardless of what ideology or identity they follow, you tend to see very similar patterns; especially projection, and the demonisation of chosen out-groups. They’ve spend so long in their self-contained echo-chambers they lack the collective self-awareness to see themselves as others see them, and they see their opponents in terms of simplistic caricatures.

Is your polltics part of a clique?

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First Sight of the Class 68

First sight of a completed Vossloh Eurolight for DRS undergoing testing at Valencia in Spain. Modern environmental regulations mean we’ll never get an equivalent to the roar of a “Deltic”, but it still makes an impressive sound for a modern loco.

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The idea that no women like prog-rock is another sexist stereotype that needs to die…

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Engineering Work

A new signal gantry being erected on the curve between Reading West and Reading

It’s not every day Network Rail builds a new signal gantry at the top of the road. This was the reason the curve between Reading and Reading West was closed on Sunday.

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Why We Remember

PoppiesLast year I didn’t wear a Remembrance Poppy. I felt that the symbol was losing its meaning as memorial to the dead in the two World Wars, and had been taken over by jingoistic militarists, especially the racists of the far-right.

This year was different.

Back in September I went to see Fish play at the Arts Centre in Pontardawe in South Wales, on the tour promoting his new album. The centrepiece of that record is a twenty-minute song cycle entitled “The High Wood Suite”, inspired by the World War One Battle of the Somme in which both his grandfathers fought.

Fish gave a long introduction telling the inspiration behind it; his grandfather in the entrenchment division digging trenches through ground filled with the bodies torn apart by shellfire. He told the story of the Lad’s Battalions, drawn from small communities just like Pontardawe, who fought and died together, entire communities sometimes wiped out in a morning.

There was nothing heroic about this. No noble self-sacrifice for a justified cause. This, as Fish made abundantly clear, was mass murder on an industrial scale. Read this angry piece by Charlie Stross – World War One killed five percent of Britain’s adult male population, and crippled another ten percent. And French casualties were even higher.

This is what we must never forget.

I remember spending several minutes after the show staring at the war memorial right outside the venue, looking at the list of names.

I saw Fish again on the 6th of November on the final night of the tour. There were a great many poppies worn in the audience. I’lll let him have the final word: these lyrics are the closing verses of “The Leaving”, the sombre final song from The High Wood Suite.

It had to end, the armies broken
One side had lost but who had won
The ravaged land, the decimation
So hard to bear, the loss and pain

The men returned, the war was over
The bells rang out, a country cheered
Behind their eyes they stored the horrors
Behind their smiles they hid their fears

The medals and the honours were handed out
to those who served
The letters of condolences were kept
Reminding generations of the sacrifices made
The suffering and the torment
of the men most never knew,

Lest we forget

– Derek W Dick, 2013

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Make your own Daily Express headline

Daily ExpressYou too can be editor of the Daily Express, that infamous tabloid now owned by an Irish porn baron which has ambitions to be a poor man’s version of The Daily Mail.

All you need is one six-sided die and the table below, and you will at once be generated headlines day after day that match the exacting standards set by the paper.

  1.  Next week’s cold, wet or windy weather forecast described in apocalyptic terms.
  2. Spin minor fluctuations in the stock market as great or terrible news for millions of pensioners
  3. Announce a miracle cure for an ailment suffered by the elderly, while neglecting to mention the cure won’t be available until long after the paper’s current readership will have died of old age.
  4. Princess Diana conspiracy theory that sounds as though it’s based on something that a friend of a friend heard from some bloke down the pub.
  5. Reheat last week’s highly dubious Madeline McCann story in the microwave.
  6. And finally, a hysterical and completely made-up story about immigration, taking care to blame everything on the EU.

If you think I’m joking, just look at the actual Daily Express headlines for a few consecutive days and see for yourself.

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The advantage of being a prog fan – You can tell a band their new song sounds like Uriah Heep and they won’t take it as an grevious insult.

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Luna Rossa to support at Morpheus Rising album launch

Morpheus Rising AlbumMorpheus Rising have annonced the launch gig for the Kickstarted-funded second album “Eximius Humanus”, at Bilston Robin 2 on Sunday 23rd February 2014.

With a strong crossover fan base, Morpheus Rising deliver an energetic and powerful show which appeals to the Classic Rock and Prog fans alike. This will be the band’s first headline show at the Robin, having previously played shows supporting the likes of Panic Room.

Not only that, but the show will also be the first even live appearance of Luna Rossa, Anne-Marie Helder and Jonathan Edwards superb acoustic project.

In this, their first ever live performance as ‘Luna Rossa’, the duo will explore the stripped-back splendour and beauty of their debut album ‘Sleeping Pills & Lullabies’. A rare treat for any fans of Panic Room or those who love the magic of timeless, entrancing songwriting.

This is looking like a show not to be missed.

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