Author Archives: Tim Hall

The 2014 Derby Show

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A few photos from the Derby model railway exhibition from a couple of weeks ago. The first two are of Netherwood, an O gauge layout based on the final years of the Woodhead elecrification, set in south Yorkshire, with coal traffic predominating.

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The distinctive class 76 electric locomotives unique to that line are the obvious signature item, but I also liked the class 123 DMU, former Western Region trains that spent their final years on the South Trans-Pennine route, and occasionally ran over Woodhead on Sunday diversions. The model is made from cut-and-shut Lima Mk1 coaches.

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Like Netherwood, Barton Road oozes atmosphere, and although not based on any specific location, it has a very definite sense of time and place. It was predicted that the excellent recent N gauge diesel-hydraulic locomotives from Dapol and Farish would inspire a lot of 60s/70s Western Region layouts, and this is one of the first such new layouts I’ve seen.

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Although neither has a steam locomotive in sight, both of these layouts are historical models, capturing a railway scene long since gone. Which is why using the dated term “Modern Image” to describe them is just silly.

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Liam leaves Mostly Autumn

Mostly Autumn at The Komedia in Bath, September 2012

Announcement on the Mostly Autumn website.

Less than a week to the start of the tour and we are all very much looking forward to playing live again. Sadly I have to announce that Liam , due to very personal family circumstances has decided to bow out of Mostly Autumn, we wish him all the best for the future – it’s been a great ride my friend. As this was very much last minute we are delighted to announce that multi instrumentalist and vocalist Chris Johnson has joined the band in his place, Anne Marie, as you know will do all the shows when she is available which happens to be most of the shows this year.

Liam has been an unsung hero of the band for years, never in the spotlight, but making an important contribution to the sound. He will be missed.

On the other hand, it’s good to see confirmation that despite missing a few early gigs due to clashes with the tail end of Panic Room’s tour, Anne-Marie Helder will be back with the band for the majority of this year’s tour.

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Trinity Live

Christina Booth of Magenta at Trinity LiveChristina Booth

Trinity Live was originally intended to have been a triple-headlining tour by The Reasoning, Touchstone and Magenta. But the tour had to be cancelled when Magenta’s vocalist Christina Booth was diagnosed with breast cancer last year.

The bands decided to keep one date from the proposed tour, at The Assembly in Leamington Spa, and repurpose it as a charity show in aid of three cancer charities. The Reasoning and Touchstone would still appear, along with Rob Reed of Magenta performing as “Rob Reed and Friends”. The show expanded to a day-long event with a number of prominent additional names from the prog world added to the bill, including the mighty Arena as headliners. Then, only a few days before the show came the announcement that Christina Booth’s cancer treatment was going sufficiently well that she would be well enough to perform a short set, so Rob Reed and Friends became Magenta.
Continue reading

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Greatest Difficult Second Albums

The Guardian asked which second albums are better than debuts?

Everyone knows about the sophomore slump, but some artists have managed against all the odds to produce a second album that improves on their debut. What are your suggestions?

The phrase “Sophomore album” needs to be terminated with extreme prejudice. It suggests either a frame of reference defined around American student-indie, or an ignorant writer who doesn’t know what it means.  Kill it with fire!

But the whole thing strikes me as a silly question, which speaks volumes about the music press and the sorts of acts they favour. The vast majority of bands who go on to have lengthy careers make second albums that are better than the first. They usually go on to make third and fourth albums that a better still. Quite often the first album wasn’t a hit, and the breakthrough came later.

The idea that bands decline after their debut reflects the sorts of bands who get all the media hype; often one-trick-ponies with a single unique selling point, who lack the depth of talent to become more than a so-called “firework act”. One big flash and it’s over.

It would be far more interesting to have asked “Which second albums were the best in in the artist’s career?”

What albums would you suggest?

Posted in Music Opinion | 12 Comments

Should the Euro Elections be declared invalid?

Edinburgh Eye asks if the Euro Elections should be declared invalid after reports from across the country of resident non-UK EU citizens, who are entitled to vote in European elections, being denied ballots at polling stations because they had failed to fill in a new form that nobody had told them about.

Whether or not the number of registered voters denied their right to vote is large enough to justify declaring the election invalid: whether or not this turns out to be a huge bureaucratic snafu, someone made the decision to create form UC1: someone made the decision not to bother having it translated into all EU official languages: someone decided not to add a link to UC1 at the About My Vote website or at the online voter registration form: and local authorities all over the country knew that specific registered voters had a new form they had to fill in to allow them to vote at the time they sent out the polling cards, and did nothing to ensure that those voters would know that they had to fill out a new form in order to be able to vote – only to make sure that the polling station workers would prevent them from voting.

