Cairo and Luna Rossa

Cairo

To promote the launch of the album “Say”, former Touchstone mainman Rob Cottingham’s new band Cairo embarked on a short three-date tour taking in London, Rotherham and Leicester over the course of a long weekend.

The support for all three shows was Luna Rossa, playing as a duo rather than the expanded four-piece that performed a few headline shows last year. Playing a set drawing heavily from their second album “Secrets and Lies”, their stripped-down less-is-more sound was as beautiful as ever. “Fly Away” was still a highlight even with Jon playing the harp parts on piano, as was the cover of Todd Rundgren’s “Tiny Demons” with Jon teasing the audience with a couple of bars of “No Quarter” on the intro. They ended with a cover of Leonard Cohen’s “Anthem”, commemorating the legend who’s passed away just days before.

Luna Rossa

Cairo’s set began with an announcement from Rob Cottingham that there was bad and good news. The bad news was that vocalist Rachel Hill, who’d sung on the album, had stepped down from the band for health reasons. The good news was that a new singer, Lisa, had joined and had learned the set at very short notice.

You’d never have known. The whole band delivered a tight performance both on Friday in London and on Sunday in Leicester, a mix of melodic rock and metal with the odd touch of electronica. Lisa impressed as a vocalist given how recently she’s joined the band, sharing twin female/male lead vocals with Rob himself. Paul Stocker’s propulsive bass riffs drove many of the heavier songs, with the fluid guitar work of the youthful James Hards adding colour and textures.

The five-piece band played the album “Say” in full, though not in the album running order, rounding out the set with “Chasing Storms” from Rob Cottingham’s earlier solo album “Captain Blue”, and another song from his much older solo album from pre-Touchstone days. The older material fitted seamlessly into the set, which confirms the feeling that “Say” is closer to a heavier version of Captain Blue than to Touchstone’s sound. They saved the best till last, rocking out with the dramatic and dynamic “Nothing to Prove” and ending with their nearest thing to a single, the title track of “Say”.

Cairo

Cairo started their live career with a bang. For a brand new band theu have gelled extremely well, especially give the last-minute change in lineup. They were good even at their very first gig together in London, and even more powerful two nights later in Leicester, pulling appreciable crowds on both occasions. They have more plans for 2017, so watch this space.

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Lazuli UK Tour Approaches

lazuli-tour-flyerFrench prog legends Lazuli, described as “Medieval blacksmiths from the future” hit the UK beginning this weekend.

The tour takes in Rotherham, Bristol, Bilston, Manchester, Southampton and London, and features the unique Léode, which looks like a cross between a keytar and a Chapman Stick, and sounds like an electronic cello.

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Trolls’ Paradises and Green Hells

There’s a thought-provoking post on the taxonomy of good and toxic communities which is well worth a read if you care about such things. It’s about the tabletop RPG community, parts of which have been destructively dysfunctional for several years, but it does have wider application. It’s quite a long piece, but anyone trying to devise a Code of Conduct ought to read it, even if they don’t agree with everything he says.

The Troll’s Paradise is well enough documented, it’s what happens when a community has no clear rules, and the loudest and most boorish members ride roughshod over everyone else. Even a community that’s civil and self-policing much of the time will eventually encounter a bad actor or three; the Trolls’ Paradise is what happens when whatever powers-than-be in the community are unwilling or unable to do anything about their behaviour.

The Green Hell is the other failure mode. It’s what happens when a community declares it’s opposition to harassment and bullying, but in practice their definitions of such are vague and subjective, and different rules apply to members of insider cliques compared to everyone else. Accusations are cheap, it’s considered bad form or even an act of harassment itself to ask for evidence to back up any accusation, and there are no consequences for spreading malicious lies. Such communities either dissolve in infighting, or worse, become sources of poison for a wider subculture. That’s why they’re toxic.

The online community around one band I’d rather not name took on aspects of a Green Hell at one point. At least one other band’s fan community is the poster child for a Trolls’ Paradise.

Read the comments below the linked post if you want some specific context, similarly avoid those comments if you don’t want to read about another community’s dirty laundry.

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Rebecca Downes: Be:Live

rebecca-downs-be-liveBlues-rock singer-songwriter Rebecca Downes has been making waves in 2016. She won both “Best Female Vocalist” and “Best Emerging Artist” at the British Blues Awards, and released the excellent album “Believe” early in the year. To bring a successful year to close comes a live album recorded during the tour promoting “Believe”.

