Thou Shalt Not Kill

Al-Muhajabah is sick of people who murder to advance their cause

The Quran says “Whoever kills a single human being unjustly is as though he had killed all of humankind” (Surah al-Ma’ida ayah 32). Deliberate murder of another person will put you in Hell forever. Imagine the punishment for those who have killed dozens. Whoever has committed this atrocity will have God’s wrath upon them. They should remember that any victory they might gain in the world that was not by means that God has allowed will be made void by God on Judgment Day, and that is no victory at all but the ultimate loss. The only way to gain true victory is to obey the limits that God has set.

Not really much more I can add.

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Beware the Fanboys

In Wanting More Than Anger, Bruce Baugh, line editor of Gamma World tells us some of the things he dislikes about fanboy behaviour.

I’ve been thinking lately about the extent to which fandom – any fandom – seems to be about providing reasons to be angry. If you’re a fan of something mainstream (in terms of the hobby in question), you can get angry whenever it changes and whenever something new comes along and gets any popularity. If you’re a fan of something less popular within the field, you can be angry at the mainstream for not getting the obvious merits of your clearly superior thing. If you’re into the history of the field, you can be angry at how everyone else is neglecting treasures of the past, and if you’re trying to create something new, you can be angry at all the traditionalism and stuck-in-the-mudness. And of course wherever you are on questions like that, you can be angry at the public at large for marginalizing this wonderful thing (or worse, depending on how much you feel like indulging a persecution complex).

Many reviewers have been harsh on Gamma World, and there’s been a lot of vitriol on the boards of Pyramid Online and elsewhere. Most of the nastiest comments have come from people that liked one of the earlier incarnations of GW, and hate what Bruce has done with this one. At the end of the day, it’s only a game. Nobody is forcing anyone to buy it at gunpoint.

I find there’s something pathological about more extreme fanboy behaviour. I feel that anyone for whom the continuity of a movie franchise or comic book series is a crucial part of their identity has a serious need to get a life. It extends to music as well; one reason I no longer read many bands’ mailing lists is the constant hate between different sects of fanboys. The Marillion one was particularly bad. I was on that list at the time Anoraknophobia came out, and there were terrible flamewars between the sect that believed it was the best album they’d ever done, and those that believed it was a betrayal of everything the band stood for.

It even extends to model railways. Every time any major manufacturer releases a flagship new model, there’s a chorus of people on lists like Demodellers condemning it’s inaccuracies. “It’s 2mm too wide!”, they cry, “The cantrail is all wrong”. For the people that don’t like Gamma World, look at this; scroll down to the Monday evening – 03/11/03 entry. (Bah! no permalinks!) Has anyone torn up a copy of GW, photographed the result, and posted it to the net?

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No 60

Does this represent the Dead End of British locomotive building? Or is it the latest Carnival of the Vanities?

Not to be confused, of course, with www.class60.co.uk.

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Olten

I’ve put a few more of this spring’s photos online at Fotopic.Net. These were taken at Olten in northern Switzerland, junction of five routes, north to Basel, south to Luzern and the Gotthard route, southwest to Bern and the Lotchberg pass, West to Neuchatel and Geneva, and east to Zurich. It’s a busy place with a wide variety of traffic on it’s six running lines.

I saw everything from the veteran Ae6/6 locos dating from 1952 to the modern ICN intercity multiple units. Even a Swiss Express push-pull set. As well as SBB passenger and freight, there’s also freight traffic from private railways RM and BLS. It’s a real hotspot; a pity I visited the place on a rather dull and overcast day.

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Where have the solos gone?

This review of Pat Benatar’s latest album has sparked a discussion. What’s happened to guitar solos? Why have they gone so completely out of fashion that even bands like Rush and Metallica feel obliged to release albums devoid of any solos?

It seems the culprit is Grunge, which was a reaction against the soulless widdlywiddly soloing of 80s hair metal. Like punk in Britain a decade and a half earlier, Grunge threw the baby out with the bath water and rejected guitar solos altogether. Somehow solos have vanished from the British scene as well, and we’re stuck with boring strummy stuff.

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Review: GURPS Planet of Adventure

GURPS Planet of Adventure is the latest in a long line of licenced GURPS worldbooks based on science fiction novels, based on a series of four novels by Jack Vance, City of the Chasch, Servants of the Wankh, The Dirdir, and The Pnume, later collected together as Planet of Adventure.

Steve Jackson Games have never gone for any of the really big licences like Lord of the Rings, Star Wars or Dune, presumably because they didn’t want to bet the company on something that they don’t control. Instead, they’ve chosen lower profile works, usually literary rather than TV or film. Past licences have included Andre Norton’s Witch World, David Brin’s Uplift novels, E.E “Doc” Smith’s Lensmen and Terry Pratchett’s Discworld.

Planet of Adventure comes from the “Sword and Planet” sub-genre of SF. The four novels follow the adventures of the Earth Scout Adam Reith, the first man from Earth to visit the planet Tschai, after his starship is shot down and he’s the sole survivor of the crash landing. Tschai is typical of Jack Vance’s creations, a picaresque planet filled with strange baroque cultures and larger-than-life characters. The dominant powers are the four warring alien races, each with their own races of human servants, who share the planet with a wide variety of human cultures. Adam Reith encounters many of these in his efforts to build or steal a starship to get back home.

The GURPS adaptation presents Tschai as a setting for further adventures. The first chapter gives an overview, starting with GURPS game statistics for the planet’s animal life, including the dangerous Bombardier Birds (who dive-bomb their prey with stones) and the feared Night-Hounds. It goes on to give some details of the history and geography of the world, as well as a synopsis of the four novels.

