Author Archives: Tim Hall

When Good Furbys Go Bad

A cautionary tale from Christina at A Mommy Story about The Furby Who Became Evil.

Furby

Mira’s Furby was suddenly possessed by a new personality who was mean. It growled at her, it snapped at her with an angry voice if she tried to pet it, and it made retching noises when she tried to feed it, as if the iPad foods weren’t good enough for it. Occasionally it showed little flames in its eyes.

WTF happened? Did we feed it after midnight?

It was now a Furby demon. And Mira was scared of it. She backed away with tears in her eyes, her five year old mind unable to comprehend what had happened to her cheery dance pal, saying she wanted her nice Furby back, and she didn’t want to play with it anymore.

All of which makes me wonder what a tester can learn from this.

How was this product tested? How much did the testers know about the underlying programming? Is the “Evil Furby” that upset little Mira actually a bug, or was it “performing to spec”? And if that’s in the spec, what were they thinking when they specified behaviour that makes five year olds cry?

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Prog Magazine Poll – The Worst of 2013

I haven’t seen the full results of the Prog Magazine readers’ poll, but the scan on HeKz’ Facebook page (in which they made the top ten tips for 2014), also includes the Best and Worst Prog Events of 2013

The Worst list make very interesting reading.

I can’t disagree with #1. High Voltage 2011 and 2012 were great festivals which put the best the scene has to offer with a great mix of old and new in front of big audiences. So the cancellation of HV2013 as a consequence of sponsor HMV going into administration was a great disappointment. No word yet on whether or not there will be a High Voltage in 2014, though if there was going to be one I would have expected some sort of announcement by now.

As for #2, HRH Prog being both 2nd Worst Event and 7th Best Event does imply that it has divided people’s opinions. I wasn’t there, but I’ve heard a lot of complaints about the venue from friends who were, both fans and artists, citing the fact that it was absolutely bloody freezing. HRH Prog 2 this March moves to an altogether different venue in a completely different part of the country. I’m looking forward to this one a lot, even though it’s going to take a very long train journey and a rail replacement bus to get there.

The Cambridge Rock Festival at #3 does come as a surprise. I know I wasn’t the only person who thought the bill was very disappointing from a prog perspective, with no more than a token presence on the main stage compared with previous years. But though I didn’t go myself, everyone I’ve spoken to who was there told me they had an enjoyable time. So voting it worst even of the year does seem a little harsh. My guess is most of those negative votes came from people who didn’t actually attend. But I do think the organisers need to recognise they didn’t get the balance quite right last year. They have yet to announce the 2014 bill, and I for one am waiting for that announcement with great interest.

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When a major prog website’s annual end-of-year poll has ten slots for album of the year, three for DVDs but just one for gig of the year, it does leave you wondering if some people need to get out more.

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What were they thinking?

Kitchiner Coin So what right-wing backpfeifengesicht thought putting the inventor on the concentration camp on the new £2 coin was a jolly good idea?

It does sound like somebody is trying to peddle the revisionist idea that the World War One wasn’t senseless mass-murder on an industrial scale, and Britain of 1914 wasn’t ruled by callous and cynical elites who saw the bulk of the nation’s population as little more than expendable cannon-fodder.

Putting Kitchener on the £2 coin only serves to reminds us we’re once again led by the same in-bred upper-class donkeys responsible for the slaughter in the trenches.

Is it too late to melt down the wretched things and mint some new ones with someone like Wilfred Owen instead?

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Bobby Tables starts a company?

Bobby Tables

 

Has little Bobby Tables just started a company in Finland? I think we should be told….

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Picture of the Day

View from an M25 traffic jam near Maple Cross

Winter landscape near Maple Cross, shot from a traffic jam on the M25 returning from my sister’s after Christmas.

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When I Were A Lad

When I were a lad, we didn't have Brio. We had to make our own...

When I were a lad, we didn’t have Brio wooden trains. We had to make our own….

You may be able to guess what it’s supposed to be a representation of. This one may have had trouble negotiating tight curves, and probably isn’t quite as accurate as the recent Dapol model.

