When Codes of Conduct Go Bad

David Auerbach notes that the ToDo Group have abandoned their Open Code of Conduct because they were unable to form any sort of consensus over its contents. He is correct in stating this particular clause would be a potential ligitation nightmare.

Our open-source community prioritised marginlised people’s safety over privileged people’s comfort, we will therefore not act on complaints regarding “reverse -isms”, including “Reverse racism”, “Reverse sexism” or “cisphobia”.

Reading that, you are forced to conclude whoever wrote than has never heard of the Requires Hate saga in SF Fandom, or has completely failed to learn any lessons from it. Such a code of contact won’t survive contact with a bad actor who identifies as belonging to a marginalised group, for starters. And it fails to acknowledge that “marginalised”, “privileged” and even “safety” and “comfort” are highly subjective and context-dependent things. Auerbach is dead right; lawyers could have a field day with that.

The online social justice movement has a contentious “Punching up/punching down” dynamic which draws from Critical Race Theory and Intersectional Feminism. But they are not uncontroversial mainstream beliefs, and there is considerable opposition which doesn’t just come from hardcore racists and sexists.

Codes of conduct are a necessary evil in a world where bad actors exist. But a successful code of condut requires a broad consensus from the community to which it applies. A code of conduct that explicitly hard-codes the values of one narrow political tribe is always going to look like a power-grap. It just plays into the hands of those who oppose codes of conduct in principle.

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Goodbye David Cameron

Knock Knock!

Who’s there?

David

David who?

Two months is a long time in politics, isn’t it?

It is ironic that I’m writing this while listening to Marillion’s new album “F*** Everyone And Run”. Because David Cameron sure as Hell f***ed everyone and ran. There will be a review of the album in a couple of week’s time.

Had it not been for his idiotically reckless referendum, Cameron might have aspired to be a forgotten footnote in British history. Now he’s Tony Blair minus all the positive things Blair did before he burned all his political capital on the Iraq war. Everything positive that happened during Cameron’s premiership, like equal marriage, was an achievement of their Liberal Democrat coalition partners and would never have happened under a majority Tory government. People are slowly beginning to realise this.

A prog muso I won’t name once asked me how I thought David Cameron might feel if he read some of the rude things I said about him. But why does anyone expect me or anyone else to care? Because Cameron and his Bullingdon Club chums sure as Hell never cared about anyone that matters to me.

Good riddance. Don’t let the door hit you on the way out, and please take that sociopath George Osborne with you.

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Chantel McGregor at The Tropic at Ruislip

Chantel McGregor

Some photos of Chantel McGregor at The Tropic at Ruislip a few days ago, a part-seated gig in a small club in the West London suburbs.

Chantel McGregor

Rather than begin with the usual guitar-shredding fireworks, Chantel opted for a gentle start with the two solo acoustic numbers from her latest album before bringing in the rest of the band.

Chantel McGregor

The fireworks came later, of course. The set combined highlights from her albums, along with a couple of extended instrumental improvisations, one of which had something of the feel of Steve Rothery’s recent solo album. A tantalising glimpse of where Chantel might go next, perhaps?

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A Day at the Cowshed

Moulinnis

A few photos from The International N Gauge show at the Warwickshire Exhibition Centre. The exhibition centre, a few miles outside Leamington Spa, is a former farm, which is the source of the nickname.

The show has been a fixture in the exhibition calendar for quite a few years now, as the one major British show completely dedicated to N. It’s the big meetup for N gauge modellers from all over the country, and there were plenty of familiar faces present.

The first couple of photos feature the Cornish layout “Moulinnis”, a present-day layout set in the heart of clay country.

There’s some clever thinking-out-of-the-box design elements here, with the branch line forming a continuous run while one end of the main terminates in a fiddle yard. It also captures the atmosphere of clay country even though the china clay mill (which would have dominated the layout) is offstage. And it’s very compact, with a footprint of 8′ by 3′

Not all the layouts were British outline, with German, French and American layouts on display. South Walton was a little more unusual, set in New South Wales.

As well as layouts, there are plenty of traders to damage everyone’s credit cards, and manufacturers large and small display their wares and announce new products. Here’s the first engineering sample of Graham Farish’s new class 40, equipped with DCC sound. Can you beleive that’s N?

