Where Worlds Collide

WhereWorldsCollide

Fellow prog fan Andy Hall posted this on Twitter earlier today, taken in Sainsburys.

Prog Magazine editor Jerry Ewing was not impressed with his illustrious magazine being placed next to one about toy trains. I do wonder if the editor of Hornby Magazine feels the same way about his mag being next to one dedicated to songs about Hobbits?

The first reaction for any self-respecting prog fan ought to be “Old King Coal was a merry old soul, and a merry old soul was he“. But it’s unlikely that many progressive rock fans are aware that Prog Magazine’s cover star is actually a model railway enthusiast.

Of course, if you’re one of those people who goes to both prog gigs and model railway exhibitions, you will realised that the attendance is drawn from the same demographic. Execpt that model railway exhibitions have even fewer woman.

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A shoutout on International Women’s Day to some of the inspirational female musicians whose work has featured on this blog over the years, including Chantel McGregor, Anne-Marie Helder, Anna Phoebe, Angela Gordon, Heidi Widdop, Sarah Dean, Diane Fox, Christina Booth, Olivia Sparnenn, Heather Findlay, Kim Seviour, Lisa Fury, Jane Setter , Rachel Cohen, Charlotte Evans, Vicky Johnson, Hayley Griffiths and everyone else I’ve missed.

Posted on by Tim Hall | 3 Comments

Mostly Autumn announce tour dates

Olivia Sparnenn

Mostly Autunn have confirmed some live dates over the spring and summer, four British and two Dutch gigs plus the already announced appearance at the Cambridge Rock Festival in August.

The dates as listed on the website are:

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Peter Knight’s Gigspanner – All Saints Wokingham

Peter Knight's Gigspanner at All Saints Wokingham

A gig in an 800 year old church is not quite like your usual rock venue. Being an Anglican church, there’s still a bar, but it doesn’t sell any beer, only wine. And the acoustics are always wonderful, because medieval architects knew what they were doing. Peter Knight’s Gigspanner came to All Saints’ in Wokingham on a cold Friday night, and pulled more than double the crowd that had attended their gig in Reading back in November.

Though billed as a folk act, Gigspanner cannot be contained within narrow genre pigeonholes. The opening number was a case in point, beginning as an evocative classical-style violin solo which slowly morphed into a folk jig. The dark “Death and the Lady” took on a rock feel with Peter Knight on electric violin and some Dire Straits style guitar flourishes. The instrumental encore even had touches of jazz with everyone doing a solo.

The set drew heavily from their most recent album “Layers of Ages”. “Mad Tom of Bedlam” was an early highlight, as was “Bows of London”, the latter telling the tale of a drowned girl made into a violin exemplifying just how dark some traditional folk ballads can be.

Peter Knight at All Saints Wokingham

It’s really Peter Knight’s show; his evocative and lyrical playing makes him to the violin what Steve Rothery is to the guitar, and he sings lead on the vocal numbers. Though guitarist Roger Flack and percussionist Vincent Salzfaas hahaved their time in the spotlight, including a Frampton Comes Alive moment with talk box guitar on “Mad Tom of Bedlam”, they both play more more of a supporting role. But what comes over strongly is the trio’s near telepathic understanding of each other on stage, such that often complex arrangements still retained an air of spontaneity.

Gigspanner are on tour for much of the next couple of months, though quite a few dates in small intimate venues have already sold out. If you get the chance to see them, go, even if you’re not a hard-core folk fan. They really are an excellent live band.

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Tony Blackburn

Tony BlackburnThere’s a great piece in The Quietus about Tony Blackburn, which is well worth a read.

Rock fans always sneered at Tony Blackburn, with his catchphrase “What a sensational sound”. But when you look back at his career and the popular but unfashionable music he championed, he had far more in common with the late great Tommy Vance than he ever did with Jimmy Saville and his ilk. When it came to soul and disco music he knew his stuff and expressed a genuine enthusiasm for the music he played. And much of it has stood the test of time. As Pete Paphides himself says, he listens far more to Luther Vandross more than to Joy Division nowadays.