Chapter Two, Masters of Tschai details the four alien races who dominate the planet through higher technology. There are the scaly xenophobic Chasch, The inscrutable frog-like Wanek (who in the novels were called The Wankh!), the man eating hunters the Dirdir, and the enigmatic insectile Pnume, the original native inhabitants of the planet. For each race we get GURPS racial templates and a description of their physiology, psychology and culture. The chapter also covers the human servant/slaves of each of the four in much the same way.

Relations among the various races of Tschai can be summed up fairly simply: Everyone hates everybody else!

Chapter Three, Humans of Tschai details the human inhabitants of the planet living in those regions not controlled by any of the alien races, descendants of Earth humans brought to Tschai by the Dirdir millennia ago. We meet the nomadic steppe nomads the Kruthe, who ride lorries and electric motorcycles. At the other extreme there are the decadent city dwelling Yao, obsessed with status games and petty intrigues. We get all we need to know about the daily life, religion, technology and economics of the human cultures.

Chapter Four, Characters and Equipment is the rule-heavy chapter, showing how to represent Tschai in GURPS terms. It gives plenty of character templates for various archetypal characters, both Earth visitors to Tschai, and locals. It also covers the available technology, including weapons and vehicles.

Chapter Five, Campaigns and Adventures puts it all together with advice on how to run games set in Tschai. It gives various campaign frames; the obvious one being the player characters as Earth Scouts in better armed and better briefed followup mission to that of Adam Reith. It also suggests a number of ideas for parties of Tschai natives such as from merchants and pirates. Finally we have four adventure scenarios, some for Earthmen, some for Tschai natives, some suitable for both.

The last chapter gives a glossary of people, places and terminology.

Overall, this is one of the better GURPS licenced worldbooks. It takes a very rich setting and shows the potential for adventure. The inclusion of some sample adventures demonstrates the things player characters might expect to do, something a few GURPS worldbooks of the past have neglected.

Board your starship and go there now!

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Why the “War on Drugs” is bad

Yet anothe reason why I’m glad I don’t live in America. The local police act like a bunch of jackbooted thugs and conduct an armed drugs raid on a high school, apparently with full support of the school administrator. The raid terrorised more than a thousand school pupils and found no drugs.

So there were allegations of drug dealing at the school? Surely there are more effective ways of dealing with this than lashing out in a way that terrorises guilty and innocent alike.

Heads deserve to roll over this.

My experiences of (much milder) collective punishments at School never left me with any greater respect for authority, or even anger at the miscreants that provoked the punishments. All that was left was a burning sense of injustice, and a belief that the teacher in question was a fascist idiot.

The only good it did was to teach me that collective punishment is always wrong, whether it’s carried out by some frustrated Welsh economics teacher, or by Ariel Sharon.

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Slactivist on “Left Behind”

Slacktivist gives us a tour of surreal worldview of the all American heresy of Millenial Dispensationalism, through the pages of the truly dreadful Left Behind books. Here Slacktivist concludes that they’re just not creepy enough.

Left Behind, despite its religious trappings, is part of a larger genre of earth-shattering apocalyptic tales. Contrast the opening chapters of LB with the early pages of Stephen King’s The Stand, which offers a similar sweeping epic tale of the end of the world.

King’s story is genuinely frightening. L&J’s is not. This is, of course, partly because Stephen King is a better stylist. But the main difference is not King’s skill as a storyteller, but his objective. When you read The Stand, he wants you to imagine this is happening to you.

The tone and objective of LB, instead, asks you to imagine this happening to someone else. The reader has no purchase, no foothold in the story — and thus no reason to find it personally unsettling.

L&J’s approach divides their readers into two categories. You can, like the authors, consider yourself among the departed, looking on these wooden characters with a gloating scorn. Or else you must be, like these characters, the object of that scorn. Either way, there’s little room for the empathy necessary to make such stories truly frightening.

What I find truly frightening is that millions of otherwise sane Americans apparently believe this nonsense. Not only that, but this heresy, thanks to the political power of the Religious Right, is influencing American policy in the Middle East.

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Euro N

There’s a new mailing list for European N gauge modelling, Euro-N. It’s only been going for about three days before the list starts costing me money! Just about the first discussion of the new group concerned the SBB EWiii “Swiss Express” coaches. Thisencouraged me to buy the last remaining Minitrix 5 car set in stock at my local model shop.

I will need a modeller’s licence to operate the thing on a layout that’s supposed to be somewhere on the BLS North Ramp. Yes I know the stock is due to be transferred to the BLS as some time, but I’m guessing they will get repainted into BLS colours by then.

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Something Awful about Radiohead

Something Awful rants about Radiohead. This is about their unlistenable “Kid A”

‘IDM’ which is an imaginary sub-genre of electronic music (the “I” stands for “Intelligent” which stands for “pretentious and meaningless”). One would think that such wild-eyed, obstreperous garbage would have no choice but to be interesting, but Radiohead once again defied expectations by making the albums as boring as a tea-party with grandma. Not even your own grandma, with whom you had an emotional connection. This was like a tea party with your neighbor’s grandma. The decidedly lukewarm reaction from the music press only added to the die-hard fans’ mistaken impression that these albums were deep and mysterious.

I thought “OK Computer” was a decent album (although a few Dave Gilmour style guitar solos would have improved it immensely), but after that, they Jumped The Shark in spectacular fashion. However, large sections of the music press continue to worship them. (Link from Adam)

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