Posted in Modelling Projects | 6 Comments

2013 – A Year In Music

Marillion at the 2013 UK Convention in Wolverhampton

As my end-of-year album list ought to show, 2013 has been a great year for music in this little corner of the world.

My own year in live music started out with Blue Coupe in Banbury and ended with Mostly Autumn in Bilston. In between those were so many gigs I lost count somewhere mid year. It’s gone from Swallow playing covers in Reading pubs to Iron Maiden playing the O2 Academy. As usual, it all went bonkers towards the end of the year, with a mad half-week in November that saw four gigs in four days separated by a lot of miles, taking in Fish, Mr So and So & Also Eden, Marillion and Crimson Sky. Sometimes I think the prog world should be sponsored by Arriva Cross-Country Trains.

Writing for Trebuchet has seen me get press and photo passes for some high profile gigs, including UFO in Oxford and most significantly Steve Hackett’s sold-out show at Hammersmith Apollo, with Anne-Marie Helder as support. It’s also meant seeing a few things outside my normal comfort zone, including old-school blues rock and flamenco-flavoured alternative metal.

I passed on The Cambridge Rock Festival this year because I just couldn’t get excited about the bill, and sadly some prog-specific festivals collapsed due to lack of ticket sales. One of those was Y-Prog in Sheffield in March, which ended up leaving me seriously out-of-pocket due to non-refundable hotel reservations. Definitely not one of 2013′s personal high points.

So the two big events for me were The Marillion convention at Wolverhampton in April which saw one of my all-time favourite albums “Brave” played in it’s entirety, and Celebr8.2 in Kingston in May. The latter featured a whole slew of great bands I’ve never seen live before, including the mighty Threshold, and one of the year’s discoveries, the Spanish/Dutch band Harvest.

2013 has been a bit of an Annus Horribilis when it comes to band lineups, with many of the bands that feature regularly on this blog losing key members, or in the case of Stolen Earth, splitting up entirely. And there are a few acts who have been missing in action for much of 2013; hopefully we’ll see them all bounce back strongly in 2014 with new music and a revitalised live performances.

Sadly every year sees some goodbyes, something which happens more frequently as the heroes of your youth get older. This year we lost Blue Öyster Cult multi-instrumentalist Allen Lanier and Uriah Heep bassist Trevor Bolder.

What 2014 has in store is anyone’s guess, but I think there are plenty of good things in store. We’ve got new albums by Morpheus Rising and Panic Room to look forward to early in the new year, and Heidi Widdop’s new project Cloud Atlas is sounding very promising. Not forgetting Mostly Autumn and Karnataka, both of whom are also working on new albums.

There are bound to be some exciting new developments in the prog world,, but one of my personal musical resolutions for 2014 is to expand my horizons beyond prog, metal and classic rock and explore the world of contemporary jazz.

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Prog Conservatism?

I remember a discussion a few months back with The Guardian’s Alexis Petridis where I suggested that the aggregated best-of lists that appear in many music publications tended to be boring and predictable. They often end up reinforcing a lowest-common-denominator consensus, and frequently exclude the more eclectic choices of individual contributors. For example, none of Dom Lawson’s excellent choices made The Guardian’s top 40 of 2012

The top 15 of 2013 from The Dutch Progressive Rock Page seems to bear this out. Despite containing many great albums that also appear on my own best of the year list, it does give the impression that it takes a very narrow definition of “Prog”. It’s true that Riverside, Steven Wilson, Haken and Big Big Train have all made great albums that deserve to be honoured. But there’s no place for the likes of The Fierce and The Dead, Luna Rossa, Ihsahn or even Fish, all of which fall under the broad spectrum of progressive music, but don’t fit a narrow neo-progressive template. It’s also notable how male the list is; only one band out of the 15 (Magenta) have a female lead singer.

It would be easy to blame this on musical conservatism on behalf of the site’s contributors, but I strongly suspect that when a list is defined by what it excludes, it merely demonstrates that such aggregated lists are of limited usefulness.

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Toilet of the Month

Noch ToiletThis is just… wrong.

But if you really want one on your N-gauge layout, Hattons of Liverpool have them on sale.

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