If anything, this record is an even more powerful statement on intent than “Believe”. It captures the energy of her electrifying live shows, with a setlist drawing heavily from that album, along with highlights from her début “Back to the Start”, the EP “Real Life” and a couple of well-chosen covers.

It’s a fabulously tight performance from her band, playing high energy blues-rock with a touch of funk and soul. Guitarist Steve Birkett delivers some impressive blues licks, and there’s some great piano and organ flourishes from Rick Benton. But none of them steal the spotlight from Rebecca herself, who is on superb form vocally; at times soulful, at times belting out rockier material. The variety of material is a strength here, there are twelve bar blues stompers alongside hard rockers and soulful ballads. And it’s all recorded and mixed with clear but powerful sound; this is no bootleg-quality filler release.

Highlights are many; there’s the funky “Fever in the Night” and “Night Train”, an excellent cover of Janis Joplin’s “Piece of My Heart”, the piano-driven rocker “Back to the Start”, the back to basics rock’n'roll of “Basement of My Heart” and the guitar-shredding ballad “Sailing on a Pool of Tears”. It ends with a cover of “With a Little Help From My Friends” that owes more than a little to Joe Cocker’s version. Even though Rebecca Downes only has a limited back catalogue it still has the feel of a greatest hits set. As an introduction to her music, this is as good a place as any to start.

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Thomas Mair convicted of murder of Jo Cox

With the conviction of Thomas Mair for the murder of Jo Cox it’s no longer possible to pretend his actions were not politically motivated. Just read the judge’s sentencing remarks.

Those on the right who were quick to place the blame exclusively on mental health problems made it clear they’d rather stigmatise the mentally ill than ask difficult questions about the rhetoric coming from Vote Leave in the days leading up to the murder. Any of those who now double down rather than admit they were wrong are beneath contempt.

I can member unfollowing and blocking someone from progressive rock fandom on Twitter who was shrieking about “Project Grief” and accusing people like me of politicising a random tragic event. I can’t even remember who that person was now, but my social media feed is all the better without him.

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Glenn Hughes announces new 2017 tour

Following the cancellation of his co-headline tour with Living Colour, Glenn Hughes has announced a new tour of smaller club venues inJanuary and February 2017 to promote his album “Resonate”.

He’s playing the following venues, with Stone Broken as special guests.

  • Friday 20 January- The Riverside, Newcastle
  • Saturday 21 January – Islington Assembly Hall, London
  • Monday 23 January – The Robin 2, Bilston
  • Tuesday 24 January – The Garage, Glasgow
  • Thursday 26 January – Rescue Rooms, Nottingham
  • Friday 27 January – O2 Academy 2, Manchester
  • Sunday 29 January – Sub 89, Reading
  • Monday 30 January – The Junction, Cambridge
  • Wednesdy 1 February – The Church, Leeds
  • Thusday 2 February – The Fleece, Bristol

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No Wires to Hull

Plans to electrify the railway from Selby to Hull have been dropped in favour of a new fleet of bi-mode trains.

Some people are not impressed.

Labour MP for Hull North, Diana Johnson, said she was “very angry” at the decision.

“If they are really sincere about the ‘Northern Powerhouse’ then Hull has to be included in infrastructure investment,” she said.

Grandstanding MPs aside, the decision to invest in bi-mode trains which can take advantage of electrified sections of the route while being able to run on diesel power to serve destinations off the wires is probably with wise one now that the concept has proved viable.

Back in the old days of the 1960s and 70s, when long-distance trains were locomotive-hauled, they simply changed engines where the wires ended. So an Inter-City from London to North Wales would be electrically-hauled as far as Crewe, then a diesel would take the train forward.

All that ended when everything went over to fixed-formation unit trains. Now services from London to places like Chester or Hull must be formed of diesel sets running under the wires for almost the entire journey because they need diesel power for those last few miles. At the moment Virgin Trains even uses part of the class 221 “Voyager” fleet on services that are completely under the wires just so they have diesel-powered trains available for weekend diversions.

Now that technology has reached the level where it’s possible to equip a high-speed multiple unit with both diesel engines and transformers without carrying around too much dead weight, bi-mode trains change that equation. Great Western’s  new inter-city fleet is entirely bi-mode, which means they can enter service before the long-delayed electrification is completed,  as well as reaching “off the wires” destinations like Camarthen or Weston Super-Mare which aren’t proposed for electrification. They’re also looking like an optimum solutuon for places like Hull which are close to but not on the electrified network.

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Mark Rowen album promo

A short teaser promo for “Radience”, the forthcoming album from former Breathing Space guitarist Mark Rowen.