They were also demonstrating the sound-equipped class 108 DMU, which is already in the shops. What’s remarkable is they’ve managed to program the chip so a lot of the sound functions work under DC as well as DCC!  Apply a low voltage and you’ll get the sounds of the engines starting up and idling, but the train won’t move. Increase the power and the current will flow into the motor and the train will set off as the sound chip goes through the gear changes.

Over on the Dapol stand some finished production samples of the long-awaited class 33 “Crompton”. A countainer (not a Hanjin one!) is on the high seas, eight days out of Southampton, so they should be in the shops within weeks.

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Is British Industry really “Fat and Lazy”?

When Trade Secretary Liam Fox accused British industry of being “fat and lazy”, I immediately thought of this film, dating from 1959 when the world was a very different place.

Back then, Britain had trading deals with what until recently been the Empire, in which we imported food and raw materials in exchange for manufactured goods. Railway networks from Australia to Africa relied on motive power built by English Electric, North British and Beyer Peacock.

Half a century later, though we still have a train-making industry, we’re a net importer of railway equipment, which comes from America, Germany, Spain and Japan. In the past two decades Britain’s railways have seen deliveries of large numbers of locomotives, but just one, the steam locomotive “Tornado” was actually built in Britain. Though even its boiler came from Germany. The idea of a railway in Africa or New Zealand buying British today is unthinkable. They buy from America, Japan and China now.

What happened?

It’s probably a complex combination of many factors, not least the technological shift from steam to diesel which left some British train builders unable to adapt. It’s ironic that the two steam locomotives in the film remained in traffic for much longer than most of the diesels built for British Railways shown in the early part of the film. The comparison between the service lives of the South African class 25s and the BR D600 diesel-hydraulics, both the products of North British, is exceptionally stark. That company is long gone now; they proved themselves incapable of building reliable diesels, and went bust.

But a major factor has to be the way British industry, used to favourable trading arrangements dating from the days of the British Empire, was simply unable to compete in a global marketplace.

So I think Liam Fox, like so many other Brexiteers, is hankering for the days of Empire.

Posted in Religion and Politics, Travel & Transport | Tagged , | 1 Comment

Crowdfunded Tankers and Containers from Revolution Trains

Revolution Trains 35t Tanker

Revolution Trains announced two new crowdfunded models at The International N Gauge Show at Leamington Spa. The first is a 35t class B tanker. It’s a wagon some may remember from the old 00 gauge Airfix Kit from way back when, but has never been made before in N.

The prototypes were introduced in 1955  remaining in service until the 1980s, making them suitable for both the steam/diesel transition era and the blue diesel era. The traditional short wheelbase tanks which disappeared rapidlly in the 1960s and the 1960s 45t Monobloc tanks that replaced them have both been available in N gauge for years, but neither is really suitable for both steam and diesel layouts in the way these 35 tonners are.

The model will be available in a number of liveries, including Esso as illustrated above.

Revolution Trains 40' Hi-Cube

The second model complements their already-announced Tiphook container flat. It’s a 40′ Hi-Cube container, one of the most common on container traffic from the ports, and will be available in the liveries of six different shipping lines.

Both models will be crowdfunded, and will only go ahead if Revolution Trains receive sufficient expressions of interest.

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Heather Findlay replaces Knight Area at Summer’s End

Dutch neo-proggers Knight Area are out of Summer’s End festival.

As reported by Prog

The band say: “Due to technical demands which cannot be met, we have to withdraw from Summer’s End. Both organising committee and we as a band decided together in good harmony that we would not be able to take care of a top-notch show as the technical conditions we need to give our audience the show they deserve could not be fulfilled.

“Knight Area will be part of the Summer’s End festival in a future edition of the festival and we look forward to this. We feel sorry not to play, especially for the fans who bought tickets, but we hope you will understand that we only want to play if we can perform to the standards we think are necessary for a good show.

One can only specululate as to what these technical demands might be. But those of us with long memories may remember The Classic Rock Society’s Octoberfest in Wath-upon-Dearne way back in 2009.

Knight Area were special guests, with Breathing Space headlining on a bill that also included Mermaid Kiss (playing a very rare electric set) and Tinyfish. Despite not being the headliner Knight Area insisted on using their own sound board and sound engineer. This caused a significant delay to the start, throwing out the entire schedule, and forcing the headliners to play a truncated set because of the venue’s curfew. None of the other bands on the bill were impressed.

