Mozilla help required?

Can someone who’s familiar with Mozilla tell me what’s going wrong with this display of this weblog on Mozilla? There seems to be something about the Issares/SJG press release that it doesn’t like; other archive posts all seem to look OK.

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Music Man Was Not Meant To Hear

No, not Ümläüt this time, but A Shoggoth on the Roof: the Cast Album. One for Andrew Ian Dodge, methinks. (Thanks to Silkenray on Dreamlyrics for the link)

Talking of Ümläüt, I’m having great fun in a current game thread making up the early background of the band in-character (during an interview with a journalist) along with another player. Check out this thread for where’s it’s going, including the story of Nigel the Medallion Man.

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This is going to get expensive!

The Bern Lötchberg Simplon railway have some new locomotives; I can seen some of these running on the N-gauge Wominseebahn as soon as Fleischmann do a version in BLS Livery!

These two photos show the first Re485 in service:

In the company of a BLS Re465 (which the new 485s will be replacing) at Hohtenn on the south ramp with a Rolling Road train

Crossing the Luogelkinn viaduct just east of Hohtenn on a Italy-bound clay train; the second loco is a DB class 185

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Carnival of the Vanities #22

Carnival of the Vanities #22 now up at The Peoples Republic of Seabrook

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When “Alternative” died.

Justin Anderson complains about Nirvana making “Alternative” into mainstream in Blogcritics: Death of a Genre

A&R reps scoured Seattle and other alternative hotspots for the next big thing. Bands that would otherwise have become boy bands saw the riches at the end of the alternative tunnel. And what that meant was a diminishment in the quality of music. It also resulted in a sort of cultural imperialism in which hordes of frat boys and teenybopper girls became “alternative” overnight.

Nothing for it, Justin; you’ll have to become a prog rock fan. Prog rock will never get taken over by ‘lemmings’, because it will never be ‘cool’.

Of course, one of the tragedies of “Alternative” becoming mainstream was to kill off a lot of good music and replace it with stuff that was quite frankly inferior, just like what happened in Britain after punk in the late 70s.

I don’t get the ‘elitist’ attitude either; I don’t care how ‘cool’ my CD collection is, I listen to stuff I actually like. I’d rather admit to liking Marillion and Uriah Heep than have to pretend that I like REM for peer approval.

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King Crimson – Ladies of the Road

I wasn’t really a fan of the 1971/2 version of King Crimson. The previous incarnation of the band, featuring Greg Lake and Ian McDonald, had produced the Mellotron-drenched classic “In the Court of the Crimson King”, while the later 1973/4 band with Bill Bruford and John Wetton came up a trio of classic albums full of frantic improvisation. In between these two lineups came the two rather directionless studio albums recorded with a revolving cast of musicians, “Lizard” and “Islands”, both of which I find pretty much unlistenable.

With this live release, “Ladies of the Road”, perhaps it’s time to reassess this version of the band. Recorded on the 1971/2 world tour, it sees Robert Fripp joined by saxophonist Mel Collins, Boz Burrell on bass and vocals, and Ian Wallace on drums. With the Mellotron that had earlier defined their sound pushed into the background, the focus here is on Fripp’s guitar and Collin’s sax.

Unlike every other King Crimson live release (of which there have been a great many), this isn’t a record of any single show; instead it’s a compilation of the best takes from a whole tour. Indeed, the lack of any mention as to which songs where recorded where suggests that Fripp has spliced together some numbers from bits recorded on different nights; a technique used a lot by the late Frank Zappa.

Disk One features a set that draws heavily from “Islands” and “Lizard”, but the powerful live version of songs like “The Letters”, “Formentera Lady” and “Cirkus” are vastly superior to their studio counterparts. We still get a couple of songs from the Greg Lake incarnation, “Pictures of a City”, and of course, “21st Century Schizoid Man”. I’m not sure of the blues jam version of “In the Court of the Crimson King”, perhaps it’s just as well it’s but 46 seconds long.

Disk Two is an extended “Up yours!” to all those the music journalists that hate solos. It’s a 45 minute epic version of “21st Century Schizoid man” created by knitting together the middle solo sections from eleven different live takes to form a seamless and relentless sax and guitar solo.

Fripp was to disband this version of King Crimson at the conclusion of the tour; while this album highlights some very energetic playing, the American blues/jazz direction the other three were heading in was at odds with Fripp’s own chosen course. A year later, a new, radically different King Crimson was to appear, but that’s another story entirely.

Oh, and the song “Ladies of the Road” isn’t actually on the album.

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Korean Arson Attack

BBC News is now reporting over 100 dead in the South Korean subway fire. It’s being described as an ‘arson attack’; nobody has yet used the T-word.

Reports suggest the arsonist has been captured alive; presumably time will tell if he’s a lone nutter or part of an organised group. Whatever his motivations, an incident like this in a very volatile part of the world is not good news.

Update: The latest report suggests that the arsonist had a history of mental problems. He managed to kill over a hundred with a milk carton, some petrol, and a cigarette lighter.

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Duct and Cover!

Yes, it’s Bert the Turtle in Duct and Cover!

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The reason for light blogging

Not much blogging recently; I’ve been concentrating my limited time on keeping my on line games running; you can see what I’ve been up to here and here.

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Non-Standard Characters

Perverse Access Memory: WISH 34: Non-Standard Characters

Do you prefer to build a character with a unique concept, or do you prefer a simple or more standard concept to start with? Do you find that your preference correlates with a preference for elaborate initial backgrounds or with background development in play? If you’re a GM, do you find unique-concept characters easy or hard to GM for? What about playing alongside them?

I tend to steer clear of games where the PCs fit into strong archetypes; I haven’t played a DnD campaign for years! None of my three current on-line PCs really fit into traditional archetypes, but they’re not really far-out concepts either.

Ivor Tregonning is my character in STD, a game based on Stephen King’s The Stand, a book I’ve never actually read. The original request-for-players asked for people to play characters strongly based on themselves; but after the first few submissions arrived the GM (David Edelstein) decided he had received enough IT geeks. So I wrote up a train driver with a hobby of studying Cornish history and mythology.

Karl Tolhurst of Ümläüt has been mentioned before; lead guitarist of a goth-metal band, he probably does conform to an archetype, if not a typical gaming one. The original version was for a Call of Cthulhu game in which the band had murderously self-destructed when the singer reached zero SAN and then some; Karl was a tragic figure who’s life had disintegrated before his eyes. I’ve resurrected him to a pre-tragedy version in a quite different game, but this one doesn’t quite have the emotional depth.

Quibbp is very archetypal, a stubborn, otherworldly mad scientist. He just happens to be an octopus, part of exploration term of undersea dwellers exploring the surface world.

From the GM perspective, I’ve had a real mix of player character types; some have quite detailed back-stories despite being fairly conventional concepts; others have been, well, different. I’ve got a agent of the secretive technology guild who’s also a powerful psionic acting as an undercover agent disguised as a beggar. I’ve had a spoilt rich noble acting as a clueless bimbo. The most far out one (which too a lot of effort to integrate into the campaign) was Kalnyr, who’d lost his memory and was occasionally possessed by a ‘demon’ that turned him into a berserk killing machine. He was entertaining at times, but very difficult to integrate into a party with any other PCs. I ended up with him in thread of his own much of the time, only meeting with other PCs occasionally, and then sometimes as an adversary.

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