Peer Reviewed

Following Peer Reviewed on Twitter is making me wonder if academic postmodernism is the modern-day secular equivalent of the Gnostic heresies of centuries past.

This Twitter account is the work of someone who possibly has too much time on their hands, who trawls academic journals in search of the most ridiculous-looking papers, and posts screengrabs of the abstracts.

This is a typical example.

Gnostic Heresy Screencap

It really does read like something out of Private Eye’s Pseud’s Corner. Indeed, one ot two people have implied that the combination of tortured logic and awful academic prose worthy of H. P. Lovecraft is actually triggering.

I have no idea of the compiler’s personal politics, but the selected nonsense skews very heavily leftwards, with a lot of references to Critical Race Theory and intersectional feminism. This might just be down to the author’s biases, but it might equally be that the prevalence of  pseudo-intellectual codswallop skews heavily towards the left.

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The Trump

TrumpThe American election has to be the most frightening one during my lifetime. The rise of Donald Trump on the right and Bernie Sanders on the left both demonstrate a populist revolt against a ruling elite that’s lost the support of large sections of the population. In the case of Trump it’s the closest a serious presidential candidate has come to full-blown Fascism. He certainly makes similar accusations against George W Bush look like risible hyperbole.

The Republican party has always been the party of the rich. In the past they’ve managed to win elections by playing bait-and-switch with a proportion of the electorate, encouraging them to vote against their economic interests by stoking the fires of xenophobia.

The coming of The Trump has bought that to an end. If your political strategy is essentially a confidence trick, sooner or later a bigger and better conman is going to beat you at your own game. Nobody really knows what Trump would do if elected President, but very few have so little to lose they’re prepared to risk finding out.

The 1% have reached a crossroads. Either they accept the party’s over and recognise that their gross inequalities are unsustainable. Or they just conclude their interests are no longer compatible with democracy, and it’s democracy that has to go. One wonders how they might react should Bernie Sanders become President.

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Kim Seviour – Fantasise to Realise

Kim Seviour - Fantasise to RealiseFormer Touchstone frontwoman Kim “Elkie” Seviour kicks off her solo career with the single “Fantasise to Realise”. It’s a dramatic record that combines a big pulsing dance rhythm and rock guitars with a soaring vocal performance that suggests the best may be yet to come for Kim as a singer. It’s the sort of things that deserves to be a dancefloor hit if you can find enough clubs that aren’t frightened of guitars.

If that sounds a long way removed from Touchstone’s progressive rock, it’s actually a logical progression from the more pop-orientated elements of of Kim’s last album with the band. “Oceans of Time” cast around in a lot of different directions, and “Fantasise to Realise” represents something of one of those directions. It is certainly an intriguing taster for Kim’s forthcoming album.

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As you may have noticed, I’ve streamlined the front page of the website making it slightly less cluttered, and faster to lead. It now shows five featured and five recent posts across all categories. What do you think?

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Pre-order Salvation Jayne’s new EP “Dahlia”

Salvayion Jayne DahliaKent-based blues-rockers Salvation Jayne are now taking pre-orders for their EP “Dahlia”.

I encoutered this band entirely by accident when they were playing a gig with a mix or originals and covers at The George Hotel in Ashford the nighr before The Ramblin’ Man Fair last July.

Their first EP “I’ll Be Damned” is also well worth a listen.

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Purson reveal cover artwork for “Desire’s Magic”

Psychedelic rockers Purson have revealed the cover for their forthcoming album “Desire’s Magic”. According to the band, “it sounds like it looks”.

Purson will be playing an album launch gig at The 100 Club on March 16th.

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John Mitchell – The Nostalgia Factory

The Nostalgia Factory“The Nostalgia Factory” by John Mitchell is the first release by White Star Records. Aside from a couple of backing vocals by former Touchstone singer Kim Seviour. John Mitchell plays and sings everything on this record himself. The only thing he didn’t do this time is write the songs. Though he’s a songwriter so prolific other musicians can’t keep up with him, this four-song EP is a record of covers.

The record takes its title from the first song, a very early Porcupine Tree number from the days before they were a full band and releasing on cassette. This take is all 80-style shimmering guitars, with a vocal that sounds more Steve Wilson than Steve Wilson.

Next up is Justin Hayward’s ballad “It Won’t Be Easy”, the theme song of the short-lived 1987 TV series “Star Cops” (Anyone remember that one?), and up-tempo pop-rock of Phil Collins’ “Take Me Home” which he played live with Lonely Robot at their showcase gigs at the end of last year.

The final song, ELP’s “C’est La Vie” is the standout of the record. It was originally intended for a Prog Magazine cover disk that never saw the light of day. It’s a thing of beauty; a simple piano figure puts the emphasis on Mitchell’s vocal, and he takes the song and simply owns it. Much like Panic Room’s version of “Bitches Crystal” intended for that same ill-fated cover disk, it shows how good ELP’s songwriting can be when you strip away their bombast.

With material from the mid-70s to the early 90s, the record has a very strong mid-80s feel about it, although there’s none of the worst excesses of 80s pop-rock production to be heard. What comes over strongly across the whole record is John Mitchell’s skill at interpretation. If you’re not intimately familiar with the originals it’s not immediately obvious that this record is made up of covers. He takes each song and makes it his both vocally and instrumentally, which is always a sign of a great creative musician.

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This Week on The Song Bar

Song-BarThis week’s topic on The Song Bar is songs with misheard, nonsense or inaudible lyrics. So far I’ve nominated Blue Öyster Cult’s Workshop of the Telescopes with its “silverfish imperetrix with uncorrupted eye” along with some classic 70s Jon Anderson and Budgie.

Nominations as usual in the comments section over there (not here!), and get them in by Monday!

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Nuclear Trains

Scottish CND and one or two SNP MPs have been getting themselves in a lather on Twitter over a short video clip of nuclear flask train passing through Paisley on route between Hunterston and Sellafield. The heavily-constructed steel flasks carry spent reactor fuel rods for reprocessing.

Never mind that these trains have been running for decades, or that they run in connection with the civilian nuclear power industry and have nothing to do with nuclear weapons.

Lines like “I marched against nuclear weapons in 1963” and “What if Faslane was hit by a meteorite” show their level of argument. They come over as thinking “nuclear” is such a big scary word that there’s no point discussing rational assessments of risks with these people.

The above video isn’t actually Paisley, but from Bridgewater in Somerset, with flask traffic from Hinkley Point. The veteran class 37 locomotives are 50 years old,  two of a handful of the type still earning their keep more than a decade after most of their classmates were retired.

Interestingly the rail operator, Direct Rail Services, is the only publically-owned train company in Britain. Although it’s run as a commercial business and has diversified its rail operations to include Anglo-Scottish intermodal traffic and even some passenger work, it’s still part of the state-owned nuclear industry.

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Emirikol the Chaotic

Emirikol the Chaotic This iconic image by the late Dave Trampier from the first edition A&D Players Handbook epitomises Dungeons and Dragons for me.

Here’s a figure on horseback firing Magic Mssile spells while a conviently heavily-armed warrior rushes out of a tavern to confront him.

It’s just like a scene from a western. Except it’s in medieval European dress.

Which, when you actually stop and think about the tropes, is what Dungeons and Dragons is all about.

 

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