It boasts a very impressive cast list, including the former Breathing Space rhythm section of Paul Teasdale and Barry Cassells, plus Moray McDonald, Rob Cottingham, Guy Manning and many more.

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Touchstone – Lights from the Sky

touchstone-lights-from-the-skyAfter a spectacular farewell gig at Leamington Spa last November, the previous incarnation of Touchstone split three ways. Keyboard player and original founder launched a new project, Cairo, who released their début album “Say” in September. Meanwhile frontwoman Kim Seviour embarked on a solo career, releasing a cover of Astralasia’s “Fantasise to Realise” as a single, with an album projected for release in some time in 2017.

The three remaining members, bassist Paul “Moo Bass” Moorghen, guitarist Adam Hodgson and drummer Henry Rogers regrouped to put together a new Touchstone, as was always the intention. They recruited first Polish-born singer Aggie then keyboardist Liam Holmes to complete the lineup. The four track EP “Lights from the Sky” is the first release for the new-look band.

The resulting sound is a move away from the pared-back approach of “Oceans of Time”, with big guitars and soaring vocal lines. Aggie’s vocal approach doesn’t have the distinctive fragility Kim Seviour displayed at times, but the three new songs here do make full use of her range and power. Adam Hodgson’s guitar dominates the sound with an emphasis on riffs and melodic fills rather than extended solo wig-outs; “Tangled Lines” in particular opens with a monstrous metal riff. Liam’s Holmes keys, in contrast, play more of a supporting role, adding additional colours.

After the three new songs, the final track on the EP is an alternative version of the title track sung in Aggie’s native Polish, something which in itself could be thought of as a political statement in these times.

The final album by the previous incarnation had a lot of great and interestingly new musical ideas, but there were times where it didn’t quite feel like the whole band were on the same page musically. With this EP, even with just three new songs they’re sounding like a coherent band again. Taken as a whole, it’s got the right balance of old and new; the sounds is still recognisable as Touchstone, but it’s a fresh take on that sound, and clearly a new beginning for the band. It will be interesting to see where they go next.

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This Election Marks The End Of America’s Racial Détente

Thought-provoking article by David Marcus in The Federalist, arguing that America has always been deeply divided on race, and at best there was a détente, never a consensus. And this election has shattered that.

There is a misconception that political correctness was responsible for the breakdown of the racial détente. This is incorrect. Political correctness, as loose a term as it is, was the means by which we continually renegotiated the terms of the deal. After all, the primary rules for whites had exactly to do with what was acceptable to say.

Privilege theory and the concept of systemic racism dealt the death blow to the détente. In embracing these theories, minorities and progressives broke their essential rule, which was to not run around calling everyone a racist. As these theories took hold, every white person became a racist who must confess that racism and actively make amends. Yet if the white woman who teaches gender studies at Barnard with the Ben Shahn drawings in her office is a racist, what chance do the rest of have?

Within the past few years, as privilege theory took hold, many whites began to think that no matter what they did they would be called racist, because, in fact, that was happening. Previously there were rules. They shifted at times, but if adhered to they largely protected one from the charge of racism.

It’s worth reading in its entirety even if you don’t agree with his conclusions. America is a racially-divided nation for reasons going back to that nation’s early history in a way that’s sometimes difficult for Europeans to comprehend. But many of the academic theories that arose in that American context have crossed the Atlantic.

One thing that makes it hard to have constructive conversations with those who aren’t steeped in academic theory is that there is no longer a consensus on what the word “racist” even means. Does it mean individual bigotry towards members of races other than your own? Or does it refer to structures of power that put minorities at a disadvantage? Or does it mean both?

The worlds of left-academia and activism have redefined the word to take exclusively the second of those meanings. That’s fine within closed spaces where everyone shares the same assumptions and definitions. But when people move outside those spaces into the wider world that doesn’t share those assumptions, it’s easy for people to end up talking past one another. It also means that appalling bigots like Arthur Chu and Bahar Mustafa can deny accusation of racism because “You can’t be racist against white people”. See also the frightening rise of anti-Semitism on the left, justified because Jews are defined as “privileged”.

The liberal-left needs to continue opposing racism and sexism that blights lives, divides communities, and keeps people from fulfilling their potential. But it also needs to recognise that the current iteration of identity politics has failed with disastrous consequences, and something smarter needs to take its place.

At the moment a lot of people are still in shock over the election result, they’re hurt, angry and justifiably afraid. It’s still too early to be too aggressive in calling out those who double down on identity politics. Give them the time and space to figure why things have gone wrong for themselves.

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