The replacement on the bill for Summer’s End is The Heather Findlay band, who were on superb form at the Cambridge Rock Festival in August.

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Doris Brendel – The Devil Closed the Door on Me

A hilariously sllly video for the song from Doris Brendel’s most recent album “Upside Down World”. Doris will be supporting Wishbone Ash in October and November on the following dates:

  • Friday 14th October 2016 – Haymarket, Basingstoke
  • Saturday 15th October 2016 – Mick Jagger Centre, Dartford
  • Tuesday 18th October 2016 – Princess Theatre, Hunstanton
  • Friday 28th October 2016 – The Jam House, Edinburgh
  • Saturday 29th October 2016 – The Lochgelly Centre, Lochgelly
  • Sunday 30th October 2016 – The Iron Works, Inverness
  • Wednesday 2nd November 2016 – ARC, Stockton-on-Tees
  • Thursday 3rd November 2016 – 53 Degrees, Preston
  • Sunday 6th November 2016 – Pontardawe Arts Centre, Pontardawe
  • Tuesday 8th November 2016 – The Arts Centre, Swindon
  • Wednesday 9th November 2016 – Ropetackle Arts Centre, Shoreham-by-Sea
  • Saturday 12th November 2016 – Cheese & Grain, Frome
  • Wednesday 16th November 2016 – Harpenden Public Halls, Harpenden
  • Thursday 17th November 2016 – The Flowerpot, Derby
  • Friday 18th November 2016 – The Picturedrome, Holmfirth
  • Saturday 19th November 2016 – Ashcon, The Grand, Clitheroe

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What next for The Enid?

Max Read with The Enid at HRH Prog 3

Following on from the recent departure of vocalist Joe Payne, guitarist Max Read and drummer Dave Storey are now leaving the bamd.

The loss of half the band suggests that The Enid are in disarray, though the statement from Robert John Godfrey quoted in Prog Magazine is a little more upbeat.

“Big seismic events, such as those which have been going on within The Enid, always lead to changes in the landscape. These destructive upheavals are just a reflection of life itself. There is always a future in the aftermath and the unexpected nearly always happens.

“Dominic was due to take over from Dave at the end of the year. Unfortunately Dave’s planned hip operation was rescheduled, leaving him un able to do the gigs planned. Dom Tofield is now The Enid’s drummer.

“Max has decided to follow my example and step down from appearing on stage with the band.

“My personal goal is to help The Enid find the next generation of music fans who are passionate about change and could relate to The Enid as it goes forward with its plans.”

With mainman Robert John Godfrey himself stepping down from active duty a year ago, The Enid were always going to be navigating uncertain waters without him at the helm.

There is nobody else quite like The Enid, and their ambitious symphonic music is, in a sense, the very definition of Progressive Rock. Let us hope these “big seismic events” represent a new beginning rather than the beginning of the end.

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Jerry Barnett on Identity Politics

It’s a few months old now, but this piece by Jerry Barnett “Identity Politics is Killing Solidarity and Fuelling Fascism” on the Sex & Censorship blog is still worth a read.

But the Labour Movement, the foundation of the old left, effectively collapsed during the 1980s and 90s for a variety of reasons. The left dwindled, and found new power bases: no longer in factories or council estates; instead in academia and the public sector. It lost touch with working class people, and lost interest in poverty. It instead adopted identity politics, dividing people by race, gender, sexuality just as it once united people across these lines. It became whiter and more middle-class, and gradually came to represent the interests of white, middle-class people above all others. Step by step, from the 80s onward, the left took on the attitudes of the old fascist movements, seeking to divide society into isolated, opposing groups of people.

Barnett also laments the rise of neo-puritanism, once the preserve of the Christian Right, which has now taken root in part of the left.

The conclusion is sadly predictable

Is it surprising, therefore, that poor whites would now also choose to unite around their racial identity? Is the rise of Donald Trump or of Nigel Farage so surprising in this climate? This new ascent of the fascist right was clearly preempted and driven by the rise of fascist politics on the left. We have no chance of resisting the rise of of the far-right in Europe and America if we adopt fascist methods and ideas ourselves. We need to rediscover the solidarity of the old left: we must stand shoulder to shoulder with those who suffer, however much – or little – they resemble ourselves.

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