I have no idea about the extent of this. It’s always said that any sufficiently advanced incompetence is indistiguisable from malice, so this might be a bureacratic screwup, or it could be deliberate US-style voter supression. We have no way of telling. But the people so disenfranchised are the people least likely to vote Conserative or UKIP.

If it turns out the people have been disenfranchesed in sufficient numbers to have compromised the integrity of the election, the election will have to be re-run, as happened in Winchester in 1997. This is probably unlikely, but if it does we will see a excrement to ventilation equipment interface incident of unprecedented proportions.

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Touchstone – Contact

Touchstone’s first ever promo video, for a song taken from their fourth album “Oceans of Time”

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Celebr8.3 to be the last

Celebr83

The two-day prog festival Celebr8.3 will  be last of its kind.

Promoters Jon ‘Twang’ Patrick and Geoff Banks have decided to go their separate ways after the third two-day event on May 31 and June 1.

Patrick, who also leads the House Of Progression series of concerts, says: “Over the last couple of years the dynamics have changed immensely. Once there were very few live shows – now there are tons. I have noticed that this has split the audience. It comes down to not being able to afford to see everything.

I think they’re right that we have reached a saturation point with prog festivals, with HRH Prog, Celebr8, Summers End and others all competing for bands and audiences. Last year saw at least two prog festivals collapse through lack of ticket sales, and it may be that smaller “mini-festivals” featuring three or four bands with enough in common that there’s a big overlap in their audience are the way forward.

Still, Celebr8.3 promises to be a great weekend of music, and tickets are still available from The Merch Desk.

Saturday is headlined by The Tangent, along with an acoustic set by Anathema, Karmakanic, Thumpermonkey, the final appearance of  Twelfth Night, and an acoustic set from John Mitchell & Kim Seviour (acoustic)

Sunday’s headliner is Frost*, and the bill also includes The Fierce & The Dead, Cosmograf, Sanguine Hum, Galahad  and an acoustic set from Andy Tillison & Matt Stevens.

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Is this a Bug or an Issue?

SNCF Wide TrainThe French railways seem have have found a serious bug in integration testing. As reported in BBC news, French red faces over trains that are ‘too wide’

The error seems to have happened because the national rail operator RFF gave the wrong dimensions to train company SNCF.

Our correspondent says that they measured platforms built less than 30 years ago, overlooking the fact that many of France’s regional platforms were built more than 50 years ago when trains were a little slimmer.

This is a prime example of a bug which would have been an awful lot cheaper to fix had it been caught at the design phase of the project.

Posted in Testing & Software, Travel & Transport | Tagged | 4 Comments

Charlie Stross on Superheroes

Interesting blog post by Charlie Stross entitled “The myth of heroism” in which he makes the good point that the superhero genre is essentially classical mythology reminagined in a modern-day setting. He suggests this reason as to why superheroes are more accessible to some audiences than science fiction.

SF—a spiky, chewy, unlovable form that is hard for the humanities to approach. The tools of hard science fiction are much trickier and slipperier to handle than those of the fantastic, because the cultural divide in our educational systems deprive many of the people following the literary and cultural track of the tools they need to engage with science and technology effectively. Whereas myth and legend comes naturally to the hands of people whose education, even if it doesn’t directly engage with the Greek and Latin classics, is pervaded by the writings of the literary elders who did.

I’m not completely convinced by that argument myself. But maybe it’s because I followed the science and technology track in education, and fiction needs internal consistency and logical cause-and-effect to work for me. Many of the superhero tropes break that, which is why I’ve never really appreciated the genre.

And no, I don’t buy Charlie Stross’ assertion that the superhero genre is any less trope-ridden than high or urban fantasy.

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Children of the Cosmos

A new track from Darryl Way, formerly of Curved Air.

Legendary Curved Air founding member and violinist, Darryl Way is releasing a new album on Right Honourable Records, via Cherry Red on May 19, 2014.

‘Children of the Cosmos’ is Way’s first prog album in over twenty years and demonstrates his creative view of Progressive Rock, forty years after being one of the early founders of the genre. ‘Children of the Cosmos’ features 12 new tracks showcasing Way’s original compositional, rock violin and vocal skills.

Says Darryl, “With ‘Children of the Cosmos’ I have tried to recreate the spirit of experimentation that led to the ‘Progressive Rock’ movement of the late 60s and early 70s. As I did in the early days of Curved Air, I have tried to integrate my classical background with rock music, to create soundscapes that are hopefully both exciting and innovative.”

Way continued, “The lyrics for the songs are my observations of our current environment and the world we live in, echoing some of the issues touched upon in the music of the late 60s. It has been a pleasure and a privilege to pass this way once more and I hope that rock fans will enjoy this album, as much as I did creating it.”

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