The same hipsters who had no time for Tony Blackburn also had no time for Tommy Vance or the rock and metal he played. That’s because both of them were the antithesis of the hipster mentality.

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Twilight of the Pacers

Twilight of the PacersThere’s an informative and well-researched article on the BBC website telling the story of Pacers: The train that the UK has struggled to get rid of,

These trains were unloved even when they were new; I still remember seeing people’s reactions at Plymouth in 1987 when the forward connection into Cornwall wasn’t the expected class 50 and a rake of Mk1s but a pair of chocolate and crean liveried 142s.

But the article explains why they were a pragmatic solution for a cash-strapped railway under the rule of a government of the day that gave every impression that it hated trains and worshipped the private car.

But rail experts broadly agree that, in their early days at least, they were a pragmatic solution to a shortage of rolling stock. “Originally they were a good idea,” says Christian Wolmar, author of The Iron Road: The Illustrated History of the Railway.

Budgets were tight and British Rail was under great pressure to cut branch lines, says Wolmar. Meanwhile, at its factory in Workington, Cumbria, motor manufacturer British Leyland had produced a single-decker bus, the National, which needed to sell in high volumes to be viable.

“We had one practical chap suggested maybe you could take the body bit of the Leyland National and put it on a rail track,” says Eric Woodcock, who was a bus designer at the state-run conglomerate at the time and now campaigns on public transport issues.

Simultaneously, British Rail had been working on freight wagon technology, and engineers from both nationalised companies began collaborating on a way to fuse the National’s body with a bogie-less chassis to create a cut-price diesel multiple unit (DMU) train.

Their days are numbered now. They will not be compliant with disability legislation and cannot run in their present state after 2020. It’s not practical to convert the Leyland-built class 142s to make them compliant, and even for the superior 143s and 144s it would still cost more than would be worthwhile given their remaining economic life. Their original design life was only 20 years, and they’ve already done far more than that.

As an aside, it’s remarkable how well the Sprinter family of trains have aged. The oldest of these, the 150, are roughly the same age as the Pacers, and it’s likely to be 150s displaced by newer trains elsewhere that end up replacing most of the Pacers. They’re in far better condition now than the 20-25 year old first-generation DMUs that the Pacers and Sprinters were built to replace,  a tribute to the standards of engineering in the BR workshops that built them.

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High/Aflame

Psychedelic rockers Knifeworld release a promo video for the track from their forthcoming album “Bottled Out Of Eden”.

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Happy Birthday Heather and Kim

Touchstone Farewell Gig

Two of progressive rock’s much-loved singers, Heather Findlay and Kim Seviour, share a birthday today. Here’s the two of them sharing a stage at The Assembly in Leamington Spa last November.

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More Layout Ideas Unlikely to be Built

Rift Valey RailwaysPhoto by Fredrick Onyango via Wikimedia Commons

Another of those layout ideas I’m never likely to build, a freelance layout based in a ficticious African nation.

The above picture of a Rift Valley Railways passenger train in Nairobi, Kenya with its American diesel and vaguely European looking coaching stock is the sort of scene it might try to evoke. The RVR is metre-gauge (and most other lines in sub-Saharan Africa are 3’6″ Cape Gauge), but a model like the recently introduced Arnold U25C and Brawa DR “Reko” coaches could represent something similar.  Some Kato Japanese-outline freight stock would not out of place either.

As for other motive power, there was an export model of the Brush 4 that ran in Zimbabwe, and might make an interesting conversion project from a Graham Farish 47. Kitbashing anything to represent the stylish English Electric export model 1-Co-Co-1s which also run in Kenya might be more of a challenge.

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Congratulations to Karnataka for winning Best Album for the superb “Sectets of Angels” in this year’s CRS Awards, the prog-rock equivalent of The Hugos. The does not make The Guardian look good.

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